Sub-series consists of journals and notebooks, speeches, statements, short stories, a translation, and grant applications completed by Blaser.

Sub-series consists of textual materials related to readings and other performances of Blaser’s written works. Included is a transcript of an interview with Blaser, handwritten notes from Blaser’s reading copy of The Holy Forest, copies of poems read at events, programs, correspondence with organisers, receipts, and schedules.

Sub-series consists of promotional materials such as posters, flyers, event programs, and other types of material related to readings and performances by Blaser.

Sub-series consists of audio and video recordings of poetry readings and other performances by Blaser of his written works.

Sub-series consists of audio recordings of Resurection Mortuorum by Oliver Messiaen, Meow, Meow by Rodolphe Burger, two unknown sound recordings on reel-to-reel tapes, and other recorded works.

Sub-series consists of textual material and photographs related to the opera, The Last Supper, performed with music composed by Harrison Birtwistle and libretto by Blaser.

Sub-series consists of photographs of Blaser and his immediate and extended family.

Sub-series consists of photographs of friends of Blaser’s immediate family, including Sister Mary Seraphina, who was Blaser’s mother’s teacher and lifelong friend, and boyhood friends of Blaser’s.

Sub-series consists of photographs of Blaser and his friends and colleagues. Photographs include other notable writers and artists such as Robert Duncan, Allen Ginsberg, Robert Creeley, Jack Spicer, Jess Collins, as well as other notable American and Canadian poets and authors. The sub-series also includes print photographs that belonged to James Felts, a former partner of Blaser’s.

Sub-series consists of print photographs of miscellaneous people and places as well as objects such as statutes, paintings, and collages.

Sub-series consists of slides of Blaser and friends as well as interior and exterior images of Blaser’s house on Trafalgar Street in Vancouver, B.C. Also includes slides that were utilized by Blaser in his teachings.

Sub-series consists of photograph negatives of images of Blaser, Blaser’s family, friends, and colleagues. Photograph negatives belonging to James Felts are included in the series.

Sub-series consists of published books, chapbooks, broadsides, journals, and other published materials owned by Blaser. Many of the materials in this series were written by close friends and colleagues of Blaser and have inscriptions and signatures by the author.

Sub-series consists of articles, poems, manuscripts, and other works written by other authors. Some works are unpublished versions and drafts sent to Blaser and include both handwritten and typescript materials.

Sub-series consists of textual material and audio cassette related to the conference, Recovery in the Public World, held in Vancouver, B.C. in honor of Blaser’s literary accomplishments on his 70th birthday. Records include correspondence, essays, poems, and announcements for the conference.

Sub-series consists of records related to Blaser’s attendance at various poetry conferences. Records include correspondence, conference programs, maps, flight records, notes, and other textual material.

Sub-series consists of records pertaining to Daphne Marlatt's writing and teaching work. Records include photographs, transparencies, articles and other research records.

Series consists of records relating to Daphne Marlatt's general poetry writing projects. Records include notes, drafts of poems, and correspondence with legal permissions.

Sub-series consists of annotated drafts for the poetry book "This Tremor Love Is."

Sub-series contains pages from the poetry chapbook "Winter/Rice/Tea strain" (2000), printed by Peter Haase (C & P Platen Press) and designed by Mona Fertig.

Sub-series consists of drafts, permissions forms, notes, articles, correspondence, and other related records pertaining to Marlatt's prose poem "The Given," published in 2008.

Sub-series consists of correspondence, legal agreements, drafts, and photographs pertaining to Daphne Marlatt's poetry/art book "Between Brush Strokes" (2008).

Sub-series consists of research, manuscripts, correspondence, and promotional material relating to the poetry book "Liquidities: Vancouver Poems Then and Now," published in 2013.

Sub-series consists of records relating to the short film "The Portside," written by Daphne Marlatt. Released in 2009, the film was part of the Out on Screen Queer History Project. Records document the writing of the film as well as its production and submission to film festivals. Records include screenplay drafts, correspondence, research records, and administrative records.

Sub-series consists of records relating to "The Gull," the Japanese Noh play written by Daphne Marlatt. The play is a dramatization of the historical link between the fishing town of Steveston, home to many Japanese-Canadians, and Mio, the coastal village in Wakayama, Japan, from which many of their ancestors originally emigrated. Records include manuscripts, permissions, correspondence, musical scores, research material, photographs, books, articles, promotional material, programs and related production material. Also includes two optical discs, one of which contains sound files with transcriptions.

Sub-series consists of records relating to the chamber opera "Shadow Catch," for which Marlatt composed the libretto. The opera was affiliated with the Pro Musica Society of Vancouver's Further East Further West Series, as well as the City of Vancouver's 125th Anniversary Celebration. "Shadow Catch" ran from December 2-4, 2011 at the Firehall Arts Centre in Vancouver. Records include draft scripts, correspondence, articles, musical scores, photographs, programs, and advertisements.

Sub-series consists of records relating to the book "Readings from the Labyrinth," a collection of essays by Daphne Marlatt. Records include manuscripts, newspaper clippings, photographs, and other conference material.

Sub-series consists of records relating to "At the River's Mouth: Writing Migrations," a lecture given by Daphne Marlatt as the Ralph Gustafson Distinguished Visiting Poet at Vancouver Island University. The lecture was later published as a book (designed by Robert Bringhurst) by the Institute for Coastal Research at Vancouver Island University. Records include correspondence and lecture drafts.

Sub-series consists of drafts, articles, correspondence and research records relating to Daphne Marlatt's reviews of other writers.

Sub-series consists of records relating to awards and honours Daphne Marlatt and her publications have received. They include the Order of Canada, the Diamond Jubilee Medal, and an honourary degree from Mount St. Vincent University. Records include certificates, correspondence, and brochures.