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"Additions"

Annotation: "Edited October 1980"; Donor's Note: Notebooks, Foundational teachings, early poems

"Archeonyms"

Donor's note: A ghost effect (1989ish); Atelier; Prose #2; Notes to Atlas; [?] to Atalier; Archeonyms; ? Inclues the Priestess of the Winds; The Old Sailors Garden; Somewhere in Palestine; In the Light of the Word; A Crypt for Romantics in Plastic Sheet/many pages; What is my Crime? I have forgotten everything. "fragments"; Pink folders...The Folklore of Words; Pink folder, "Notes Used": The Relation as an Election, Before Dawn, Some Call it Life.. 3 long pages folded, Out of the Crossword Puzzle, The Casket Letter, The Cairo Hilton, O Sundail is it dark enough, In the book the sentences wander, Sparrows, les Champs du Mars; Pink folder "Notes to Tomb of Glass": the Berkeley Boanicals, Letter Colleen to [?], Bond Street, Zoe is Southern. Dec 1973, The essentially hidden is buried in the page, Les Champs de mars... for Charles Olson 1971, Prose #1; Pink folder "Copy for the Romantics": My house has always been this hermitage, Foxgloves, The Blue Book, H.D., The musicans outside of the Marina today, The Red Tree Jan '69, [?] Amamnese"

"At the River's Mouth: Writing Migrations" records

Sub-series consists of records relating to "At the River's Mouth: Writing Migrations," a lecture given by Daphne Marlatt as the Ralph Gustafson Distinguished Visiting Poet at Vancouver Island University. The lecture was later published as a book (designed by Robert Bringhurst) by the Institute for Coastal Research at Vancouver Island University. Records include correspondence and lecture drafts.

"Atelier" notations

Donor's note: A ghost effect (1989ish); Atelier; Prose #2; Notes to Atlas; [?] to Atalier; Archeonyms; ? Inclues the Priestess of the Winds; The Old Sailors Garden; Somewhere in Palestine; In the Light of the Word; A Crypt for Romantics in Plastic Sheet/many pages; What is my Crime? I have forgotten everything. "fragments"; Pink folders...The Folklore of Words; Pink folder, "Notes Used": The Relation as an Election, Before Dawn, Some Call it Life.. 3 long pages folded, Out of the Crossword Puzzle, The Casket Letter, The Cairo Hilton, O Sundail is it dark enough, In the book the sentences wander, Sparrows, les Champs du Mars; Pink folder "Notes to Tomb of Glass": the Berkeley Boanicals, Letter Colleen to [?], Bond Street, Zoe is Southern. Dec 1973, The essentially hidden is buried in the page, Les Champs de mars... for Charles Olson 1971, Prose #1; Pink folder "Copy for the Romantics": My house has always been this hermitage, Foxgloves, The Blue Book, H.D., The musicans outside of the Marina today, The Red Tree Jan '69, [?] Amamnese"

"Between Brush Strokes" - Sveva Caetani story [drafts and correspondence 2007-2009]

MsC 142.755 – MsC 142.759 : Five photographs of the Caetani House and Studio 3401. Sign in one of the photographs reads:
“Built in 1895 by Samuel Summerville, the house was originally designed as a two-story square, late Victorian Vernacular Revival building, emphasizing solidity and comfort over design. Extensive renovations took place in 1903 with the addition of the back wing. In 1913, the house was sold to A.G. Mueller, owner of the Coldstream Hotel. Mueller sold the house to Leone Caetani in 1921, who in turn left the house to his daughter Sveva Caetani. In 1985, Miss Caetani bequeathed her home to the City of Vernon for the use of the Vernon Public Art Gallery.”

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