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The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.
Reed, D. J.
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The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.
Reed, D. J.
The fonds includes correspondence; photo-ready copy, masters, proofs and layouts for most of the Press broadsides; financial/administrative records, ephemera.
Press of The Black Flag Raised
The fonds consists of four letters from Zukofsky to the poet Walter Lowenfels.
The fonds consists of incoming correspondence, five manuscript poems and other material.
The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.
The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.
The fonds consists of one letter from Whalen to Leo Eutsler; monograph by Whalen, Like I Say (1960).
The fonds consists of statement of opposition to the war signed by numerous American poets.
Statement Opposing the War in Vietnam
The fonds consists chiefly of correspondence.
The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.
Pound, Ezra Loomis
The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.
Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.
The fonds consists of correspondence, manuscripts, photographs, and other material.
The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.
The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.
The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.
The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.
The Coast is only a line
Fonds consists of correspondence, scripts, screenplays, newsletters, articles, films and other records created or accumulated by Norman Klenman over the course of his career as a journalist, film and television writer and producer, and the joint owner of the CKVU television station. The records include draft and final version scripts and screenplays and related records for radio, television, and film (both produced and unproduced). Also included is correspondence, agreements and financial and project-related records of various production companies of which Klenman was a joint owner, in particular Galanty Productions Limited (Galanty Limited). The fonds also contains some personal records; these include correspondence pertaining to Klenman’s career, as well as articles and other writings by Klenman. The records have been arranged into the following six series: Personal records (2002-2010); Articles and general writings (1986-2006); Business files (1952-2004); General scripts, screenplays and related records ([ca. 1946]-2010); Television scripts, screenplays and related records (1956-2010); Film scripts, screenplays and related records (1953-2008); and CKVU records (1958-2011).
The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" (); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).
Fonds consists of correspondence, magazines, manuscripts, financial records, event posters, notebooks, and artwork relating to Jeff Derksen's work as a poet and founder of the Kootenay School of Writing, in particular, the publication of Writing Magazine, issues 23-28, edited by Jeff Derksen and Nancy Shaw.
The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.
The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).
The fonds consists of drafts of manuscripts of poetry, essays and articles, short fiction, scripts, and novels, originals and reproductions of publications in which Turner's and other author's works have appeared, clippings of reviews and articles about Turner and his published works, and other records and ephemera related to Turner's writing, editing, and publishing activities and projects. It also contains photographs, notes, clippings, correspondence, audio and digital recordings, ephemera and press materials related to Turner's musicianship, including his stint in the Hard Rock Miners. The fonds is arranged in seven series: Music; Writing; Publishing, editing, and consulting; Teaching; Acting; Event promotion, management, and judging; and Correspondence.
The fonds consists of incoming and outgoing correspondence to Barry McKinnon, book files (including manuscripts), business records, and publications of the Caledonia Writing Series press.
Caledonia Writing Series
Fonds contains examples of printed material created by Takao Tanabe from 1953-1994 under his private printing company, Periwinkle Press, or in collaboration with Robert Reid and Klanak Press. The material is arranged based on their category which was reflected by the original order found upon acquisition. Printed materials include: books published by Periwinkle Press, announcement cards and posters, invitations, holiday cards, stationary, bookmarks, gift cards and promotional posters. The fonds is divided into five series: Series 1. Books, Series 2. Announcements and Invitations, Series 3. Holiday Cards, Series 4. Stationary, Series 5. Promotional Materials.
Fonds primarily contains examples of art created by Charles van Sandwyk from 1987-2005. The art includes prints, ephemera from books published by van Sandwyk, and ephemera from art exhibitions. Also included is biographical items about van Sandwyk, and two photographs of the artist. The material is arranged based on the type of material and, when applicable, the book for which the art was created. The fonds is divided into five series: Series 1. Biographical Items, Series 2. Books, Series 3. Promotional Materials, Series 4. Book Ephemera, Series 5. Art Ephemera.
Van Sandwyck, Charles
The fonds consists of correspondence (57 letters written by Waddington).
Fonds consists of records documenting Timothy Taylor's work as a writer of fiction in Vancouver, B.C. Records consist of project notes, correspondence, drafts of both Stanley Park and Story House and workbooks for novels. The fonds is arranged into three series: Project notes; Stanley Park records; Story House records.
Fonds consists of printed materials from Cobblestone Press and Giampa's work records, including digital font files, catalogues, sales reports, newspaper clippings and correspondence.
The fonds consists of correspondence, photographs and newspaper clippings pertaining to the Modernettes and John Armstrong (Buck Cherry). The fonds is arranged into the following six series: correspondence, newspaper clippings, the Modernettes records, financial ephemera, pins and photographs.
The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others.
Nichol, bp (Barrie Phillip)