- MsA 7
The fonds consists of correspondence, manuscripts, photographs, and other material.
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The fonds consists of correspondence, manuscripts, photographs, and other material.
The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.
The Coast is only a line
Fonds consists primarily of correspondence with Canadian writers.
The collection consists of posters relating to World War I propoganda.
The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.
The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death (-1945).
Innes, John Clarke
Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.
Fonds primarily contains examples of printed material created by the Margison Brothers Printers from 1959-1999. The fonds also contains some business records, including a cash book and sales tax information, as well as various printing-related publications. The fonds is divided into two series: Series 1. Printing Examples and Business Records, and Series 2. Miscellaneous Publications.
Margison Brothers Printers
Fonds consists of scrapbooks, containing newspaper clippings, press releases, campaign materials, minutes, correspondence, programs and song lyrics, created by Gargrave while he was an MLA in Mackenzie, and when he ran for Mayor of Vancouver in 1970 as a representative of the NDP civic party.
Gargrave, Anthony John
Fonds consists of broadsheets, chapbooks, financial records and correspondence relating to the publishing activities of Greenboathouse Books from 1999-2008.
Fonds consists of records created by Carole Rubin while working on her books How to Get Your Lawn off Grass and How to Get Your Lawn and Garden off Drugs . Records include correspondence, manuscripts, and research on pesticide use.
Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.
Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.
De Courcy, Michael
Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.
Fonds includes email correspondence and corrected proof copies of issues #3/4, 5, 6.
The fonds consists of manuscripts, including typescripts, proofs, galleys, and page proofs corrected by the author, and correspondence from Robin Blaser to Ferry Press pertaining to publication of Blaser's translation of "Les Chimeres".
Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing "filling Station" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993–2008); Financial records (1993–2008); Marketing files (1993–2002); Editorial files (1995–2004); Event files (1993–2001); and Chapbooks (1993–2006).
filling Station Publications Society
Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.
The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.
The fonds consists of correspondence (letters from Wieners to John Marlow).
The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.
Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.
Kiss & Tell Collective
Fonds consists of correspondence, manuscripts, original art, music, ephemera, books, zines, layouts, grant applications and reports, financial records, academic and teaching papers, T-shirts, notebooks and Wershler-Henry's MA and PhD theses. Records are in digital and analogue formats.
Wershler-Henry, Darren S. (Darren Sean)
Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.
This fonds contains textual and photographic materials compiled by Jim Douglas, primarily relating to his various business and professional work in the field of book publishing. There is also printed material he compiled while researching legal topics relevant to publishing such as libel, copyright, contract and professional standards.
The series contained in this fonds are as follows: Series 1: Business records (1968-2006), Series 2: Records pertaining to legal topics (1982-1990), and Series 3: Project files (1970-1985).
Fonds consists of records created, received or accumulated by Pierre Coupey through his personal and professional activities in the course of his career as a multidisciplinary contemporary artist, poet, co-editor, founding editor and English instructor. It includes hand-written and word-processed correspondence between Coupey and editors, publishers and other fellow writers, artists and poet-friends; unpublished poems and writings by Coupey and other writers, manuscripts and drafts of books and poems of Coupey’s poetic works and of other writers; reviews, newspaper clippings and photocopies of reviews of Coupey’s work as a poet and artist; original artwork by Coupey; photographs of Coupey and other writers; exhibition planning records; miscellaneous hand written notes by Coupey on his exhibitions and poetry works; hand written postcards and notes from fellow artists and poets; teaching materials as an English instructor; day-timers, which includes addresses and phone numbers of fellow artists and poets; promotional materials for exhibitions and reading engagements; Canada Council grant information; and miscellaneous ephemera such as exhibition postcards and posters.
This fonds is divided into 7 series: 1: Publication - "The Capilano Review" (TCR) (1959-2013); 2: Independent press (1967-1997); 3: Poetry and creative writing ([ca. 1957-2015]); 4: Capilano College (University) (1969-2014); 5: Exhibition records (1964-2015); 6: Artwork (1960-2013); 7: Administrative records (1960-2014).
The records of the John Howard Society of the Lower Mainland of British Columbia consist of the Society's administrative records and client case files and cards used to document information about individual clients. They encompass work done as a provincial society and also as a working office in the Lower Mainland.
The administrative records of the Society document all aspects of the Society's work. They are broken down into three separate series, reflecting the particular manner in which the Society operated. First, a separate series of miscellaneous records which the Society appears to have kept apart from its established file system dates from 1932 to 1988. A second series of administrative records dating from 1932 to about 1968 reflects the Society's file classification plan in use at the time (see Appendix B1 - hard-copy finding aid only). A third group of administrative records reflects a new file classification plan which replaced the earlier file system (see Appendix B2 - hard-copy finding aid only). Administrative records that have accrued to the fonds have been added to this series.
Later records demonstrate the increased activity of the society in addressing the social problems of crime, including victim assistance programs and community assessments, as well as administration of halfway houses.
Individual case files and cards provide evidence of the Society's involvement with clients on probation including repeat or 'habitual' offenders, as well as prison visits, counseling sessions and other related actions undertaken by the Society on behalf of its clients.
Records comprising this fonds are records created at the Vancouver office of the Society, and do not include records created by the various regional offices.
John Howard Society of British Columbia
This fonds contains textual and photographic materials related to the life and literary work of Colin Stuart - a poet most active in the Vancouver literary scene in the 1960's and '70's. Personal setbacks limited the publishing of his poems, so the bulk of this fonds consists of multiple loose copies and drafts of an extensive body of work that spans almost 4 decades.
The contents of this archive have been divided into six series: Series 1: Manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).; Series 2: Correspondence (1964-2005); Series 3: Notebooks (1967-2018); Series 4: Photographs ([after 1973]-[2000?]); Series 5: Education and administrative ([195-]-1995); Series 6: Works by Duncan McNaughton and others ([ca. 1974]-2019). Series 1 has been divided into the following sub-series: Sub-series 1: Manuscripts and complete poems (1967-[200-]); Sub-series 2: Partial manuscripts, drafts, and notes ([ca. 1964]-[before May 2018]).
This fonds contains primarily correspondence, photographs, videotapes, and newspaper clippings as well as research and drafts from a multitude of writing projects LaPierre worked on throughout his life. There is material relevant to many of the key aspects of LaPierre's personal and professional life, including his career as a television broadcaster and producer, his academic and publishing accomplishments, his service in the Canadian Senate, his work with charities and his home life and hobbies.
The series contained in this fonds are as follows: Series 1: General correspondence and personal records (1957-2013); Series 2: Records related to television and producing career (1971-2013); Series 3: Records related to writing career (1908-2012); Series 4: Records related to term in Senate (1966-2013); Series 5: Records related to work with charities and organizations (1989-2012); Series 6: Records related to public speaking engagements (1992-2003); Series 7: Photographs (1948-2009) and; Series 8: Moving images and audiovisual material ([ca. 1985-2013]).
Portions of this fonds are relevant to other SFU collections – Daryl Duke (MsC 120), Alan Fotheringham (MsC 157), Norman Klenman (MsC 101), and possibly Edward McWhinney (MsC 191).
Fonds consists of records related to the life and creative work of Peter Trower in his activities as a poet, prose writer, cartoonist, and musician. Fonds also includes records pertaining to Trower's collaborative projects with Yvonne Klan, as well as works by other authors and artists that were accumulated by Trower. Records include poetry and prose manuscripts, drafts and outlines, movie scripts, journals, notebooks, correspondence, business records, photographs, articles, cartoons and other drawings, awards, certificates, and sound and video recordings.
The fonds has been arranged into the following twenty-three series: Correspondence (1934-2006); Journals and calendars (1961-2005); Notebooks ([ca. 1953]-2003); Prose - published books ([197-?]-2000); Prose - unpublished books (1969-2005); Prose - articles, short stories and related material (1953-2002); Poetry - published books (1964-2004); Poetry - unpublished books ([198-?]-2003); Poetry - draft poems (1958-2005); Poetry - published poems ([ca. 1972]-1997); Film scripts and related material (1993-2005); Musical performances, sound recordings and related material (1981-2004); Business and financial records (1964-2005); Articles, reviews and interviews regarding Trower (1965-2005); Readings, festivals and events records (1974-2005); Awards and honours records (1979-2005); Photographs (1929-2005); Cartoons and other artwork (1949-1998); Website records (1999-2002); Yvonne Klan records ([199-?]- 2005); Reviews and articles regarding other writers and artists (1982-2006); Works by other authors (1950-2003); and Personal records ([ca. 2000]).
The fonds consists of five series. Series 1 contains material sent to Registrar Harry Evans from 1969-1970 regarding the crisis in the Department of Political Science Sociology, and Anthropology. Series 2 consists of five subject files concerning topics of interest to Registrars D.P. Robertson and Harry Evans. Series 3 contains records from the Academic Advice Centre. Series 4 contains records from Financial Aid. Series 5 contains publications produced by the Registrar's Office. Records include correspondence, press releases, newspapers, committee lists and terms of reference, minutes, reports, statistics, policies, organization charts, manuals, notes, and other documents. Also includes registrar's publications, such as admissions information booklets, timetables, and calendars.