Fonds consists of correspondence, research, notes, written works, newspaper clippings and other records accumulated by Shackleton over her lifetime. These include records relating to her career as a writer, editor and journalist, her political activities, her education, research, travels abroad and those records relating to her professional and personal relationships within organizations and with acquaintances, friends and family members. Records have been arranged into the following seven series: Writing records ([194-]-2001); Research and reference files ([196-]-1985); Education and employment records (1931-[ca. 1992]); Political records (1944-1979); Professional organization records (1983-2001); Personal subject files ([19--]-2001); and Travel souvenirs, notes, and ephemera ([196-?]-1995).

The fonds consists of correspondence, manuscripts, typescripts of radio addresses, etc.

Fonds consists of records relating to the writing and publication of novels written by June Skinner under the pen names of Rohan O'Grady, and A. Carleon. These include original manuscripts, notes on works in progress, memorabilia, promotional material, rejection letters, grant applications, photographs, scrapbooks, and correspondence.

The fonds has been arranged into the following series: Manuscripts (1936-[1992?]); Contracts (1960-1998); Correspondence ([1949?]-2000); Research (1965-[197-?]); Promotional material and reviews (1961-1974); Personal (1947-[196-?]); and Finance (1941-1992).

The fonds consists of sheet music, pipe band directories, paintings, photographs and other material.

The fonds consists of letters from Zukofsky to the poet Cid Corman. The fonds also contains four letters to the poet Walter Lowenfels.

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

This fonds contains writings, notebooks, scores, computer software, photographic materials, audio and video recordings, two synthesizers, a computer and other material relating to the life experiences and creative output of Martin Bartlett. Most of the material dates from Bartlett’s active work life from 1965-1993, although there is some information from his early life, 1940-1965. The contents of the fonds have been divided into 11 distinct series representing different aspects of his life. One series (9: Compositions) has been divided into three sub-series determined by the type of material (scores, computer programs, and recordings).
The series contained in this fonds are as follows: Series 1: Correspondence; Series 2: Personal Papers; Series 3: Notebooks; Series 4: Teaching; Series 5: Gamelan; Series 6: Research Materials; Series 7: Writings; Series 8: Computer Programming; Series 9: Compositions including subseries 9:1: Scores, 9:2: Computer Programs, and 9:3: Recordings; Series 10: Photographs and ; Series 11: Objects.

The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc.

The fonds consists of a journal of Carnie's experience in Canadian Armed Forces in World War II. Includes photographs, medals, etc.

Fonds consists of records related to Myron Kuzych's case against Bill White, then leader of the Marine Workers and Boilermakers Union. Records include correspondence, notes, newspaper clippings, scrapbooks, transcripts and legal documents from the union, the BC Supreme Court, the Court of Appeal, the Supreme Court of Canada, and the Privy Council.

The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.

Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

After immigrating to Canada following World War II, David Macaree (d. 1998) earned his M.A from UBC and PhD from the University of Washington. He joined the Department of English at UBC, his primary areas of interest being 18th-century literature (mostly Defoe) and English composition, and remained a faculty member until his retirement in 1985.

Mary Macaree (1922-2008) qualified as a teacher in Scotland and then as a librarian upon immigrating to Canada. She received her Bachelor of Library Science degree from UBC in 1963 and became that institution’s head librarian in 1968. She retired in 1985.

One of Mary’s hobbies included Scottish country dancing and she also took a philanthropic interest in the development of libraries and programs supporting Scottish culture and studies. She and her husband were avid hikers and proponents of the outdoors, together they authored two popular books “103 Hikes in Southwestern British Columbia” and “109 Walks in British Columbia's Lower Mainland”.

David passed away in 1998, and Mary in 2008.

The fonds is arranged into two sous-fonds, one for each creator. The David Macaree sous-fonds is arranged into the following three series: Papers authored (1951-1986), Papers authored by others (1963-1998), and Robbie Burns research and associated notes (1961-1996). The Mary Macaree sous-fonds is also arranged into three series: Papers authored (1959-1964), Records associated with Scottish country dancing (1961-2000), and Records associated with universities and other entities (2005-2007).

Fonds consists of scrapbooks, containing newspaper clippings, press releases, campaign materials, minutes, correspondence, programs and song lyrics, created by Gargrave while he was an MLA in Mackenzie, and when he ran for Mayor of Vancouver in 1970 as a representative of the NDP civic party.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

Fonds consists of scrapbooks of Mitchell's travels to Japan and Korea, reports she wrote with the Neighbourhood Services Association as a Community Development worker, speeches mailings, newsletters, issues & case work files, correspondence, records related to her memoir, the Vancity Community Foundation's Margaret Mitchell Fund for Women, photographs of various events, and House of Commons debate transcripts.

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.

Fonds consists of personal, administrative and production records for Judith Marcuse and her production company Judith Marcuse Projects (also known as Repertory Dance Company, Judith Marcuse Dance Company, DanceArts, Judith Marcuse Dance Projects Society). Spanning from 1956-2019, the fonds documents Marcuse’s life as a dancer and work choreographing, directing and producing dance and multi-disciplinary performing arts projects and festivals. The fonds predominately contains business records (particularly requests for grants and donations), promotional materials, media clippings, photographs, correspondence, sound recordings, and moving images.

This fonds consists of four main series (some containing sub-series) - Series 1: Personal records (1956-2018); Sub-series 1: Records created by others (1977-2009); Series 2: Commissions or consultations (1966-[2015?]); Series 3: Events, organizations and councils (2002-2018); and Series 4: SFU and International Centre of Art for Social Change (1996-2019) which contains 4 sub-series – Sub-series 1: Administrative records (1996-2019); Sub-series 2: Financial records (2007-2010); Sub-series 3: Grants/fundraising records (2008-2012) and Sub-series 4: Promotional records: ([2006?]-2009). The fonds also contains one sous-fonds (some containing sub-series).

Fonds consists of records created, received or accumulated by Pierre Coupey through his personal and professional activities in the course of his career as a multidisciplinary contemporary artist, poet, co-editor, founding editor and English instructor. It includes hand-written and word-processed correspondence between Coupey and editors, publishers and other fellow writers, artists and poet-friends; unpublished poems and writings by Coupey and other writers, manuscripts and drafts of books and poems of Coupey’s poetic works and of other writers; reviews, newspaper clippings and photocopies of reviews of Coupey’s work as a poet and artist; original artwork by Coupey; photographs of Coupey and other writers; exhibition planning records; miscellaneous hand written notes by Coupey on his exhibitions and poetry works; hand written postcards and notes from fellow artists and poets; teaching materials as an English instructor; day-timers, which includes addresses and phone numbers of fellow artists and poets; promotional materials for exhibitions and reading engagements; Canada Council grant information; and miscellaneous ephemera such as exhibition postcards and posters.

This fonds is divided into 7 series: 1: Publication - "The Capilano Review" (TCR) (1959-2013); 2: Independent press (1967-1997); 3: Poetry and creative writing ([ca. 1957-2015]); 4: Capilano College (University) (1969-2014); 5: Exhibition records (1964-2015); 6: Artwork (1960-2013); 7: Administrative records (1960-2014).

Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.