- MsE 5
The fonds consists of twenty-three sheets of holograph poems and seventy-five sheets of printed poems.
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The fonds consists of twenty-three sheets of holograph poems and seventy-five sheets of printed poems.
The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".
Fonds consists primarily of incoming correspondence addressed to Hawthornthwaite in his capacity as a Member of the Legislative Assembly from his constituents and other residents of British Columbia. The fonds contains a file consisting of legislative bills, resolutions, and acts tabled during Hawthornthwaite's tenure in the Provincial Parliament and other records that Hawthornthwaite made or received in the course of his service to the people of Nanaimo, as well as published records of the legislative assembly of British Columbia for the years 1909 and 1910. The fonds also contains: a certificate for Hawthornthwaite's share in the Western Socialist Publishing Company which published The Western Clarion, the newspaper of the Socialist Party of British Columbia; a postcard depicting Joseph Mairs, one of Hawthornthwaite's contemporaries in the Socialist Party of Canada; and a copy of a book titled The changing order: A study of democracy, given to Hawthornthwaite by his friend Harry Sibble.
Fonds includes correspondence, manuscripts, drafts, notebooks, posters, published material, and computer discs.
Covering the time period from February 1942 to November 1943, the collection consists of records created or received by various staff of the Department of Mines and Resources, Surveys and Engineering Branch in the course of their activities establishing, administering and operating road work camps for evacuated male Japanese Canadian nationals along the proposed route of the Yellowhead Highway between Blue River, British Columbia and Jasper, Alberta. Also included among the files are some records of Department of Public Works staff pertaining to their role in the establishment of the camps, as well as a significant amount of correspondence with the British Columbia Security Commission (B.C.S.C) and related records. In addition to documenting the evacuation of Japanese Canadians from the B.C. coast to interior road work camps and other areas in early 1942, and many of the activities and events that occurred in the camps, the records also provide evidence of the economic and labour conditions in British Columbia during World War II.
Records within the collection pertain to the following road work camps: Albreda, Black Spur, Blacks Spit, Blue River, Gosnell, Grantbrook, Lampriere, Lucerne, Pratt, Pyramid, Rainbow, Red Pass, Red Sands, Tete Jaune / Yellowhead, and Thunder River in British Columbia, and Geikie, Jasper and Decoigne in Alberta. In addition, some records reference detention camps at Greenwood, Kaslo, Lemon Creek, New Denver, Roseberry, Sandon, and Slocan.
Record types include correspondence, reports, lists, nominal rolls, bills of lading, invoices, operational memos, purchase orders, and balance sheets. A significant number of records relate to the establishment and ongoing supply of the road work camps; these include supply orders and invoices, architectural plans for camp buildings, and status and other reports concerning the preparation of camps. Administrative personnel records document the hiring, management and activities of non-Japanese Canadian road camp workers, such as foremen, sub-foremen, and carpenters, and include information pertaining to the previous work and life experiences of these men, their age, ‘character,’ medical conditions, and home address, as well as positions and wages expected and received.
Many records within the fonds relate to the management of Japanese Canadian road camp workers, including the administration of pay, Workmens’ Compensation claims, and payment of assignment fees for dependents; medical and perceived psychological issues and the treatment of such issues; and the movement of Japanese Canadian men between camps and the policies and procedures governing these movements. This includes records pertaining to the granting of temporary leave, transfer to other camps or areas, family re-unification, the release of workers to private jobs, either within B.C. or in another province such as Ontario or Alberta, and the attitudes of certain communities towards Japanese Canadians. Correspondence in several files relates to supervisors’ attitudes towards road camp workers, including those identified as agitators or troublesome, and the methods used to deal with them, such as transfer out of camp and the censorship of Japanese Canadian mail. Included also are records relating to the organization and collective resistance of Japanese Canadian road camp workers, their demands, complaints and refusals to work, and the techniques identified to deal with these situations.
Several files include nominal roles and other lists of Japanese Canadian and other road camp workers, including some or all of the following personal information: name, registration number, occupation, previous work experience, age, place of birth, address, marital status, number of dependents, ‘physical defects’ and medical, dental or mental health issues. Some correspondence from Japanese Canadian road camp workers to camp administrators provides insight into their lives both in camp and prior to evacuation.
Canada. Department of Mines and Resources. Surveys and Engineering Branch.
This collection consists of 15 photographs, as well as a postcard. Subject matter is pertaining to Japanese Canadians in the decades leading up to, and including, the Second World War. Content has been divided into 2 identifiable series: Photographs (ca.1925-1945?) and Correspondence (1908).
Fonds consists of correspondence, magazines, manuscripts, financial records, event posters, notebooks, and artwork relating to Jeff Derksen's work as a poet and founder of the Kootenay School of Writing, in particular, the publication of Writing Magazine, issues 23-28, edited by Jeff Derksen and Nancy Shaw.
This fonds contains textual and photographic materials compiled by Jim Douglas, primarily relating to his various business and professional work in the field of book publishing. There is also printed material he compiled while researching legal topics relevant to publishing such as libel, copyright, contract and professional standards.
The series contained in this fonds are as follows: Series 1: Business records (1968-2006), Series 2: Records pertaining to legal topics (1982-1990), and Series 3: Project files (1970-1985).
The collection reflects Rimmer’s career as a designer, illustrator, printer, and publisher, and his involvement with members of the printing community and various associations. Records document Rimmer’s graphic design, typeface design and printing processes and accomplishments, and the publication activities of Pie Tree Press. The extensive graphic material within the collection includes sketches, drawings and prints. Also included are Rimmer’s linocut and woodcut blocks, as well as master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts for many of his metal typefaces. The collection is arranged into nine series: Correspondence (1930-2010, predominant 1978-2010); Subject files (1938, 1956-[2009?]); Pie Tree Press publications and related material ([ca. 1978-2009]); Typeface design ([1971-2010]); Commercial work (1960-2009); Art prints and illustrations ([1970-2010]); Promotional and advertisement material ([197-?]-2008); Works by others regarding Jim Rimmer (1982-2012); and General photographs (1961-2002).
The fonds consists of letters to Joanne Kyger from the poet, Gary Snyder, several with enclosed poems. The letters document in detail the life and thoughts of Snyder when he was living in Kyoto, Japan. Fonds includes carbon copies of letters Kyger wrote in reply.
The fonds consists of correspondence, photographs and newspaper clippings pertaining to the Modernettes and John Armstrong (Buck Cherry). The fonds is arranged into the following six series: correspondence, newspaper clippings, the Modernettes records, financial ephemera, pins and photographs.
The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.
The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death (-1945).
Innes, John Clarke
Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.
The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.
The fonds consists of correspondence (letters from Wieners to John Marlow).
Fonds consists of records relating to the writing and publication of novels written by June Skinner under the pen names of Rohan O'Grady, and A. Carleon. These include original manuscripts, notes on works in progress, memorabilia, promotional material, rejection letters, grant applications, photographs, scrapbooks, and correspondence.
The fonds has been arranged into the following series: Manuscripts (1936-[1992?]); Contracts (1960-1998); Correspondence ([1949?]-2000); Research (1965-[197-?]); Promotional material and reviews (1961-1974); Personal (1947-[196-?]); and Finance (1941-1992).
Skinner, June Margaret
Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.
Fonds consists of records accumulated by Kevin Roberts during his work as a writer and a teacher. They include teaching notes, manuscripts, drafts, and correspondence.
Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.
Kiss & Tell Collective
Fonds consists of the administrative records of the School, copies of communications and promotional materials, and audio recordings of talks and readings. Records in the fonds include correspondence, grant applications, collective meeting minutes, budgets and annual financial reports. Communications and promotional materials include press releases, brochures, and posters.
Fonds is divided into seven series: Society administration (1984-2003); Office administration (1984-2003); Financial records (1984-2006); Programming (1984-2002); Publicity (1984-1998); Professional associations and external organizations (1985-1995); and Audio recordings (1985-2006).
Kootenay School of Writing
Fonds consists of Gill's personal and professional correspondence, photographs, university notes and assignments, theses, drafts of poems and other writing, published works, and work records.
The fonds consists mainly of textual materials, including notes and drafts of Lai’s works, numerous calendars and datebooks, school materials, and material related to her activism and arts involvement. There are also a large number of photocopied reference materials on such subjects as the arts, gay and lesbian issues, racism and feminism, and Chinese culture. There are a small number of photographs and negatives, and a wide variety of audio-visual media such as cassette tapes, Hi8 cassettes, broadcast video cassettes, and various computer media.
This fonds contains primarily correspondence, photographs, videotapes, and newspaper clippings as well as research and drafts from a multitude of writing projects LaPierre worked on throughout his life. There is material relevant to many of the key aspects of LaPierre's personal and professional life, including his career as a television broadcaster and producer, his academic and publishing accomplishments, his service in the Canadian Senate, his work with charities and his home life and hobbies.
The series contained in this fonds are as follows: Series 1: General correspondence and personal records (1957-2013); Series 2: Records related to television and producing career (1971-2013); Series 3: Records related to writing career (1908-2012); Series 4: Records related to term in Senate (1966-2013); Series 5: Records related to work with charities and organizations (1989-2012); Series 6: Records related to public speaking engagements (1992-2003); Series 7: Photographs (1948-2009) and; Series 8: Moving images and audiovisual material ([ca. 1985-2013]).
Portions of this fonds are relevant to other SFU collections – Daryl Duke (MsC 120), Alan Fotheringham (MsC 157), Norman Klenman (MsC 101), and possibly Edward McWhinney (MsC 191).
The fonds consists of correspondence (with manuscript and typescript enclosures) from Anne Waldman to Lewis Marsh, much of it pertaining to the relationship between the two poets, as well as to relationships with other poets. Their involvement in the Naropa Institute is also described. Most of the letters from 1969 to 1973 concern the publishing of Angel Hair Books and contain much information about the New York poetry world centred at the Poetry Project.
The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.
The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.
The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.
The fonds consists of correspondence - three letters from Niedecker (two to Cid Corman, one to Mark Wilson).
The fonds consists of four letters from Zukofsky to the poet Walter Lowenfels.
Fonds contains drafts and manuscripts of articles, short fiction, scripts, and novels, as well as originals and reproductions of Coady’s publications, notebooks, reviews and articles about Coady and her work, and other records related to Coady’s writing and editing activities and projects. The fonds is arranged in four series: Writing and editing ([199-]-2011); Publicity ([199-]-2011); Personal ([199-?-2010?]); and Correspondence (1999-2006).