- MsC 19
The fonds consists of 16 audio cassette recordings, along with textual transcriptions of tapes.
B.C. Poets & Print
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The fonds consists of 16 audio cassette recordings, along with textual transcriptions of tapes.
B.C. Poets & Print
The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.
The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.
The fonds consists of incoming and outgoing correspondence to Barry McKinnon, book files (including manuscripts), business records, and publications of the Caledonia Writing Series press.
Caledonia Writing Series
The fonds consists of a typescript copy of the poem "Chant for Half the World".
The fonds consists of records created by Duke from approximately 1946 to 2006. They are related to all aspects of Duke’s life and career. Among other types of records, the fonds includes:
• Drafts of Duke's articles, essays and speeches
• Personal and production photographs
• Annotated working scripts of various television and film productions
• Personal and administrative correspondence
• Legal records, personal and administrative correspondence pertaining to the takeover of CKVU-TV
• Personal notes
• Press clippings featuring work by and about Duke
• Ephemera collected by Duke
• Audio/visual material
Series have been determined during archival processing and are primarily based on the various activities that Duke engaged in over his life and working career (see the Arrangement note below for more details about series arrangement). The series are:
• Friends of Canadian Broadcasting
• Banff Television Festival
• Vancouver Awards Show
• General business correspondence
• Personal correspondence
• Essays and articles
• Personal notes
• Personal journals
• Personal publicity
• Film and television works
• Audio recordings
Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.
Kiss & Tell Collective
Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.
Wershler-Henry, Darren S. (Darren Sean)
Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.
Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.
The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.
The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).
The fonds consists of correspondence, manuscripts, photographs, and other material.
The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.
The Coast is only a line
Fonds consists primarily of correspondence with Canadian writers.
The collection consists of posters relating to World War I propoganda.
The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.
The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death (-1945).
Innes, John Clarke
The fonds consist of materials that relate to Twigg’s work as a writer, publisher and cofounder of the B.C. Book Prizes in the years 1975 to 2008. The fonds is arranged in 14 series: Correspondence; Political Campaign and Poetry of Bud Osborn; Vancouver Theatre; Television Interviews; Twigg’s Book Research; George Woodcock’s Translation of Proust; Audio Cassette Interviews; Transcripts of Interviews; Authors’ Photographs and Negatives; Special Items; B.C. Book Prizes; Miscellaneous; Prairie BookWorld Founding Records; and Twigg’s Newspaper and Magazine Articles.
Materials include incoming and outgoing correspondence, taped television interviews, transcripts of television interviews, drafts of Twigg’s literary works, an unpublished manuscript of George Woodcock’s translation of Proust, audio cassette interviews, transcripts of interviews, photographs, banners, awards, legal documents, financial records, notes and newspaper and magazine clippings of Twigg’s published articles.
Fonds consists of records created, received or accumulated by Pierre Coupey through his personal and professional activities in the course of his career as a multidisciplinary contemporary artist, poet, co-editor, founding editor and English instructor. It includes hand-written and word-processed correspondence between Coupey and editors, publishers and other fellow writers, artists and poet-friends; unpublished poems and writings by Coupey and other writers, manuscripts and drafts of books and poems of Coupey’s poetic works and of other writers; reviews, newspaper clippings and photocopies of reviews of Coupey’s work as a poet and artist; original artwork by Coupey; photographs of Coupey and other writers; exhibition planning records; miscellaneous hand written notes by Coupey on his exhibitions and poetry works; hand written postcards and notes from fellow artists and poets; teaching materials as an English instructor; day-timers, which includes addresses and phone numbers of fellow artists and poets; promotional materials for exhibitions and reading engagements; Canada Council grant information; and miscellaneous ephemera such as exhibition postcards and posters.
This fonds is divided into 7 series: 1: Publication - "The Capilano Review" (TCR) (1959-2013); 2: Independent press (1967-1997); 3: Poetry and creative writing ([ca. 1957-2015]); 4: Capilano College (University) (1969-2014); 5: Exhibition records (1964-2015); 6: Artwork (1960-2013); 7: Administrative records (1960-2014).
This fonds contains textual and photographic materials related to the life and literary work of Colin Stuart - a poet most active in the Vancouver literary scene in the 1960's and '70's. Personal setbacks limited the publishing of his poems, so the bulk of this fonds consists of multiple loose copies and drafts of an extensive body of work that spans almost 4 decades.
The contents of this archive have been divided into six series: Series 1: Manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).; Series 2: Correspondence (1964-2005); Series 3: Notebooks (1967-2018); Series 4: Photographs ([after 1973]-[2000?]); Series 5: Education and administrative ([195-]-1995); Series 6: Works by Duncan McNaughton and others ([ca. 1974]-2019). Series 1 has been divided into the following sub-series: Sub-series 1: Manuscripts and complete poems (1967-[200-]); Sub-series 2: Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).
This fonds contains textual and photographic materials compiled by Jim Douglas, primarily relating to his various business and professional work in the field of book publishing. There is also printed material he compiled while researching legal topics relevant to publishing such as libel, copyright, contract and professional standards.
The series contained in this fonds are as follows: Series 1: Business records (1968-2006), Series 2: Records pertaining to legal topics (1982-1990), and Series 3: Project files (1970-1985).
This fonds contains primarily correspondence, photographs, videotapes, and newspaper clippings as well as research and drafts from a multitude of writing projects LaPierre worked on throughout his life. There is material relevant to many of the key aspects of LaPierre's personal and professional life, including his career as a television broadcaster and producer, his academic and publishing accomplishments, his service in the Canadian Senate, his work with charities and his home life and hobbies.
The series contained in this fonds are as follows: Series 1: General correspondence and personal records (1957-2013); Series 2: Records related to television and producing career (1971-2013); Series 3: Records related to writing career (1908-2012); Series 4: Records related to term in Senate (1966-2013); Series 5: Records related to work with charities and organizations (1989-2012); Series 6: Records related to public speaking engagements (1992-2003); Series 7: Photographs (1948-2009) and; Series 8: Moving images and audiovisual material ([ca. 1985-2013]).
Portions of this fonds are relevant to other SFU collections – Daryl Duke (MsC 120), Alan Fotheringham (MsC 157), Norman Klenman (MsC 101), and possibly Edward McWhinney (MsC 191).
The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.
The fonds consists of correspondence (letters from Wieners to John Marlow).
The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.
The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.
Fonds consists largely of drafts of poems, as well as correspondence, notebooks and miscellaneous writings.
Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.
The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".
Fonds includes email correspondence and corrected proof copies of issues #3/4, 5, 6.
The fonds consists of manuscripts, including typescripts, proofs, galleys, and page proofs corrected by the author, and correspondence from Robin Blaser to Ferry Press pertaining to publication of Blaser's translation of "Les Chimeres".
Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing "filling Station" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993–2008); Financial records (1993–2008); Marketing files (1993–2002); Editorial files (1995–2004); Event files (1993–2001); and Chapbooks (1993–2006).
filling Station Publications Society