The fonds consists of manuscript, galleys, and corrected proofs for the book Rational Geomancies, edited by McCaffery and bpNichol (Talonbooks, 1992).

The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.

The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.

The fonds consists of a journal of Carnie's experience in Canadian Armed Forces in World War II. Includes photographs, medals, etc.

The fonds includes manuscripts and proofs.

The fonds includes correspondence, photographs, posters, promotional material, business records, etc.

Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.

The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc.

Fonds consists of records resulting from the activities of the Fraser River Sockeye Public Review Board in preparing their report to the Department of Fisheries and Oceans regarding the dramatic disappearance of several million sockeye salmon which normally would have migrated to the Fraser River watershed in 1994. Records include reports, notes, research, public submissions, correspondence and legal documents.

Fonds primarily contains examples of printed material created by the Margison Brothers Printers from 1959-1999. The fonds also contains some business records, including a cash book and sales tax information, as well as various printing-related publications. The fonds is divided into two series: Series 1. Printing Examples and Business Records, and Series 2. Miscellaneous Publications.

The fonds reflects the role of the BC Provincial Police Veterans’ Association in maintaining the relationships and memories of the men who served on the police force. Records include written reminiscences, newspaper clippings, and photographs of the men in service, as well as documentation and photographs of the activities of the Veterans’ Association and the lives of members. The fonds has been arranged in three series: 1: Administrative records and photographs ([ca. 1900]-2012); 2: British Columbia Provincial Police photographs and other records ([ca. 1939]-2008); and 3: Records relating to individual British Columbia Provincial Police officers (1935-2009).

The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others.

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.

Fonds consists of photographic material related to Laura Baird's artistic projects, spanning 1976 to 1978. The artistic projects include: Letters/Lilies; Letters/Leaves; Terza Rima (after Jack Spicer); A Laconic Correspondence; Semaphore; Semaphore 2; and others. The fonds also contains a copy of the Capilano Review No. 10, Fall 1976

Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

Fonds consists of records documenting the organization and promotion of Vancouver's Mayworks Festival of Working People and the Arts. These include programs, posters, minutes, payroll and other financial records, agendas, licenses, contracts, tickets, fundraising letters, mailings, grants, and photographs used by Mayworks festival organizers from 1988-1996. Fonds also includes a thesis about Mayworks written by Aurian Haller in 2004.

Fonds consists of legal materials related to the environment, some of which formed the basis of reports Kansky researched for the West Coast Environmental Law Association.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Fonds consists of records relating to Bonner's time as Attorney General of the Province of British Columbia in the B.C. Social Credit Government of W.A.C. Bennett. They include newsclippings, budgets, books, papers, and speeches.

This material has not been processed.

The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

The fonds consists of a typescript copy of the poem "Chant for Half the World".

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).

Fonds consists of printed materials from Cobblestone Press and Giampa's work records, including digital font files, catalogues, sales reports, newspaper clippings and correspondence.

Fonds consists of 89 scrapbooks relating to Grace McCarthy and her career as a politician within the British Columbia Social Credit party. Scrapbooks contain photographs, correspondence, newspaper clippings, magazine articles, press releases, ephemera, and other material dating from 1960 to 1991.

The scrapbooks document the political landscape of British Columbia from 1968 to 1991, in particular the activities of the Social Credit party; events, initiatives, and causes in Vancouver and provincially; state visits; McCarthy's viewpoint on particular issues; her political and charitable activities; leadership campaigns; and her personal and political relationships. They also document McCarthy's most notable accomplishments, including bringing Expo '86 to Vancouver, establishing SkyTrain as a rapid transit system, driving the construction of the Vancouver Trade and Convention Centre, and the lighting of the Lions Gate Bridge. Includes correspondence with other politicians at the provincial, national and international level, including W.A.C. Bennett and Margaret Thatcher; her constituents, residents of British Columbia, and party members; and the business community.

Fonds consists of personal, administrative and production records for Judith Marcuse and her production company Judith Marcuse Projects (also known as Repertory Dance Company, Judith Marcuse Dance Company, DanceArts, Judith Marcuse Dance Projects Society). Spanning from 1956-2019, the fonds documents Marcuse’s life as a dancer and work choreographing, directing and producing dance and multi-disciplinary performing arts projects and festivals. The fonds predominately contains business records (particularly requests for grants and donations), promotional materials, media clippings, photographs, correspondence, sound recordings, and moving images.

This fonds consists of four main series (some containing sub-series) - Series 1: Personal records (1956-2018); Sub-series 1: Records created by others (1977-2009); Series 2: Commissions or consultations (1966-[2015?]); Series 3: Events, organizations and councils (2002-2018); and Series 4: SFU and International Centre of Art for Social Change (1996-2019) which contains 4 sub-series – Sub-series 1: Administrative records (1996-2019); Sub-series 2: Financial records (2007-2010); Sub-series 3: Grants/fundraising records (2008-2012) and Sub-series 4: Promotional records: ([2006?]-2009). The fonds also contains one sous-fonds (some containing sub-series).

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).