The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

Collection predominantly consists of photographic material (photographs, portraits, contact sheets, negatives, proofs, and slides) but also includes textual records such as clippings, publications, news releases, posters, and miscellaneous documents. It mainly comprises publicity material relating to the activities and topics documented by Media and Public Relations and that includes the photographing of SFU people, departments, organizations, places, and campus events for producing press releases, brochures, and other University publications.

Fonds consists of materials documenting mainly the personal life of the Halpern family but also includes some records relating to George's and Fanny's scientific and professional interests. Activities and topics documented include the Halperns' emigration to Canada, George's scientific research and business enterprises, his work with Brock House (a senior citizen's centre), Ida's community interests, and Fanny's medical career in China.

This fonds consists of primarily of correspondence between members of the Woodsworth/MacInnis families, along with photographic material documenting extended family and some key events. James Shaver Woodsworth (J.S.) was a leader of the social democratic movement in the early 20th century and a co-founder of the Co-operative Commonwealth Federation (CCF) party in 1932, of which his daughter and son-in-law were also key figures. However the subject matter of most of this fonds is of a personal familial nature, rather than in-depth political discourse or strategizing. Included in this fonds are notes, manuscripts and letters, primarily written between himself and his wife, Lucy Staples Woodsworth during the years he was serving first as a clergyman through to his involvement and arrest at the Winnipeg General Strike in 1919, as well as an extended tour of Europe and Russia with Lucy in 1932. There are a few letters between J.S. and his children as they mature and pursue careers but even when J.S. ceases to be the primary author, there is news of him in the correspondence of Lucy up until his passing in 1942.

The bulk of content in this fonds consists of correspondence between Lucy Woodsworth and her daughter Grace Woodsworth MacInnis, although there are occasional letters to, from or between her other children Belva, Ralph, Charles, Bruce and Howard. The content of this material is primarily anecdotal as Lucy informs Grace of her day-to-day activities and meetings. There is some mention of her political activities and leanings - particularly of her attendance at a Women's International League conference in 1924 or in correspondence with Grace's husband, Angus MacInnis - but most letters contain news of friends and family, of health and daily activities.

Because many of these letters were originally assembled by Grace MacInnis herself, there is a subsection of correspondence between herself and Angus, from the very first days of their courtship through their combined political careers in Parliament and up until Angus's passing in 1964.

The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.

Fonds consists of records made or received by Greg Evans in the course of activities, mainly relating to his research on the history of brewing in BC.

Activities documented include completion of his Master's thesis, his on-going post-thesis research and the unfinished book project; correspondence with brewers and other brewing historians; public speaking engagements and consulting projects; and Evans' involvement with CAMRA and the Great Canadian Beer Festival.

Records consist predominantly of Evans' correspondence, research notes and working papers; drafts and copies of his own writings, including his MA thesis; speaking notes and presentation slides; interview notes and transcriptions; reports, newspaper clippings, copies of articles, and excerpts from books and publications; and archival photographs and textual records, mostly copied from originals held at various archives, museums and libraries.

Fonds is arranged into ten series:

• Thesis and university work, 1969-1991 (series 1)
• Book project files, 2011-2016 (series 2)
• Brewing history research files, [198-]-2017 (series 3)
• Hops industry research and exhibit files, 1989-2014 (series 4)
• Public talks and publications (series 5)
• Correspondence and project files (series 6)
• Campaign for Real Ale (CAMRA) files (series 7)
• Great Canadian Beer Festival files (series 8)
• Photographs, labels, and graphics (series 9)
• Brewing reference works (series 10)

Collection comprises photographs, manuscripts, correspondence, ephemera, books and periodical material resulting from and pertaining to the settlement and subsequent history of Doukhobors in Western Canada. Books and periodical items have been catalogued in the SFU Library Catalogue. Digitized images and accompanying descriptions of a portion of the collection are available on the Doukhobor Collection, 1898-1930 website.

Collection consists of records relating to the personal history and genealogy of the university's namesake, the explorer, Simon Fraser. Records include; correspondence, working papers, reports, newsletters, newspaper clippings, photographs and negatives, drawings, artifacts and textiles.

Fonds consists of records created by Carole Rubin while working on her books How to Get Your Lawn off Grass and How to Get Your Lawn and Garden off Drugs . Records include correspondence, manuscripts, and research on pesticide use.

Fonds consists of records made or received by Dave Smith in his activities as publisher and editor of What's Brewing Magazine since 2015; and as a participant in the BC craft beer scene since the early 2000s; and as a collector of BC breweriana during this period. Records include issues of What's Brewing (BC) and correspondence and planning documents relating to the magazine; documentation on British Columbia breweries, beer festivals and events; and artefacts including posters, beer bottles, tap handles, coasters and other brewery merchandise and collectibles. Periodicals collected include a run of CAMRA Canada's What's Brewing newsletter (1983-1989), issues of the Northwest Brewing News (1997-2019), and a single issue of the British Columbia Craft Beer News (vol. 1, no. 1 2013).

The fonds is arranged into five series:

• What's Brewing (BC) Magazine files, 2015-2020 (series 1)
• Correspondence and brewery information files, 1993-2016 (series 2)
• Beer festival and event files, 1993-2018 (series 3)
• Beer periodicals, 1983-2019 (series 4)
• Beer artefacts and collectibles, [ca. 195-]-[201-] (series 5)

Fonds consists of textual records, including submitted manuscripts, paste-ups, editorial notes, subscriptions, correspondence, and other records related to the periodical (f.)Lip. The fonds has been arranged into the following two series: Editorial files, and Administrative and business files.

The fonds consists of twenty-three sheets of holograph poems and seventy-five sheets of printed poems.

Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.

Fonds consists largely of drafts of poems, as well as correspondence, notebooks and miscellaneous writings.

The fonds consists chiefly of correspondence.

This fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:

Series 1: Correspondence

Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations

Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles

Series 4: Teaching & Events

Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events

Series 6: Publications

Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.

The fonds consists of correspondence, manuscripts, photographs, and other material.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The fonds consists of manuscripts, press clipping, correspondence, etc.

Fonds consists of records relating to Lester's time as a member of the Board of Governers and then the Chairman of the Board. The records are arranged in 3 series: Academic Freedom and Tenure, Correspondence, and Subject files. The subject files include records relating to the CAUT censure, the Department of Political Science, Sociology, and Anthropology (PSA) dispute, and university reorganization as a result of the censure and dispute.

This fonds contains textual and photographic materials related to the life and literary work of Colin Stuart - a poet most active in the Vancouver literary scene in the 1960's and '70's. Personal setbacks limited the publishing of his poems, so the bulk of this fonds consists of multiple loose copies and drafts of an extensive body of work that spans almost 4 decades.

The contents of this archive have been divided into six series: Series 1: Manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).; Series 2: Correspondence (1964-2005); Series 3: Notebooks (1967-2018); Series 4: Photographs ([after 1973]-[2000?]); Series 5: Education and administrative ([195-]-1995); Series 6: Works by Duncan McNaughton and others ([ca. 1974]-2019). Series 1 has been divided into the following sub-series: Sub-series 1: Manuscripts and complete poems (1967-[200-]); Sub-series 2: Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).

Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.

Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

Fonds consists of records created by Rick Patton; they reflect his life and work as a filmmaker and freelance sound engineer in Vancouver, B.C.

Fonds consists of records relating to Bonner's time as Attorney General of the Province of British Columbia in the B.C. Social Credit Government of W.A.C. Bennett. They include newsclippings, budgets, books, papers, and speeches.

This material has not been processed.

Fonds consists of legal materials related to the environment, some of which formed the basis of reports Kansky researched for the West Coast Environmental Law Association.

Collection consists of research material gathered by Johnston for his book "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar" (1979; 1989) and subsequent articles and books about Sikhs in Canada, including (with Tara Singh Bains) "The Four Quarters of the Night: The Life-Journey of an Emigrant Sikh" (1995) and "Jewels of the Qila: The Remarkable Story of an Indo-Canadian Family" (2011). Records in the collection are primarily of photocopied and microfilmed material from archival material held by institutions, newspapers and journals, and notes and drafts.

Collection is divided into the following eleven series: Articles (1988–2016); "The voyage of the Komagata Maru" draft manuscripts (1977–1978); Finding aids, bibliography and essays on sources (1975–1991); Archival documents and research notes ([197-–before 2011]); Official sources files ([1975–after 1996]); Biographical and autobiographical sources files ([197-–198-?]); Individual files (1988–1993); Research studies files ([ca. 1980]–1988); Scholarly articles ([197-]–2000); Periodicals and pamphlets ([198-?]–2014); and Newspaper clippings ([197-]–2014).