Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes sketches, newspaper clippings, pamphlets, and other textual material sent to Blaser.

Sub-series consists of audio and video recordings of poetry readings and other performances by Blaser of his written works.

Sub-series consists of audio recordings of Resurection Mortuorum by Oliver Messiaen, Meow, Meow by Rodolphe Burger, two unknown sound recordings on reel-to-reel tapes, and other recorded works.

Sub-series consists of photographs of friends of Blaser’s immediate family, including Sister Mary Seraphina, who was Blaser’s mother’s teacher and lifelong friend, and boyhood friends of Blaser’s.

Sub-series consists of manuscripts for unpublished and published books written by Blaser.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile correspondence. Additional material includes newspaper clippings, poems, personal papers, and other textual material sent to Blaser.

Sub-series consists of published books, chapbooks, broadsides, journals, and other published materials owned by Blaser. Many of the materials in this series were written by close friends and colleagues of Blaser and have inscriptions and signatures by the author.

Sub-series consists of slides of Blaser and friends as well as interior and exterior images of Blaser’s house on Trafalgar Street in Vancouver, B.C. Also includes slides that were utilized by Blaser in his teachings.

Sub-series consists of facsimile and printed email correspondence between Blaser’s partner, David Farwell and friends.

Sub-series consists of correspondence of Blaser’s mother, Ina (née McCready) Blaser, including handwritten correspondence from family and friends in addition to sympathy cards from her husband, Robert Blaser’s, death.

Sub-series consists of correspondence of poet Jack Spicer who was a close friend of Blaser. Records include handwritten and typed correspondence to and from Jack Spicer.

Sub-series consists of correspondence of artist Jess Collins who was a close friend of Blaser. Records include handwritten and typed correspondence from Jess to a friend and to a publication.

Sub-series consists of correspondence of Blaser’s maternal grandmother, Sophia (née Nichols) Auer.

Sub-series consists of correspondence of writer Stan Persky, who was a close friend of Blaser. Records include handwritten and typed correspondence.

Sub-series consists of handwritten, typed, and photocopied essays written by Blaser.

Sub-series consists of photographs of Blaser and his immediate and extended family.

Sub-series consists of photographs of Blaser and his friends and colleagues. Photographs include other notable writers and artists such as Robert Duncan, Allen Ginsberg, Robert Creeley, Jack Spicer, Jess Collins, as well as other notable American and Canadian poets and authors. The sub-series also includes print photographs that belonged to James Felts, a former partner of Blaser’s.

Sub-series consists of records related to Blaser’s attendance at various poetry conferences. Records include correspondence, conference programs, maps, flight records, notes, and other textual material.

Sub-series consists of incoming and outgoing correspondence between Blaser and family, friends, colleagues, and unidentified correspondents. Records include handwritten and typed correspondence, as well as facsimile and email correspondence. Additional material includes newspaper clippings, notes, receipts, and other textual material sent to Blaser.

Sub-series consists of correspondence of Blaser’s nephew Mark Samac to his mother, Hope Blaser Samac, correspondence of Jonathan Williams, and letter of Robert Duncan to Jack Spicer.

Sub-series consists of print photographs of miscellaneous people and places as well as objects such as statutes, paintings, and collages.

Sub-series consists of journals and notebooks, speeches, statements, short stories, a translation, and grant applications completed by Blaser.

Sub-series consists of articles, poems, manuscripts, and other works written by other authors. Some works are unpublished versions and drafts sent to Blaser and include both handwritten and typescript materials.

Sub-series consists of incoming correspondence to Blaser by family, friends, and colleagues. Material includes handwritten and typed correspondence as well as facsimile and email correspondence sent or forwarded to Blaser. Additional material includes enclosed contracts, poetry, and other textual material sent to Blaser.

Sub-series consists of outgoing correspondence from Blaser to family, friends, and colleagues. Material includes handwritten and typed correspondence, as well as facsimile and email correspondence.

Sub-series consists of photograph negatives of images of Blaser, Blaser’s family, friends, and colleagues. Photograph negatives belonging to James Felts are included in the series.

Sub-series consists of handwritten, typed, and photocopied poems written by Blaser.

Sub-series consists of promotional materials such as posters, flyers, event programs, and other types of material related to readings and performances by Blaser.

Sub-series consists of published materials written by Blaser. Material includes The Holy Forest, chapbooks and broadsides, music lyrics, and individual poems.

Sub-series consists of textual materials related to readings and other performances of Blaser’s written works. Included is a transcript of an interview with Blaser, handwritten notes from Blaser’s reading copy of The Holy Forest, copies of poems read at events, programs, correspondence with organisers, receipts, and schedules.