Sub-series consists of records relating to projects and functions carried out by Student Services. and includes correspondence with the campus community and external organizations. Activities documented include production of student handbooks; campus open house planning and anniversary events and orientation packages; student surveys and parent newsletters. Specific projects include developing campus services for handicapped and learning disabled students; the Futures program for high school students; administration of the Nightline crisis counselling service; overseeing the Leadership Development program along with related workshops and conferences; support for university choirs; policy and program development for the Alcohol and Drug Program and the sexual harassment prevention program; administration of the Work Study and Youth Employment Programs; and Stewart's membership on the Diamond Club Executive. Also included are records relating to the Interactive Videodisc Career Planning Project; the Challenge Program; and the University Centre Building and Food Services. Records include correspondence and working papers, agendas and minutes, budgets, reports, publications, and photographs.

Sub-series consists of records relating to the administration and support of students and organizations on campus and includes documents about student employment; rotunda use and renovation; the C.K.S.F. radio station; student profile studies and surveys; exit interviews; student handbooks; and the readmission of students via the special semester project. Also included is Stewart's correspondence with the Student Society, The Peak, and the Women's Centre. Records include correspondence and working papers, reports, financial statements, architectural plans, and publications.

Sub-series consists of photographic material relating to School in general.

This sub-series consists of the annual event reports. Note that there is no report for 1972-1973.

Series consists of the Course Guides published semiannually by the School, typically one for the fall and spring semesters (semesters 3 and 1) and one for the summer semester (semester 2). The Guides describe the School, its programs and the courses offered.

Sub-series consists of graphic materials and booklets relating to the productions and programs of the School and its predecessors. Records include brochures, season catalogues (a series of booklets describing public programming events, 1965-1974), posters and prints. Among the records are an autographed poster signed by five members of the visiting Royal Shakespeare Companey (item 1) and 19 prints collected from the 1960s San Francisco - Berkeley, California area, including posters for performances by the Grateful Dead, Country Joe and the Fish, Captain Beefheart, and various theatre productions at the University of California Berkeley campus (file 3).

Sub-series consists of newsletters created by the School and its predecessors; includes the student newsletter Horse Sheet (1969), the Centre for the Arts newsletter (1982), the School for Contemporary Arts Newsletter (SCAN, 1996-1998), and the Praxis Centre newsletter (1997-1999).

Sub-series consists of videos relating to the Dance program.

The Simon Fraser University Film Workshop began in May 1967 when the university first obtained 16mm production facilities. The Film Workshop was a non-credit, production-orientated program coordinated through the Centre for Communication and the Arts that became the foundation for the SFU Film Minor program.

Under supervision of the University Resident in Film, students learned directing, filming, lighting, and sound technique, and served as cast and crew for each other's films. Students worked in 8mm, 16mm and videotape formats and produced films for educational rather than commercial purposes. At the end of each year, the films were screened on campus. Many of the films went on to win prizes in local and international student film festivals and have been screened all over North America and at European film festivals.

The film mentors leading the workshop in the early years included Shiela Reljic (1967 - 1969); Stan Fox, from CBC Vancouver (1969-1971); Luke Bennett, a New York film editor (1971-1972); Vincent Vaitiekunus (1972-1974); and Guy Bergeron, a filmmaker from Quebec (1974-1976). In 1979 Robert Nicholl, Jo Kirpatrick and Rick Patton, all filmmakers from the National Film Board (NFB) came to the workshop. That same year two more additional NFB filmmakers Tony Westman and Mark Smith joined the program along with Al Razutis (an independent experimental film maker from Vancouver). Staffing increases were met with an expansion in the Centre for the Arts and the creation of the film minor program that included courses in production and theory. This was supported by the growing curriculum of the Centre for the Arts that included a wide range of courses in theatre, sound, dance and studio art.

In 1987 SFU professors Patricia Gruben and Colin Browne conceived of Praxis, a national film writing and production workshop housed at the university. This program, along with SFU's four-year film program has enabled budding filmmakers to direct and produce their first feature films with renowned directors, writers, and editors.

The collection consists of textual records and 16mm films created by students who participated in the SFU Film Workshop program. For most of the film titles there are multiple reels which represent the individual production elements (i.e., A Roll, B Roll, Magnetic Track, Optical Track, Work Print) that were used to produce the final film version. Some films have related textual records that document the director's production notes used when editing the film.

Sub-series consists of sound recordings for three student music concerts over 1990-1991; also includes file of accompanying textaul materials (programs).

Sub-series consists of audio and audio-visual recordings of individual plays performed at the Theatre. Includes five performances between 1965 and 1972 (sound recordings only) and 2 pieces from 2002 (moving images); see item list and descriptions for details of individual performances.

Sub-series consists of audio and audio-visual recordings of performances conducted as part of the Summer Institute