This series consists of biographical information for Ruth Emerson Wortis compiled by the donor. This includes: a copy of the obituary written by Michael Wortis including photocopies of images used, a resume, and a comprehensive list of performances, dances choreographed by Ruth, publications and reviews.

The series consists of an essay that documents Kersti Krug's experience as a member of SFU's Personnel Department in the 1970s.

The essay was transferred to the Archives as a PDF and is accessible here in SFU AtoM. A hard copy has also been printed for access in the Archives' Reading Room.

Series consists of records relating to Smith's involvement with and documentation of the BC craft beer movement. Records include correspondence, cards, invitations and event itineraries; records reflecting Smith's participation in CAMRA BC, including news releases, campaign materials, meeting agendas and supporting papers; and brewery brochures, publicity materials and information sheets.

This series contains material associated with records relating to the successful carpet business Ajaib started in 1948. After leaving military service he spent time in India training and returned to Canada to start East India Carpets in 1948. The business began as wholesale until expanding; the family has maintained their current retail location on 2nd street since 1962.
The series is divided into 2 sub-series: Photographs and Textual records.

Series consists of publications produced by The Peak Publications Society. It includes a complete run of the two Peak predecessors, SF View, and The Tartan (sub-series 2); an ongoing run of The Peak, both in hard copy and microform (sub-series 3); the Peak Student Handbook (sub-series 4); and a separate run of The Tartan, resurrected as a magazine in 2015. Also includes other one-off or short-lived publications produced by the Society (sub-series 1), including a run of 12 issues of the Terminal City Express (1972-73), a newspaper relating to culture and politics in the Lower Mainland.

Series consists of Gambone's collection of international anarchist and libertarian left literature. Includes journals, pamphlets, newsletters, bulletins and other documentation.

Series consists of analogue and born-digital records created by Adbusters Media Foundation while administering the Blackspot shoe campaign as well as designing, promoting, and distributing Blackspot sneakers and boots. The Blackspot shoe campaign was launched in 2002. For this campaign, Adbusters created and sold the Blackspot Sneaker (2002) and the Unswoosher (2006), shoes manufactured in a unionized workshop and created with vegan and recycled materials. The intent of Blackspot is to take market share from large shoe and athletic corporations through the creation of an environmentally responsible and fair trade alternative.

Paper and analogue records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, order processing guidelines, shareholder certificates, pamphlets, promotional photographs, and two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the Unswoosher.

Born-digital records include shoe design drawings, letterheads, internal manuals, advertisement graphics, promotional photographs, posters, coupons, stickers, gift cards, labels, shareholder certificates, T-shirt mockups, catalogues, promotional comics, and website mockups.

The series has been arranged by the archivist into separate sub-series based on the type of material:

• Administrative records (sub-series 1).
• Promotional materials (sub-series 2).
• Shoes (sub-series 3).

Files are arranged chronologically.

Series consists of records relating to Evan's book project. In 2011, Evans reached agreement with the Royal British Columbia Museum (RBCM) to produce a series of books under the working title The History of Beer Brewing in British Columbia. The work was initially planned as three separate volumes: The Pioneer Years, 1858-1920 (Part 1); The Years of Consolidation, 1920-1982 (Part 2); and A Renaissance of Brewing, 1982-present (Part 3). A revision of the agreement in 2016 narrowed the scope to just the first two volumes. Evans continued to work on the project up to his death, but the manuscripts were not completed and no copies survive.

This series brings together a number of files relating to the book project. Records includes outlines for the project and the publishing agreement with RBCM (files 1-2); correspondence, notes, working papers, progress checklists, invoices, bibliographies and reference materials. Reference material includes works by Lynn Pearson, "Towers of Strength: Brewery Architecture at Home and Abroad" (paper given at the Victorian Society at Young's Brewery in London in Feb 2006) and Derrek Eberts, "To Brew or Not to Brew: A Brief History of Beer in Canada" (Manitoba History, vol. 54, Feb. 2007).

While there are no surviving manuscripts for the book, it seems likely that many fragments do exist in the form of the multi-page profiles of individual breweries that are found in many of the "brewery files" in series 3.

Two files placed in series 9, Photographs, labels and graphics reference the book project and contain correspondence relating to permissions for use of photographs in the book. Much of the materials in series 3 was accumulated in the course of Evans' work on the book.

Series consists of photocopies of six published articles and one final draft of an essay, on the subject of Sikhs in Canada and the Komagata Maru, written by Hugh Johnston.

Series consists of records produced by the SFU Alumni Relations Office, in support of the Alumni Association. Series includes the association constitution, minutes, correspondence and memoranda, brochures and other promotional material, and copies of alumni newsletters entitled The Bridge, Afterthoughts, the Alumni Journal, and AQ magazine.

This series consists of 3 sub-series: Associations and memberships (1966-2015); Professorships, seminars, lectures and speeches (1940-2012); Conferences and events (1976-2013)

Series consists of drafts, sample pages, unpublished and published literary works by Pierre Coupey and other writers/poets, advertisements, ephemera, an early Pierre Coupey CV, reading engagement information, publication outline and forms for the West Coast Poetry and Poetics Anthology project, invitations, newspaper clippings, postcards, type written, email and hand written correspondence and an audio cassette.

This series is divided into 5 sub-series: 1: Poetry ([ca. 1957-2012]); 2: Poetry publications - general (1960-1979); 3: Poetry publications - "West Coast Poetry & Poetics Anthology" ( 1970-1980); 4: Literary works by other authors (1960-2012); 5: Research for literary works ([198-?-2011])

Series consists of gallery correspondence, exhibition invitations and catalogues, artist catalogues, postcards, newspaper clippings, exhibition floor plans, handwritten notes, ephemera, magazine articles, mock-ups, drafts and proofs for layout and design work for invitations and catalogues, invitation lists, photocopies of guest books, mailing lists, an interview transcription of Coupey with a curator, exhibition planning records, cue card notes, research information, business cards, itinerary and travel records, gallery guides, comment books, corporate sponsorship records, to do lists, promotional drafts, newsletters, drafts for essays, budgets and receipts, a student essay, grant program information, printmaking information, laser copies and transparencies, installation photographs, quotes, memoranda, lists of artworks, press release and announcements and an exhibition attendance report.

This series is comprised of records related to the revision of “I Stand for Canada” into an edition titled “A Flag for Canada: the Illustrated Biography of the Maple Leaf Flag”, published in 2008.
The series is divided into the following 5 sub-series: Drafts, proofs and edits (2007-2008), Agreements and contracts (2003-2012), Project development and correspondence (2002-2010), Post-production, promotions, and reviews (2006-2015), and Image copyright requests and agreements (2002-2008).

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Series consists of records generated from Beaulieu’s work as an author, editor, academic and teacher. Records include research, correspondence, contracts, proofs at various stages of production, drafts, transcriptions and publications. Series is arranged into the following sub-series: Poetry and book files (1996–2014); Article files (1998–[before 2015]); Academic research and writings (1991–2014); Writings by students (2008–2015); Writings by others (2005–2013) and Handmade books ([before 2009]).

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Series consists of records related to Karasick’s research and scholarly work. Records include research notes, drafts, completed essays and some correspondence. The series is divided into subseries: PhD thesis, essays and pechakuchas, and conference presentations.

Series contains material relating to Culley's poetry, books, and essays. Includes handwritten, typed, and word-processed notes and drafts of works; some annotated; page proofs and other materials relating to the creation and publication process of Culley's works; published work; recordings of talks given; and includes correspondence. The series has been divided into several sub-series, which were created based on form. The subseries are: Notebooks; Notes and drafts; Typescripts and page proofs; Talks; and Publications.

Series consists of souveniers of travel, memorabilia, library check-out lists, receipts, report cards, and school work.

This series consists of 9 sub-series: Quebec politics and sovereignty (1965-2011); Federal government and constitutional law (1964-2013); Reports, testimonies, advisory committees, and essays (1953-2013); Professional correspondence (1952-2014); Vancouver Quadra (1951-2015); B.C. politics (1979-2006); Aviation law (1955-1996); Foreign policy, treaties and international courts (1963-2014); Research on international politics or legal issues (1943-2015)

This series consists of 3 sub-series: Works authored by McWhinney (1956-2013); Works about McWhinney (1963-2012); Works edited or reviewed by McWhinney (1974-2015)

Series consists of records created and accumulated by the Kiss and Tell collective during the production, exhibition, and promotion of the photographic exhibition “Drawing the Line” and the book “Drawing the Line: Lesbian Sexual Politics on the Wall.” Records include photographs, correspondence, exhibition specifications and guidelines, promotional and press materials, and articles. Photographs include not only those 98 images ultimately selected for use the “Drawing the Line” exhibition, but also many more photographs taken by Stewart in the process of creating the artwork, as well as photographs of the exhibition itself.

Series consists of records and photographs relating to Judith Marcuse commissions for dancers or companies that did not involve Judith Marcuse Dance Company.

Series contains material relating to Karasick’s works of poetry. Includes handwritten and word-processed notes and drafts of works, some annotated; page proofs and other materials relating to the research, creation and publication process of Karasick’s works; published work; photographs; notebooks and some correspondence. The series is divided into several subseries, based on title. Notebooks form a separate subseries.

Series contains letters and printouts of emails from friends, family members, professors, colleagues, universities, and funding organizations. Included are cards, postcards, notes, photographs, and outgoing draft correspondence. Series is divided into 2 subseries: Personal correspondence and Professional correspondence.

Series consists of page proofs for works Peter Culley edits and materials about art exhibits Peter Culley curated.

Series consists of posters, flyers, leaflets, and trade publications.

Series consists of photographs of Peter Trower, his partner Yvonne Klan, and their family, friends and other acquaintances. Photographs relate to Trower’s writing, musical and personal activities, his childhood in England and Canada, and his family life. Series includes many photographs of Trower with writer and publisher friends, giving readings, attending literary events, awards ceremonies, and book signings and performing with former bandmates Mike Dunn and Ken Dagliesh, Industrial Accident and the Caulk Boots and Marlin Spikes production. Also included are photographs taken during the filming of the documentary "Between the Sky and the Splinters" in 1976, photographs of Trower’s travels with Yvonne, his various residences, publicity shots for book covers, and photographs from his seventieth birthday party in 2000. Fellow writers appearing in photographs include Earle Birney, Trevor Carolan, Jim Christy, Lorna Crozier, Jamie Mandelkau, John Moore, Cath Morris, Mary Nichol, Stuart Nutter, Richard Olafson, Malcolm Parry, George Payerle, Joe Perone, Ted Poole, Greg Potter, Al Purdy, Robin Skelton, Carol Skoloff, Godfrey Stephens, Alan Twigg, Howard White, and Carolyn Zenailo.

This series consists of 4 sub-series: Biographies, self-promotion and awards (1963-2013); McWhinney family, early life and personal papers (1914-2015); Charities and McWhinney Foundation (1968-2013); Travel (1958-2013)