Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm

Collection consists of letters written to and from Wil Hudson, his personal photographs and negatives, and type blocks used during his work as a printer. Collection also includes tributes to Wil Hudson written after his death in 2014.

The fonds consists of records created and received by Mark Winston as a young scholar; biology professor at Simon Fraser University; professor and fellow with SFU's Undergraduate Semester in Dialogue (USD) program and Centre for Dialogue; instructor in related dialogue, facilitation, and leadership courses and programs; author; and consultant in the field of apiculture, as well as dialogue and facilitation. The fonds also consists of records relating to the development of the Centre for Dialogue and its programs by Winston in his capacity as the Centre's academic director. It also includes official university records documenting the establishment, development, and operation of the USD program by Winston as director of the program.

Activities, topics and events documented include correspondence with family, friends and colleagues; education and career records; research awards; SFU teaching notes, course outlines, and exams; Bee Masters course notes and planning records; graduate student supervision files; research notes, book drafts, manuscript submissions and published copies; financial working papers and grant applications; consulting correspondence; organization of the Apimondia '99 conference held in Vancouver; participation in local and international professional apiculture and other organizations; and the establishment and administration of the USD and Centre for Dialogue programs.

The types of documents include correspondence, transcripts, contracts, reports, research notes, agendas and minutes, certificates, budget reports, books, newspapers and journals, photographs, teaching slides, interview tapes, and audio visual materials.

Fonds is arranged into 9 series:

1. Family, education and career records
2. Correspondence
3. Teaching records
4. Research records
5. Grant and funding records
6. Consulting records
7. Apimondia '99 Conference
8. Professional organizations
9. Undergraduate Semester in Dialogue and Centre for Dialogue records

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Edward McWhinney was an international authority on constitutional and aviation law, a prolific author, member of multiple academic and professional organizations, a Member of the Canadian Parliament and a lecturer at universities around the world. In his later years he actively supported numerous institutions, including the charitable foundation he established with his wife, Emily McWhinney. He routinely travelled, and this collection reflects the diverse range of his careers and interests.

Consisting primarily of records created in the course of his extensive professional and political careers, this collection contains correspondence, newspaper and magazine articles, handwritten notes and cards, photographs, published materials, books, photocopies, and ephemera. The fonds has been split into 4 series: Politics and law (1943-2015); Publications and reviews (1956-2015); Associations, conferences and academia (1940-2015); Personal (1914-2015).

The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

The Women's Labour History Project documents the histories of women who were active in the trade union movement in British Columbia from 1890s onwards. The project was initiated by Sara Diamond, an undergraduate history student at SFU, who conducted the interviews. She received financial support from the British Columbia Summer Youth Employment Fund. Additional funding was received from many other sources, including The Canada Council, and the Federal Department of Human Resources. Diamond provides a description of her research methodology in a report included as Appendix A1, "Women's Labour History Project" (available in the hard-copy finding aid only).

The collection consists of 43 interviews conducted by Sara Diamond with women in the labour movement in British Columbia. The women discuss their childhoods, family lives, careers, social issues such as childcare and birth control, economic situations such as the depresssion and post-war employment, and the working conditions that led them to become union activists. A summary of each interview is provided in Appendix 1, "Women's Labour History Project" (available in hard-copy finding aid only).

The collection contains audio recordings and transcripts.

Collection consists of research material gathered by Johnston for his book "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar" (1979; 1989) and subsequent articles and books about Sikhs in Canada, including (with Tara Singh Bains) "The Four Quarters of the Night: The Life-Journey of an Emigrant Sikh" (1995) and "Jewels of the Qila: The Remarkable Story of an Indo-Canadian Family" (2011). Records in the collection are primarily of photocopied and microfilmed material from archival material held by institutions, newspapers and journals, and notes and drafts.

Collection is divided into the following eleven series: Articles (1988–2016); "The voyage of the Komagata Maru" draft manuscripts (1977–1978); Finding aids, bibliography and essays on sources (1975–1991); Archival documents and research notes ([197-–before 2011]); Official sources files ([1975–after 1996]); Biographical and autobiographical sources files ([197-–198-?]); Individual files (1988–1993); Research studies files ([ca. 1980]–1988); Scholarly articles ([197-]–2000); Periodicals and pamphlets ([198-?]–2014); and Newspaper clippings ([197-]–2014).

Fonds consists of records created or received by the Peak Publications Society primarily in the course of publishing The Peak, the student newspaper of Simon Fraser University. Activities and topics documented include the establishment and organization of the Peak Publications Society; developing sources of funding; the production of the newspaper, including the taking of photographs required to illustrate stories published; the hiring and duties of Peak staff members; and other publishing ventures of the Peak Publications Society. Includes a complete run of The Peak newspaper from 1965 and other published material such as the Terminal City Express, The Dic (student course guide), and The Peak Handbook. Also includes certification of incorporation, constitution, agendas, minutes, financial records, correspondence, and other documents, as well as contact sheets, prints, negatives, and microfilm reels.

Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).

The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" ([1997]); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).

The Women's Bookstore collection consists of materials relating to the operation of several Vancouver women's organizations and reflects the issues that dominated the women's movement throughout the 1970s. Consistent with the community based nature of women's movements during this period, the scope and content of the collection reflects the diversity common to a phenomenon rather than the administrative and subject coherence found in records generated by a single organization. As such, the collection as whole gains its coherence due primarily to the interdependence rather than independence of the individual items to one another. This also applies to the records generated by autonomous organizations in the collection. While the different organizations should be regarded as distinct, a good deal of the records concern the communication between various organizations and women's groups across the country or identify issues of concern to a broad range of organizations. Thus, the collection as whole should be regarded as a record of a dynamic process in which a common ideology served to unify the aims of distinctive organizations, persons, and subjects.

The collection is comprised of the records of the Women's Bookstore, Women's Caucus, A Woman's Place, Transition House, the British Columbia Federation of Women and the Morris and Helen Belkin Art Gallery. Includes constitutions, minutes, reports, correspondence, position papers, and sound recordings. Also includes newsletters from women's centres across British Columbia and Canada, subject files, and an assortment of feminist publications.

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Fonds consists of records made or received by University Communications and Marketing and its predecessors.

Activities and topics documented include the establishment, organization and operation of the unit; photography of SFU people, places and events for campus publications; provision of information to the public; organization of special events; liaison with other units in the University; and the production of press releases, brochures, and on-going publications.

Records types include correspondence, minutes, reports, proposals, and working papers; photographs, including negatives and contact sheets; university press releases and publications; and articles and other reference materials relating to SFU.

The fonds is arranged into seven series:

• F-61-1 - Photographic materials (1971-1998)
• F-61-2 - Correspondence (1965-1989)
• F-61-3 - Public files (1965-1974)
• F-61-4 - Publications (1965-2011)
• F-61-5 - Press releases (1964-2003)
• F-61-6 - Administrative records (1971-1996)
• F-61-7 - Ceremonies, events and activities records (1972-1990)

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

The fonds is a hybrid, containing graphic materials, artifacts, textual records, and born digital records created or received by Tin Whistle Brewing Company during the production, distribution, and promotion of their craft beer line. Records include glass bottles, wooden and ceramic beer tap handles, labels, posters, signs, banners, table cards, beer profiles, t-shirts, beer glasses, bottle blueprints, gift certificates, temporary tattoos, business cards, pamphlets, awards, and digital images. Records also include digital copies of newspaper and magazine articles documenting the company's achievements.

The fonds has been arranged by the archivist into six series:
• Beer bottles and growlers (series 1)
• Beer tap handles (series 2)
• Promotional materials and merchandise (series 3)
• Awards (series 4)
• Photographs (series 5)
• Media publicity files (series 6)

Fonds consists of records created or received by Adbusters Media Foundation through the organization's publishings, advocacy campaigns, legal action, and merchandising. The fonds is a hybrid, containing born-digital materials as well as paper and analogue textual records, graphic materials, audiovisual materials, and artifacts. Records include magazines, books, posters, pamphlets, digital newsletters, digital spoof advertisements, graphic designs, mockups, memes, promotional photographs, marketing plans, operational notes and manuals, financial statements, correspondence, legal records, talking notes, and website captures. Records also include interview transcriptions and copies of newspaper and magazine articles documenting the organization's achievements. Graphic, textile, and ceramic merchandise also make up a notable portion of the fonds.

The fonds has been arranged by the archivist into twelve series:
• Administrative records (series 1)
• Publications (series 2)
• Campaign records (series 3)
• Legal action records (series 4)
• Blackspot campaign records (series 5)
• Merchandise (series 6)
• Talks (series 7)
• Events records (series 8)
• School projects records (series 9)
• Media coverage (series 10)
• Audio/video materials (series 11)
• Website captures (series 12)

Note that the processing of series 4 (Legal action records) is still in progress, and the description is not yet published.

Fonds consists of records relating to University ceremonies created by the Office of Ceremonies since 1982, and before that time, by the Registrar's Office and the President's Office. Activities and topics documented include the opening ceremonies for SFU in 1965, convocations, awards ceremonies, building and room openings and dedications, donor recognition events, staff recognition events, installations of presidents and chancellors, university anniversaries, and other special ceremonies.

Records include programs, books of words (order of proceedings), invitations, guest lists, correspondence, notes, press clippings, news releases, publications, photographic material, and other documents.

Fonds consists of records relating to Lester's time as a member of the Board of Governers and then the Chairman of the Board. The records are arranged in 3 series: Academic Freedom and Tenure, Correspondence, and Subject files. The subject files include records relating to the CAUT censure, the Department of Political Science, Sociology, and Anthropology (PSA) dispute, and university reorganization as a result of the censure and dispute.

Covering the time period of 1971 to 2007, the collection is comprised of records created or received by various staff of New Star Books in their business activities. These activities consisted of: soliciting authors for material or responding to author requests for representation, corresponding with authors throughout the editorial process, designing or contracting layouts for books and communicating instructions to vendors, arranging for printing of materials, promoting book tours and maintaining vendor accounts with various independent bookstores and organizations throughout the world. They also monitored book reviews in publications of the popular press and professional organizations, arranged for marketing of products, coordinated payments or receipt of payments, and periodically issued royalty checks. New Star was often reliant on external funding for the publication of some works, especially in instances where translation services were required to reach certain markets, so applications for grants or donations comprise a portion of each series.
The collection reflects some of the major cultural and political issues affecting Canada, and particularly British Columbia and Vancouver, in the late-1970’s and early-1980’s. These topics ranged from criticisms of British Columbia’s Social Credit administration, to works on the Nicaraguan and Cuban revolutions, feminism, gay rights, communism, and the immigrant experiences of Chinese Canadians and Eastern Europeans The collection also offers insight into some of the shifting trend of public interest away from such leftist publications and the choices New Star editors then had to make in choosing marketable content over progressive or provocative literature.
Record types include correspondence, invoices, purchase orders, balance sheets, newspaper clippings, book reviews, financial statements, grant applications, legal transactions or communications, sales figures, book tour schedules, typesetting instructions, style sheets, draft layouts, photographs, and one draft manuscript.
The collection is arranged into the following ten series: Accounts correspondence and invoices (1973–1994); Author correspondence (1977-1997); Book reviews and related records (1976–1999); Business operational files and related records (1971–1999); Editorial correspondence and related records (1973-2001); Sales figures records (1974-1990); Payroll and taxes records (1972-1990); Royalties records and related correspondence (1979-2005); Draft manuscript files [before 1974?]; Invoices, sales registers and related records (1972-2007).

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Fonds consists of records created by Rick Patton; they reflect his life and work as a filmmaker and freelance sound engineer in Vancouver, B.C.

Fonds consists of legal materials related to the environment, some of which formed the basis of reports Kansky researched for the West Coast Environmental Law Association.

Fonds consists of records relating to the activities and administration of the Allan Boag Foundation, including financial and accounting records, requests for funding, correspondence, grant applications and rejection letters.

Fonds documents the research, advocacy and communications activities of the Trade Union Research Bureau. Records include books, newspapers, magazines, pamphlets, correspondence, legal documents, research materials, sound and video recordings.

Fonds consists of business records relating to the management and operation of BC Rail, when Mac Norris worked for the company. Records include reports, financial information, board materials, press releases, speeches, and correspondence.