Fonds consists of textual records, including submitted manuscripts, paste-ups, editorial notes, subscriptions, correspondence, and other records related to the periodical (f.)Lip. The fonds has been arranged into the following two series: Editorial files, and Administrative and business files.

Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.

Fonds consists of records resulting from the activities of the Fraser River Sockeye Public Review Board in preparing their report to the Department of Fisheries and Oceans regarding the dramatic disappearance of several million sockeye salmon which normally would have migrated to the Fraser River watershed in 1994. Records include reports, notes, research, public submissions, correspondence and legal documents.

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).

Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.

The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.

The fonds consists of correspondence:, consisting of seventy letters from Snyder to poet Joanne Kyger dating from 1959 to 1960, and sixty-six carbon copies of letters written in reply by Kyger, as well as translations and two poems.
The fonds also includes photocopies of letters between Snyder and Kyger dating from 1958 to 1975. The original letters are housed at the University of California, Sanata Barbara.

The fonds includes photographs and examples of the stock sold by the company including ruled account books, greeting cards, religious books, and games.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds consists of one bound copy of six plays in manuscript. The volume is entitled Mr. Seckers Manuscript, Secker being the prominent British publisher, Martin Secker. According to Seckers handwritten note at the front of the volume, these plays formed part of a volume he published in 1923.

Fonds consists of research material, scripts, notebooks, permissions and source footage used by Kovanic in the production of her documentary films. Suspino: A Cry for Roma was released in 2003 and directed by Kovanic and produced by Tamarin Productions. The film uses interviews, a profile of a refugee family, and historical footage in order to trace the experience of persecuted Romani peoples in Eastern Europe, primarily Romania. Other films in the fonds include Our Tears Run Red, Yellow and Green, Baboon Tales and Dreaming a Nation: The Kurds, from 1994.

Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.

Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).

Fonds consists of 89 scrapbooks relating to Grace McCarthy and her career as a politician within the British Columbia Social Credit party. Scrapbooks contain photographs, correspondence, newspaper clippings, magazine articles, press releases, ephemera, and other material dating from 1960 to 1991.

The scrapbooks document the political landscape of British Columbia from 1968 to 1991, in particular the activities of the Social Credit party; events, initiatives, and causes in Vancouver and provincially; state visits; McCarthy's viewpoint on particular issues; her political and charitable activities; leadership campaigns; and her personal and political relationships. They also document McCarthy's most notable accomplishments, including bringing Expo '86 to Vancouver, establishing SkyTrain as a rapid transit system, driving the construction of the Vancouver Trade and Convention Centre, and the lighting of the Lions Gate Bridge. Includes correspondence with other politicians at the provincial, national and international level, including W.A.C. Bennett and Margaret Thatcher; her constituents, residents of British Columbia, and party members; and the business community.

The fonds consists of incoming correspondence, five manuscript poems and other material.

The fonds consists of manuscripts, press clipping, correspondence, etc.

The fonds consists of textual records and other media created by Harry and Valerie Jerome, which reflect the various facets of Harry Jerome’s life, including academics, athletics, and community/national sports initiatives. While most of the records reflect Harry’s life, the fonds also includes records that pertain to Valerie Jerome’s life, namely her athletic and political career. In addition, a biographical manuscript, which is Valerie Jerome’s written iteration of the story of the Jerome family and Harry’s life, is included in the fonds. The fonds also includes records that were created by the Harry Jerome Commemorative Society and the Black Business and Professional Association’s Harry Jerome Awards. Additionally, the newspaper clipping series includes a file featuring Valerie Jerome’s son and Harry Jerome’s nephew, Stuart Parker, and his political endeavors with the British Columbia Green Party. In order to respect the multiple creators and the overall nature of the records, the fonds has been arranged into the following six series: Harry Jerome records; the Valerie Jerome records; Harry Jerome Award programs; the Harry Jerome Commemorative Society records; newspaper clippings; and photographs.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Fonds consists of records documenting Hinda Avery's career as an artist and art teacher in Vancouver, B.C. Includes teaching notes, slides, and notebooks.

The fonds consists of sheet music, pipe band directories, paintings, photographs and other material.

The fonds consists of materials generated by the operations of the Indigenous Media Arts Group (IMAG), including administrative and financial records, publications, correspondence, meeting minutes, staff and business contact lists, volunteer coordination records, IMAG’s internal forms, resumes, staff and student information. The fonds includes records relating to funding, promoting and coordinating various Indigenous arts development programs, including grant applications, sponsorship agreement, activity reporting, teaching materials, correspondence, festival schedules and guides, publicity materials, press clippings and festival advertisement. In addition, there is a small collection of textbooks on film making. The fonds also contains records specific to the IMAGeNation film festival, including films submitted for the festival, and films created by IMAG staff and students. The fonds contains festival posters and photographs from festivals and other events.

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

The fonds consists of manuscripts, typescripts, and proofs of Io (1-24) and the affiliated publishing house, North Atlantic Books. Correspondence with editors Richard Grossinger and Lindy Hough include that from Clayton Eshleman, Theodore Enslin, Robert Kelly, and David Wilk. Fonds also includes some financial records.

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".