File consists of a photograph (MsC 142a.1) depicting bpNichol, Ellie Nichol, 2 children, and Michael Ondaatje.

File consists of miscellaneous correspondence arising from both personal and professional activities. Includes correspondence from Steve McCaffery, Erin Mouré, Roy Miki, Daphne Marlatt, Ashkor Mathur, and Eleanor Nichol (former wife of bpNichol), among others. Contains an interview between Wah and Ashkor Mathur about Wah’s book “Diamond Grill.” Also contains correspondence from the beep-l listserv.

File consists of drafts of Roy Miki’s writings and a letter from “The Journal of Canadian Studies” regarding Wah’s role as reviewer of an article by Miki.

File consists of correspondence, notes, administrative and promotional materials relating to the spring 1994 issue of West Coast Line journal, entitled “Colour. An Issue,” which explored issues of race in Canada. Wah served as co-editor of the issue, along with Roy Miki.

File consists of page proofs relating to Wah’s editorial work on the spring 1994 issue of West Coast Line journal, entitled “Colour. An Issue.” Wah served as co-editor of the issue, along with Roy Miki.

File consists of 28 photographs relating to the “Sitelines Writers’ Colloquium,” sponsored by the West Coast Line journal, held October 11-14, 1996. Includes photos of Wah, Jeff Derksen, Erin Mouré, Roy Miki, Ashok Mathur, Larissa Lai, Jacqueline Turner, and others.

File consists of correspondence and travel documents relating to Daphne Marlatt and Roy Miki’s trip to the University of Calgary in March 1998 to participate in a panel about Roy Kiyooka.

File consists of correspondence, notes, newspaper article, and event programme relating to the event “Tracing the lines: a symposium on contemporary poetics and cultural politics in honour of Roy Miki.”

File consists of correspondence, notes, and writings relating to an issue of the publication West Coast Line that paid tribute to Roy Miki, for which Wah served as the editor.

Fonds consists of photographs, sound recordings, manuscripts, original art, ephemera, broadsides and posters collected by Roy Miki over the course of his career as a writer, editor and professor in SFU's English Department.