The fonds consists of records made and received by Tom Mallinson in his role as a professor and as a consultant for outside organizations. Includes correspondence, lectures and publications.

Series consists of records related to film and television productions that Duke was involved with. Records include drafts of screenplays, scripts, publicity, call sheets, administrative documents, shooting scripts, itineraries and other records related to the development and production of Duke’s cinematic projects. This series contains records related to the following projects:
• "A Cry For Help" (1975)
• "An Ill Wind" (1988)
• "The Angel of English Bay" (1988)
• "A Sparrow Falls" (1993)
• "A Tale From Bali" (1988)
• "Citizenship" (1952)
• "Close Up" CBC (1958)
• "Columbo: Smokescreen" (1990)
• "Dance of Shiva" (1990)
• "Hard Feelings" (1980)
• "I Heard the Owl Call My Name" (1973)
• "Memory of a Murder" (1992)
• "Nude" (1987-1990)
• "Pauline" (1997)
• "Payday" (1973)
• "Silent Partner" (1982)
• "Stock Exchange" (1989-1990)
• "Sunday" (1966-1967)
• "Tai-Pan" (1985-1986)
• "The China Story" (1991)
• "The Heritage Minute" (1990)
• "The Insiders" (1991)
• "The Nightingale Saga" (1984)
• "The Raincoast Chronicles" (1989-1994)
• "The Thorn Birds" (1982)
• "When We Were Young" (1989)
• "Wojeck" (1989-1990)

Fonds consists of the official records of the Independent Publishers Association and its 1976 successor, the Association of Canadian Publishers. The fonds documents the 1971 founding and the first ten years of operation of the ACP and its activities to strengthen and expand the Canadian-owned publishing industry through government action, co-operation between publishing houses and liaison with other associations.

The records contain substantial information and analysis of the English language Canadian publishing industry during this period and of its specialized sectors such as children's book, educational, scholarly, music and paperback publishing. They document the founding and operation of ACP affiliates: the Literary Press Group, Association of Book Publishers of BC and the Atlantic and Alberta Publishers Associations. The records reveal the concerns of these regional and specialized groups and of the industry as a whole and detail the remedial strategies formulated for problems of warehousing and distribution, censorship, production costs, promotion, foreign sales and foreign ownership. The ACP was a sustaining member of the Book and Periodical Development Council and the Canadian Copyright Institute and amassed minutes and papers from these organizations.

The collection reflects the cultural and economic nationalism that emerged in Canada during the 1970's. It offers significant information about federal and provincial government policies, initiatives and funding programs in aid of book publishing and on related issues such as copyright, Canadian learning materials development and the book tariff. Substantial records have been maintained on the Canada Council and its Book Purchase Program, the Ontario Arts Council, and the federal ministries of Secretary of State and Industry, Trade and Commerce. An extensive collection of briefs to the 1971 Ontario Royal Commission on Book Publishing is also included.

The records document Canadian publishers' participation in foreign book fairs and the Montreal Book Fair. Detailed records have been maintained on the proceedings of ACP publishing policy conferences and publishers' professional development seminars. Considerable documentation exists about the interaction between the ACP and associations and individuals representing libraries, educational institutions, booksellers and writers.

Significant correspondents with ACP staff and executive members include Dave Arnason, Beth Appeldoorn, Katherine Benzekri, Bill Bissett, Sally Bryers, Fred Cogswell, William Darnell, Jane Dobell, Robin Farr, Hugh Faulkner, W.E.P. Fleck, Nancy Fleming, Graeme Gibson, Shirley Gibson, Alastair Gillespie, Peter Grant, David Hancock, Ralph Hodgson, Jack Horner, Campbell Hughes, Paul Irwin, Don Jamieson, Luc Jutras, Naim Kattan, Susan Katz, Peter Kidd, Frank Keyes, Sheila Kieran, Georges Laberge, Patricia Lagace, John LeBel, Jack McClelland, David MacDonald, Roy MacSkimming, John Main, Gladys Neale, Jacqueline Nestman-Hushion, Gordon Pallant, J.Z. Leon Patenaude, Ellen Powers, Eva Radford, Bernie Rath, Angela Rebeiro, Ed Roberts, Toivo Roht, Dan Rosborough, Clyde Rose, Karl Seigler, Roy Sharpe, Alan Shute, Annabel Slaight, David Spence, Steve Stevanovic, Jack Stoddart, Anthony Toth, Linda Turnbull, Glen Whitmer and Randall Ware.

Included are the constitution, bylaws, letters patent, correspondence, reports, briefs, speeches and transcripts, budgets, financial statements, newsletters, brochures, catalogues, articles, clippings, press releases, minutes, and photographs.

Includes scripts and planning documents for “An Outpost of Progress,” “Chuckwagon 33,” “The People of the Potlatch,” “Parade,” “Madic,” and “The Roving Gambler.”

The Archives holds the personal papers of the late Dallas W. Smythe (see fonds F-16), the first chair of SFU's Department of Communication Studies. Thomas H. Guback was a doctoral student of Dallas Smythe at the University of Illinois and maintained a professional relationship with Smythe for many years. Guback recently retired as a professor of communications, media studies, and advertising at the University of Illinois. He also served as a consultant in the area of the motion picture industry, and writes and hosts a television program on the Public Broadcasting System (PBS).

The collection consists of correspondence from or about Dallas Smythe, articles written by Dallas Smythe, copies of memorial lectures about Smythe, and photographs of Smythe at work and with his family.

The collection consists of seven files.