Fonds consists of broadsides, chapbooks and business records generated by Mother Tongue's publishing activities.

The Simon Fraser Public Interest Group (SFPIRG) was established in 1981 as part of a movement of PIRGs established at universities across North America to advocate for social change. SFPIRG's mission is to engage students in social and environmental justice. Areas of work include education, action, research and community. SFPIRG is funded through student fees, is non-partisan, and is a registered non-profit organization. The collection consists of publications of the organization, including their newsletter Antithesis, and a number of special topic brochures, booklets, and leaflets.

The collection consists of audio cassette recordings of the interviews and associated paper documentation (biographical forms and interview summaries) for each of the women who participated. Twelve women were interviewed. The names of the interviewers and interviewees are:

• Beverly Ann Carlson interviewed by Anda Jones.

• Bertha Cochrane interviewed by Linda Henderson.

• Suzanne Crawford interviewed by Pat Newton.

• Kathleen Dawson interviewed by Linda Cluelett.

• Ann St. Clair Ecclestone inteviewed by Jane Ecclestone.

• Jean Ferguson interviewed by Marsha Ferguson.

• Melitha Rose Kraus interviewed by Laurie Doig.

• Patricia Mazzarella Larson interviewed by Angela M. Larson.

• Violet Piersma interviewed by Peter van Drongelen.

• Florence Vilma Shannon; interviewer not recorded.

• Miyako Shinkawa interviewed by Debbie Shinkawa.

• Ilo Urquart; interviewer not recorded.

Note that there is no paper documentation for one of the interviewees (Ilo Urquart).

Collection consists of records relating to Vivien Leong's activities as a member of the Simon Fraser Public Interest Research Group (SFPIRG) Recycling Group and a member of the Communications Student Union. Collection includes agendas, minutes, correspondence, publications, posters, anti-calendars, and other documents.

Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.

Fonds consists of records relating to the activities of the Office of the President and the Board of Governors. Activities, events and topics documented include the establishment and development of TechBC and its programs; early governance, including the activities of the Interim Planning Council and the Interim Governing Board for TechBC; meetings of the Board of Governors and various other university committees and boards; campus development; budgeting, fundraising, and other financial management activities; human resources management; public relations activities; and external co-operation and liaison activities, including TechBC's relationship with the Provincial Government.

Records include terms of reference, minutes, agendas, and supporting papers; correspondence; reports, papers, proposals, academic plans, and working papers; subject files; audit reports, budgets, grant applications, and financial statements; reference manuals and policy statements; contracts and agreements; personnel files and job descriptions; course outlines, program outlines, and academic calendars; presentations and speeches; booklets, brochures, and promotional material; press releases, newspaper articles, journal articles, and newsletters; photographs; videocassettes; audio cassettes; architectural drawings; and artifacts.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Fonds consists of transcripts and cassettes arising from Stainsby's master's thesis. Descriptive information for individual interviews has been transcribed from original cassette covers; see in the hard-copy finding aid Appendix 5 and item-level descriptions.

Collection consists of first issues of stamps, postcards, comics and other materials related to Blair Henshaw’s collecting and AIDS-awareness advocacy work. Collection has been arranged into the following five series: Stamps and related records (1988–[before 2002]), Postcards, posters and phone cards (1983–[before 2002]), Exhibition records (1993–1999), AIDS on Stamps project files [199-]–2003 and Correspondence (1993–2002).

Toby Brooks is an American-born social advocate and activist living in Canada with her husband David. Toby worked at a home for women survivors of domestic abuse in Ontario in the 1970’s and 1980’s. While furthering her education she came across the story of Vancouver poet Pat Lowther, murdered at just 40 years of age by her husband in 1975 when just on the brink of professional recognition. Pat Lowther’s untimely death resonated with Brooks, who spent the better part of the next two decades researching and interviewing Lowther’s friends, family, and colleagues. The end result was a biography entitled “Pat Lowther’s Continent: her life and work” published by gynergy books in 2000. Toby also organized a series of tributes dedicated to Pat Lowther. The first was held in 1995 at Emmanuel College in Toronto, with others following at various locations on what would have been her milestone birthdays.

This collection consists of textual records compiled primarily by Toby Brooks, but also some research material from her collaborator Dona Sturmanis. The records are mainly correspondence, interview transcripts and photocopies of poems. There are also copies of research records obtained from other archives or organizations.

There are 3 series contained within this collection: Research and writing ([ca. 1959-2006]); Toby Brooks-Dona Sturmanis collaboration ([before 2000]); and Pat Lowther tributes and readings ([ca. 1985-2006])

Fonds consists of records documenting the organization and promotion of Vancouver's Mayworks Festival of Working People and the Arts. These include programs, posters, minutes, payroll and other financial records, agendas, licenses, contracts, tickets, fundraising letters, mailings, grants, and photographs used by Mayworks festival organizers from 1988-1996. Fonds also includes a thesis about Mayworks written by Aurian Haller in 2004.

Fonds consists of records made or recieved by the Association in the course of its activities. Activities documented include incorporation; meetings of the Annual General Meeting and various committees; maintenance of membership; financial management, budget planning, and grant applications; correspondence with member centres, regional representatives, government ministries and agencies, and other organizations; and development of a training strategy ("Planning for Change") and other projects. Records include correspondence, reports, meeting minutes and supporting papers, policies and procedures, financial records, agreements, published materials retained for reference, and notes, drafts and working papers.

The fonds includes manuscripts and proofs.

The fonds reflects Bök’s participation in the Canadian poetry scene as well as his teaching work. Records include correspondence with numerous other writers, teaching associates, fans, gallery owners, and conference organizers, as well as manuscript drafts, reviews of Bök’s work, ephemera from festivals and exhibitions, other writers’ works, and gifts and souvenirs. The fonds also includes Bök’s work laptop and its contents, which include textual records, photographs, audio, and video files of exhibits, performances, and travel.

The fonds consists the archive of poet and writer Barry McKinnon.

The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

The Indo-Canadian Oral History Collection documents the histories of immigrants from the Punjab Province of India who came to Canada between 1912 and 1938. The project was initiated by Hari Sharma, Professor of Sociology at SFU, who conducted the interviews with the assistance of a graduate student.

The interview subjects, primarily Sikhs, discuss such topics as why they came to Canada, the journey to Canada, adjustment to Canadian society upon arrival, employment in Canada, family life, and their ongoing links with their country of origin. Appendices include an interview guide prepared by Hari Sharma and an article about the project.

The fonds consists of research material acquired by Peter Poole in the course of preparing his thesis and an earlier essay on the solidarity movement. The fonds includes taped interviews of trade union leaders, solidarity movement leaders, community activists, and legal counsel. Twenty-six of the interviews are transcribed. The fonds also includes newspapers and newsclippings, essays, publications, flyers, research notes, ephemera, a chronology of the solidarity movement, and a copy of Peter Poole's thesis.

The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.

Sue Cox was an undergraduate student at SFU, who was a student in one of Maggie Benston's classes. The collection consists of handwritten class notes and reprints from Maggie Benston's first offering of the course, "Women, Science and Technology," (WS 204-3).

The collection consists of one file.

Fonds consists of records relating to the labour organizing activity of Art Kube and Operation Solidarity. These include meeting agendas, committee reports, newsletters, brochures and pamphlets, publications, correspondence, ephemera, AGM conference packages, and material documenting participation in the BC Native Land Claims conference in 1986 and the Canadian Labour Congress's presentation to the House of Commons Standing Committee on External Affairs & International Trade in 1987.

The fonds includes correspondence, photographs, posters, promotional material, business records, etc.