Series consists of newspaper clippings, dating from 1946-2012. The clippings pertain to the lives of Harry and Valerie Jerome, including their achievements in track and involvement in various groups and initiatives. There are also several clippings about Valerie’s son and Harry’s nephew, Stuart Parker, primarily concerning his role in the British Columbia Green Party – first as a member of the Young Greens political youth organization and eventually as leader of the Green Party. As the clippings were accumulated by different persons, including Harry, Valerie, and friends who sent the clippings to Valerie following Harry’s death, they are contained within their own series. The clippings reflect the mixed reaction that the media had towards Harry Jerome; many of the articles are critical of Harry. During the peak years of his career from 1960-1968, there are many articles about his various races, records, and injuries. The

clippings dating from 1982-2012 were collected by Valerie Jerome and include posthumous articles about Harry and the creation/unveiling of the Harry Jerome statue. There are also several clippings on Valerie’s political career, including campaign ads, letters to the editor and news stories from political events.

The series consists primarily of photographs relating to Stanley Park and the burial site of E. Pauline Johnson. All but one hand-coloured photo postcard are black and white images, most have notes written on the reverse which approximately date the series between about 1905-1913. One postcard can only be dated to after-1922 because that is the year the stone memorial was built. Pauline's sister Evelyn is thought to have written some of the identifying information on the reverse of some images, and features in at least one of them.

The series consists of various printed materials, mostly newspaper articles. There is one illustrated advertisement for an up-coming speaking tour, but the other items are mostly tributes relating to the life and death of E. Pauline Johnson.

Series consists of photocopies of six published articles and one final draft of an essay, on the subject of Sikhs in Canada and the Komagata Maru, written by Hugh Johnston.

Series consists of photocopies and original clippings of newspaper articles and research notes. Clippings are from primarily English-Canadian and Indo-Canadian publications.

Series consists of correspondence, legal and financial records, notes, manuals, plans, agreements, project files, customer survey research and other materials generated or used by Celia Duthie, as president of Duthie Books, Ltd.

Series consists of incoming and outgoing correspondence of a personal and business nature between Rimmer and various members of the printing community, including Paul Duensing, Jules Remedios Faye, Richard L. Hopkins, Richard Kegler, Robert R. Reid, William Rueter, Andrew Steeves, Christopher Stern and Alan C. Waring. Correspondence includes technical advice and comments on recent work. Records also include contact information, thank you letters and prints, as well as correspondence related to various organizations, including the American Typecasting Fellowship, Typochondriacs and the Alcuin Society.

Series consists of material related to publications issued by Pie Tree Press, including books, prints, and broadsides. Includes material relating to Rimmer’s work on an abandoned book entitled “Fred Goudy, Type Designer,” and the development and publication of A Christmas Carol, Shadow River: the Selected and Illustrated Poems of Pauline Johnson, Leaves from the Pie Tree and The Adventures of Tom Sawyer, as well as various Wayzgoose publications. Types of material in this series include drafts, mock-ups, proofs, prints, drawings, illustrations, pamphlets, booklets, broadsides, linocuts, and master patterns.

Series consists of material related to Rimmer’s design and production of typefaces for both the Rimmer Type Foundry and the Lanston Type Company. Records include preliminary sketches, drawings in ink and pencil, transparencies, samples, digital print-outs, electronic files, master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts. Some files contain notes and instructions for modification, and some include explanatory comments written by Rimmer. Electronic files were created by Rimmer on a Macintosh computer using the typeface design software IKARUS and saved to 3.5" floppy disks and compact discs.

Series consists of sample, draft and completed commercial work produced by Rimmer as a free-lance designer employed by various companies, organizations and individuals. Records include items completed by Rimmer for Colophon Books, including Alison’s Fishing Birds and preliminary work on Allen Ginsberg’s Meditations at Lake Louise; editorial cartoons created by Rimmer for the Williams Lake Tribune from 1960 to 1961; and numerous prints, paintings, and logos created for commercial purposes. Companies, organizations and individuals represented include Murchie’s Tea and Coffee Ltd., Canada Mortgage and Housing Corporation, Air Canada, Vancouver Public Library, Hot Jazz Club, the band Heart, Whistler village, Shrine Circus, and Douglas & McIntyre Publishers.

Series consists of numerous prints and illustrations created by Rimmer as art pieces, as well as linocut blocks, woodcut blocks and stencils created by Rimmer to produce prints. Includes images of animals, people, still life, Frederic W. Goudy and keepsakes created for the American Typecasting Fellowship, (A.T.F.) and other associations.

Series consists of material related to the promotion and advertisement of Rimmer’s typographic and graphic design work. Records include sample linocut prints, typeface samples, illustration proof-sheets, portfolios, and commercial advertisements.

Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.

Series consists of slides and prints featuring images of Jim Rimmer, as well as various aspects and stages of the printing process and the design and cutting of metal typefaces in his studio. Also included is an image of Gerald Giampa.