- MsC 60
The fonds consists of correspondence (e-mail), manuscripts, photographs, and graphic material.
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The fonds consists of correspondence (e-mail), manuscripts, photographs, and graphic material.
The fonds consists of correspondence to Cid Corman from Louis Zukofsky. Corman has made notes on the margins of some of the letters.
The fonds consists of print submissions made by individuals to The Citizens Assembly on Electoral Reform, electronic records made by the CAER, video recordings of plenary sessions, interviews with CAER members, details of the BC-STV system, and animations of the procedure for the BC-STV, and a printed technical report.
Citizens Assembly on Electoral Reform
The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.
Fonds consists of printed materials from Cobblestone Press and Giampa's work records, including digital font files, catalogues, sales reports, newspaper clippings and correspondence.
Fonds consists of naterial relating to the end of the Communist Party of Canada; includes newspapers, correspondence, legal documents; ephemera.
Communist Party of Canada
The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.
The fonds consists of a letter; proofsheets for an afterword to Anaconda, a novel by Jerry Bumpus.
The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.
The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).
The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.
Reed, D. J.
Fonds consists of files related to the publication of Dandelion Magazine, including invoices, cheque requisitions, bank statements, board bylaws, corporate registration information, subscriptions, advertising campaigns, minutes, promotional materials, grants, and correspondence. Fonds also consists of copies of Dandelion and Blue Buffalo magazines, and chapbooks published by the Dandelion Magazine Society.
Fonds consists of records created or accumulated by Daphne Marlatt through her personal and professional activities, predominantly after the year 1990. Records document her activities as a writer of poetry and prose, an editor, and as a teacher of writing and literature, and include manuscripts, notes, research records, correspondence, photographs, grant applications, reviews, and audio and video recordings of poetry readings.
The fonds has been arranged into the following eleven series: Background research records ([ca. 1965-2000]), Fiction - poetry records (1958-2014), Fiction - drama records (2000-2011), Non-fiction works records (1975-2008), Awards and grants records ([ca. 1965-2012]), Correspondence with publishers ([ca. 1977-2013]), Professional activities records (1983-2013), Teaching records (1973-2010), Electronic records and other media (1974-2012), Personal records (1966-2014), and Personal and professional correspondence (1961-2014).
Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.
Wershler-Henry, Darren S. (Darren Sean)
The fonds consists of records created by Duke from approximately 1946 to 2006. They are related to all aspects of Duke’s life and career. Among other types of records, the fonds includes:
• Drafts of Duke's articles, essays and speeches
• Personal and production photographs
• Annotated working scripts of various television and film productions
• Personal and administrative correspondence
• Legal records, personal and administrative correspondence pertaining to the takeover of CKVU-TV
• Personal notes
• Press clippings featuring work by and about Duke
• Ephemera collected by Duke
• Audio/visual material
Series have been determined during archival processing and are primarily based on the various activities that Duke engaged in over his life and working career (see the Arrangement note below for more details about series arrangement). The series are:
• Friends of Canadian Broadcasting
• Banff Television Festival
• Vancouver Awards Show
• General business correspondence
• Personal correspondence
• Essays and articles
• Personal notes
• Personal journals
• Personal publicity
• Film and television works
• Audio recordings
Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.
Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–) and Personal records (1994–2007).
Beaulieu, D.A. (Derek Alexander)
Fonds consists of records relating to the activities and management of the publishing company, including correspondence, financial documents, administrative files, rejection letters, educational materials, edited manuscripts, page proofs, printer proofs, production graphics, design mockups, teacher accompaniments, newspaper clippings, catalogues and sales reports. Fonds also contains Scott McIntyre's records from his work with the Canadian Pacific Publishing Society, and books published by Douglas & McIntyre, including the imprints Greystone Books, Groundwood Books, and Western Producer Prairie Books.
Douglas & McInytre
Fonds consists of materials generated from Duthie Books Ltd.'s business activities selling and marketing books in Vancouver, BC. Fonds has been arranged into the following fourteen series: Administrative records (1971-1999); Renovation files and architectural plans (1993-1998); Business proposals (1992-1998); Strategic planning and restructuring files (1998-1999); Duthie Books 40th anniversary project files (1966-1997); Press clippings (1984-1999); Sales and marketing files (1993-1999); Publication files (1986-1999); Readers & Writers (Knowledge Network) program video recordings (1995-1996); Virtual bookstore venture records (1993-1994); Mail orders (1990-1992); Bookmarks ([1957?]-1999); Artworks and awards (1970, [199-]) and Ephemera ([199-]).
Duthie Books Ltd.
The collection consists of photographic images and printed materials relating to the life and death of E. Pauline Johnson. Some of the material is associated with her sister, Evelyn Johnson, but the provenance and nature of compilation is largely unknown.
The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.
The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" (); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).
Fonds consists of videopoems and digital records from the Edgewise Electrolit Centre.
Edgewise Electrolit Centre
Edward McWhinney was an international authority on constitutional and aviation law, a prolific author, member of multiple academic and professional organizations, a Member of the Canadian Parliament and a lecturer at universities around the world. In his later years he actively supported numerous institutions, including the charitable foundation he established with his wife, Emily McWhinney. He routinely travelled, and this collection reflects the diverse range of his careers and interests.
Consisting primarily of records created in the course of his extensive professional and political careers, this collection contains correspondence, newspaper and magazine articles, handwritten notes and cards, photographs, published materials, books, photocopies, and ephemera. The fonds has been split into 4 series: Politics and law (1943-2015); Publications and reviews (1956-2015); Associations, conferences and academia (1940-2015); Personal (1914-2015).
The fonds consists of typescripts and audio reels of CBC radio reviews of stage plays, motion pictures, children's books and popular culture events and festivals, especially those held in the Lower Mainland area of B.C. Fonds also includes related publicity materials.
The collection consists of 115 handbills, and 78 posters (including 5 manuscript posters) collected by Robin Mathews in Paris during the student rebellion and general strike of May 1968.
The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.
Pound, Ezra Loomis
Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.
Fonds consists of records resulting from the activities of the Fraser River Sockeye Public Review Board in preparing their report to the Department of Fisheries and Oceans regarding the dramatic disappearance of several million sockeye salmon which normally would have migrated to the Fraser River watershed in 1994. Records include reports, notes, research, public submissions, correspondence and legal documents.
Fraser River Sockeye Public Review Board
Collection consists of 16 mm film, transcripts, master audio recordings and audio cassettes. These records form part of the production elements used by Stanley Fox and Aquarian Productions to produce Series Two of Gestalt Sessions with Fritz Perls, filmed in 1969 and edited in 1972. Films are introduced by Dr. Karl. E. Humiston, and record psychotherapy sessions between Perls and volunteer patients that took place over five days and 55 hours in 1969.
Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.
The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.