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Archival description
Duke, Daryl
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Film and television works

Series consists of records related to film and television productions that Duke was involved with. Records include drafts of screenplays, scripts, publicity, call sheets, administrative documents, shooting scripts, itineraries and other records related to the development and production of Duke’s cinematic projects. This series contains records related to the following projects:
• "A Cry For Help" (1975)
• "An Ill Wind" (1988)
• "The Angel of English Bay" (1988)
• "A Sparrow Falls" (1993)
• "A Tale From Bali" (1988)
• "Citizenship" (1952)
• "Close Up" CBC (1958)
• "Columbo: Smokescreen" (1990)
• "Dance of Shiva" (1990)
• "Hard Feelings" (1980)
• "I Heard the Owl Call My Name" (1973)
• "Memory of a Murder" (1992)
• "Nude" (1987-1990)
• "Pauline" (1997)
• "Payday" (1973)
• "Silent Partner" (1982)
• "Stock Exchange" (1989-1990)
• "Sunday" (1966-1967)
• "Tai-Pan" (1985-1986)
• "The China Story" (1991)
• "The Heritage Minute" (1990)
• "The Insiders" (1991)
• "The Nightingale Saga" (1984)
• "The Raincoast Chronicles" (1989-1994)
• "The Thorn Birds" (1982)
• "When We Were Young" (1989)
• "Wojeck" (1989-1990)

Business files

Series consists of correspondence, agreements, project-related records, financial statements and other records pertaining to Klenman’s involvement with various film companies, in particular Galanty Productions Limited (Galanty Limited), The Canadian Kinetoscope Company Limited, Solenty Limited, Bull & Bear Films Limited and the Canadian Talking Picture Company Limited.

[Scripts]

Includes scripts and planning documents for “An Outpost of Progress,” “Chuckwagon 33,” “The People of the Potlatch,” “Parade,” “Madic,” and “The Roving Gambler.”

Duke, Daryl

CKVU records

Series consists of correspondence, photographs, promotional material, magazine and newspaper articles, and other material accumulated by Norman Klenman relating to his and Daryl Duke’s establishment, ownership and management of CKVU-TV. Includes records relating to the 1975 application to the CRTC; programming, events and staffing issues; and the takeover of the station by CanWest in 1987.

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