- 1966 - 1985
West Coast Line
27 results with digital objects Show results with digital objects
West Coast Line
Collection consists of letters written to and from Wil Hudson, his personal photographs and negatives, and type blocks used during his work as a printer. Collection also includes tributes to Wil Hudson written after his death in 2014.
Fonds consists of records reflecting Hoffer`s bookselling and publishing activities during the 1980s. Records include correspondence, fiscal files, client files, journals, book catalogues, galleys, proofsheets, critical pieces, articles, and review. The fonds is composed of the following series: Series 1. Correspondence, Series 2. Publication files, Series 3. Business files, Series 4, Miscellaneous.
Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.
The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.
Women and Words Society
The Women's Bookstore collection consists of materials relating to the operation of several Vancouver women's organizations and reflects the issues that dominated the women's movement throughout the 1970s. Consistent with the community based nature of women's movements during this period, the scope and content of the collection reflects the diversity common to a phenomenon rather than the administrative and subject coherence found in records generated by a single organization. As such, the collection as whole gains its coherence due primarily to the interdependence rather than independence of the individual items to one another. This also applies to the records generated by autonomous organizations in the collection. While the different organizations should be regarded as distinct, a good deal of the records concern the communication between various organizations and women's groups across the country or identify issues of concern to a broad range of organizations. Thus, the collection as whole should be regarded as a record of a dynamic process in which a common ideology served to unify the aims of distinctive organizations, persons, and subjects.
The collection is comprised of the records of the Women's Bookstore, Women's Caucus, A Woman's Place, Transition House, the British Columbia Federation of Women and the Morris and Helen Belkin Art Gallery. Includes constitutions, minutes, reports, correspondence, position papers, and sound recordings. Also includes newsletters from women's centres across British Columbia and Canada, subject files, and an assortment of feminist publications.
Fonds consists of records generated by the Women's Cultural Exchange in the process of establishing the society, finding a location, opening, and using the space to fulfill their mandate to provide a cultural centre for women. Records reflect the incorporation of the society, minutes of meetings, membership, events, and finances. Includes constitution, certificates of incorporation, minutes, agenda, correspondence, membership lists, account book, scrap book, and ephemera.
Women's Cultural Exchange
The Women's Labour History Project documents the histories of women who were active in the trade union movement in British Columbia from 1890s onwards. The project was initiated by Sara Diamond, an undergraduate history student at SFU, who conducted the interviews. She received financial support from the British Columbia Summer Youth Employment Fund. Additional funding was received from many other sources, including The Canada Council, and the Federal Department of Human Resources. Diamond provides a description of her research methodology in a report included as Appendix A1, "Women's Labour History Project" (available in the hard-copy finding aid only).
The collection consists of 43 interviews conducted by Sara Diamond with women in the labour movement in British Columbia. The women discuss their childhoods, family lives, careers, social issues such as childcare and birth control, economic situations such as the depresssion and post-war employment, and the working conditions that led them to become union activists. A summary of each interview is provided in Appendix 1, "Women's Labour History Project" (available in hard-copy finding aid only).
The collection contains audio recordings and transcripts.
The fonds of the Women's Monument Project consists of records created and received in the course of carrying out the Project. Activities documented include Committee and sub-committee meetings, fundraising events, groundbreaking and unveiling ceremonies, site selection, dedication, language selection, design selection, construction, and gallery exhibits.
Includes proposals, reports, minutes, correspondence, speeches, published materials, press releases, news clippings, design competition guidelines, design submissions, construction contracts, Monument inscriptions, drawings, site maps, photographs and slides, videotapes, a cloth banner, and the original maquette and artwork of the winning design by Beth Alber.
Women's Monument Project
Fonds contains material relating to Lebowitz's career at SFU and her participation in the Corrective Collective, a feminist writing group active in the 1970s. Fonds includes correspondence, minutes, proposals, publications, newspapers, invoices, receipts, a ledger, and other documents.
Fonds consists of material acquired by Anne Roberts as a member of Vancouver Women's Caucus. Includes minutes, correspondence, flyers, pamphlets, reprints, news clippings, briefs, position papers, copies of The Pedestal, and other documents.
In 1970 Candace Parker was a member of the Vancouver Women's Caucus and a graduate student at the University of British Columbia. For a sociology class, Parker and Sibylle Klein wrote an essay, "Developing An Ideology: the Feminist Movement in North America," which drew upon Parker's experiences in Women's Caucus. Candace Parker was also interviewed by Frances Wasserlein and the transcript of that interview is contained in the Frances Wasserlein fonds, F-162.
The collection consists of research material collected by Candace Parker in the course of preparing her essay plus some additional feminist literature acquired afterwards. Includes notes and drafts, news clippings, reprints, broadsheets, position papers, briefs, newsletters, and newspapers.
Collection consists of two scrapbooks. One scrapbook contains newspaper clippings and other material that documents the Abortion Caravan to Ottawa in 1970. The second scrapbook documents Janiel Jolley as a protest candidate of the Simon Fraser Student Society for Miss Canadian University Beauty.
The fonds consists of records created and received by the Women's Studies Association of British Columbia in carrying out its objectives. Includes constitution and by-laws, minutes, correspondence, conference registration forms, conference minutes, papers, membership lists, and publications.
Women's Studies Association of British Columbia
Fonds consists of records created, received and collected by Working Women Unite. Records reflect the activities and functional responsibilities of Working Women Unite and groups associated with them, such as the BCFW and SORWUC. Includes correspondence, minutes, agendas, bulletins, newsletters, financial records, membership lists, reports, convention proceedings, and articles.
Working Women Unite
The collection consists of posters relating to World War I propoganda.
The collection consists of pamphlets, posters, leaflets and scattered newspapers and periodicals in French and German. The bulk of the material concerns the Vichy government of France; the remainder includes anti-German and anti-Vichy government propaganda circulated by the French Resistance, the Austrian Liberation Front, etc.
Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.
Tremblay, Rose Marie
Fonds consists of records reflecting Yvonne Klan's research into the history of the fur trade, the British Columbia opium trade, James Murray Yale, B.C.'s First Nations, and pioneer poets. Records include copies of her published works, travel notes, radio scripts and publishing proposals.
Klan, Yvonne Mearns
Fonds consists of Zoltan Kiss's architectural drawings and plans for the Academic Quadrangle and student residences at Simon Fraser University.