Collection consists of records available in multiple formats relating to the 14-lecture series "Canadian-American Relations: Perspectives on the Columbia River Treaty" held at Simon Fraser University in 1974.

The Columbia River Treaty was an agreement between Canada and the United States for flood control and the construction of dams for the generation of hydroelectricity. Four dams were constructed - three in Canada (Mica, Arrow, and Duncan) and one in the United States (Libby). The treaty was signed in 1961 but was not ratified by the Canadian Parliament. The treaty was so controversial that a Protocol was drawn up, which eventually defined the monetary terms and operational procedures without changing any of the physical plan. The Protocol was agreed upon in 1964.

The lecture series was organized through the combined efforts of the Canadian Studies Program, the Department of Continuing Studies, and the Alumni Association and was chaired by Professor George Cook of the History Department. Each lecture was given by a person who had been closely connected to the Columbia River Treaty. Admission to attend the lectures was free. All lectures were held in the East Concourse Cafeteria, SFU (Burnaby campus).

Collection consists of audio recordings of the Columbia River Treaty lecture series advertised by Simon Fraser University as "a series of talks and panels designed to increase public understanding of this issue in Canadian-American relations on the international, national, regional and local levels and from the political, legal, economic, geographic and social aspects." The collection also consists of transcripts compiled by BC Hydro (Dania Robinson) in 2011 from the audio recordings of the Columbia River Treaty lecture series. Due to variable audio quality, the transcripts are not a full disclosure of the lectures. Researchers are advised to review access copies of the original audio recordings.

Document types include reel to reel, audio cassette tapes, digital (mp3 format) as well as transcripts (paper and PDF formats) of the audio recordings.

The collection consists of material kept by Mary Wilson to document the evolution of child care at SFU. Collection includes letters, minutes, reports and other documents as well as a short history of early child care at the University in which Wilson explains the importance of each document in the collection.

Collection predominantly consists of photographic material (photographs, portraits, contact sheets, negatives, proofs, and slides) but also includes textual records such as clippings, publications, news releases, posters, and miscellaneous documents. It mainly comprises publicity material relating to the activities and topics documented by Media and Public Relations and that includes the photographing of SFU people, departments, organizations, places, and campus events for producing press releases, brochures, and other University publications.

Collection consists of digital copies of a complete run of The Pedestal, a feminist periodical published by the Vancouver Women's Caucus and edited by the Pedestal collective. The periodical referred to itself as a women's liberation newspaper and later as a lesbian-feminist newspaper; it published non-fiction, personal stories, poetry, reviews, letters to the editor, news of the women's movement, informational resources, a dream page and a calendar of events. It was distributed to individual subscribers, women's groups and sold by members at demonstrations and political events, and was available at bookstores and other locations around Vancouver. The Pedestal engaged in debates with members and readers over homosexuality, socialism and relationships with men, and addressed political issues such as abortion, childcare, education, anti-imperialism and patriarchy.

Contributors include Liz Briemberg, Colette Connor, Deb Dubelko, Susan Dubrofsky, Pat Feindel, Barb Finlayson, Eileen Hausfather, Pat Hoffer, Nym Hughes, Beth Jankola, Sylvia Lindstrom, Judi Morton, Jean Rands, Anne Roberts, Diane Schrenk, Sharon Stevenson, Marcy Toms and Dodie Weppler.

Volume VI, Numbers 3 and 4 were published under the title Women Can.

The collection was compiled by the University Archives staff to illustrate the construction of Simon Fraser University.

The history of Simon Fraser University is reflected in its world-renowned architecture. Located atop Burnaby Mountain, SFU's design was the result of a competition held in 1963 by Dr. Gordon Shrum, the newly-appointed Chancellor of the University. The goal of the competition was to produce five winners. One architect would be awarded first prize for the overall design of SFU, while four other architects would each be invited to build a section of the University under the supervision of the winner. All entries were limited to applicants from British Columbia.

The informal guidelines for SFU's design consisted of a directive from Dr. Shrum entitled, "Notes from the Chancellor," which was distributed to the applicants. In this directive, Dr. Shrum noted many of the features that he felt were essential to the new university based upon his previous experience at the University of British Columbia. Among his recommendations were that students should be able to move from one part of the university to another without going outside, and that the large lecture theaters should be grouped together rather than scattered over the whole campus. Perhaps the most important of his criteria was that SFU should appear in 1965 essentially as it would look in 1995. In other words, it should look like a finished university, but also be designed for expansion. The design chosen was that of a young UBC architecture professor, Arthur Erickson, and his colleague Geoffrey Massey. The four other winners were William R. Rhone and Randle Iredale; Zoltan Kiss; Duncan McNab, Harry Lee, and David Logan; and Robert F. Harrison. The Erickson and Massey design had been the unanimous choice of the judges, and had met all the requirements that Shrum had outlined in his memo.

The collection consists of photographic prints and contact sheets that illustrate the physical development of SFU including site clearance, excavation, the construction of individual buildings, and completed buildings and interiors. There are a number of aerial photographs. The collection also includes photographs of the University's opening ceremonies and the installation of Dr. Shrum as Chancellor and Patrick McTaggart-Cowan as President.

Collection is comprised primarily of interview material in the form of audio and video tapes, transcripts and notes. The material provides both a broad biographical overview of the life and achievements of Gordon Shrum and a description of his work at SFU in particular. The collection includes a copy of Shrum's doctoral thesis and a scrapbook that was given to Gordon Shrum in 1983.

Collection includes textual records, photographs, audio cassettes, audio reels, U-matic video tapes, and VHS video tapes.

The University Archives regularly receives donations of material related to SFU history from members of the University community (e.g., alumni, former staff and faculty, members of the general public, etc.). These donations usually consist of a small number of files and/or items that either focus on a single subject or event, or form a more general collection of material accumulated through a donors' connection to SFU.

When the Archives first started acquiring these types of materials, individual collections were created and named after the donor(s) (e.g., Mr. and Mrs. X SFU history collection). Very quickly, the Archives had several small collections on SFU history spread across its holdings, which it made it difficult for researchers to search and identify such similar groups of records. As a way to make these collections more accessible, the Archives decided to group them together under the umbrella of this collection, with a series created for each donation to preserve the chain of custody.

A description of the activities and and topics documented in the collection can be found in the scope and content note at each series level.

The collection has been arranged into 8 series that consist of material received from separate donors:

• Gene Waddell SFU architecture manuscript (series 1)
• Carolyn Hegberg SFU history collection (series 2)
• Kersti Krug SFU staff experience article (series 3)
• Sally and John Pankratz SFU Athletics collection (series 4)
• Breaks Bros. Construction Ltd. SFU construction collection (series 5)
• Helena Turner SFU charter student colloquium collection (series 6)
• Bob and Donelda Wilson SFU Sports Car Club collection (series 7)
• Koenraad Kuiper graduate student mailbox collection (series 8)

The Archives holds the personal papers of the late Dallas W. Smythe (see fonds F-16), the first chair of SFU's Department of Communication Studies. Thomas H. Guback was a doctoral student of Dallas Smythe at the University of Illinois and maintained a professional relationship with Smythe for many years. Guback recently retired as a professor of communications, media studies, and advertising at the University of Illinois. He also served as a consultant in the area of the motion picture industry, and writes and hosts a television program on the Public Broadcasting System (PBS).

The collection consists of correspondence from or about Dallas Smythe, articles written by Dallas Smythe, copies of memorial lectures about Smythe, and photographs of Smythe at work and with his family.

The collection consists of seven files.

The collection consists of agendas and minutes from the Women's Studies Coordinating Committee and the Women's Studies Graduate Committee. The collection also includes a proposal for a minor in Women's Studies and a correspondence file that contains letters exchanged between Lolita Wilson, Assistant to the Vice-President, Academic and the Committee on the Status of Women of the Association of Universities and Colleges of Canada (AUCC). The latter file also contains a copy of Wilson's 1972 report, "Women at Simon Fraser University."

The Women's Labour History Project documents the histories of women who were active in the trade union movement in British Columbia from 1890s onwards. The project was initiated by Sara Diamond, an undergraduate history student at SFU, who conducted the interviews. She received financial support from the British Columbia Summer Youth Employment Fund. Additional funding was received from many other sources, including The Canada Council, and the Federal Department of Human Resources. Diamond provides a description of her research methodology in a report included as Appendix A1, "Women's Labour History Project" (available in the hard-copy finding aid only).

The collection consists of 43 interviews conducted by Sara Diamond with women in the labour movement in British Columbia. The women discuss their childhoods, family lives, careers, social issues such as childcare and birth control, economic situations such as the depresssion and post-war employment, and the working conditions that led them to become union activists. A summary of each interview is provided in Appendix 1, "Women's Labour History Project" (available in hard-copy finding aid only).

The collection contains audio recordings and transcripts.

Sue Cox was an undergraduate student at SFU, who was a student in one of Maggie Benston's classes. The collection consists of handwritten class notes and reprints from Maggie Benston's first offering of the course, "Women, Science and Technology," (WS 204-3).

The collection consists of one file.

Evelyn Woods was a mature student who entered the University to complete a teaching certificate. She befriended early staff members of The Peak student newspaper and often brought them cakes and other treats. In return, when she completed her studies in 1968, Peak staffers gave her a scrapbook as a souvenir.

Collection consists of one scrapbook of news clippings, and selected issues of The Tartan, SF View, The Peak and other memorabilia.

The Dance in Vancouver collection consists of interviews by Karen Greenhough with eight dance pioneers in British Columbia. The project was suggested by Greenhough's instructor, Iris Garland, SFU Professor of Dance, who obtained support through a Young Canada Works Grant.

The collection consists of seven interviews. Dancers interviewed include Kay Armstrong, Dorothy Hunter, Beth Lockhart, Grace MacDonald, June Roper, Josephine Slater, Dorothy Wilson, and Wynne Shaw. For one of the sessions, Greenhough interviewed two women (Dorothy Wilson and Wynne Shaw) at the same time.

Collection consists of two scrapbooks. One scrapbook contains newspaper clippings and other material that documents the Abortion Caravan to Ottawa in 1970. The second scrapbook documents Janiel Jolley as a protest candidate of the Simon Fraser Student Society for Miss Canadian University Beauty.

The Indo-Canadian Oral History Collection documents the histories of immigrants from the Punjab Province of India who came to Canada between 1912 and 1938. The project was initiated by Hari Sharma, Professor of Sociology at SFU, who conducted the interviews with the assistance of a graduate student.

The interview subjects, primarily Sikhs, discuss such topics as why they came to Canada, the journey to Canada, adjustment to Canadian society upon arrival, employment in Canada, family life, and their ongoing links with their country of origin. Appendices include an interview guide prepared by Hari Sharma and an article about the project.