The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.

This fonds contains material related to documentaries produced and directed by the team of Peter Davis and Harvey McKinnon. It is comprised of two sous-fonds: 1) "The Legacy of Jon Gates" ([ca. 1990-1999?]) and 2) Jeff Gibbs collection ([ca. 1996-1998?]), which itself contains footage from two different programs - “Jeff Gibbs: Lifeboat” and “Life Voyages”.

The fonds includes correspondence, manuscripts, posters, computer discs, etc.

Fonds consists of materials generated from Duthie Books Ltd.'s business activities selling and marketing books in Vancouver, BC. Fonds has been arranged into the following fourteen series: Administrative records (1971-1999); Renovation files and architectural plans (1993-1998); Business proposals (1992-1998); Strategic planning and restructuring files (1998-1999); Duthie Books 40th anniversary project files (1966-1997); Press clippings (1984-1999); Sales and marketing files (1993-1999); Publication files (1986-1999); Readers & Writers (Knowledge Network) program video recordings (1995-1996); Virtual bookstore venture records (1993-1994); Mail orders (1990-1992); Bookmarks ([1957?]-1999); Artworks and awards (1970, [199-]) and Ephemera ([199-]).

The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.

Fonds consists of records relating to the activities of the Book and Periodical Development Council and its committees and task forces. They include reports, research, Freedom to Read kits, bank statements, minutes, correspondence, newspaper clippings, memos, and newsletters.

The fonds consists chiefly of correspondence.

After immigrating to Canada following World War II, David Macaree (d. 1998) earned his M.A from UBC and PhD from the University of Washington. He joined the Department of English at UBC, his primary areas of interest being 18th-century literature (mostly Defoe) and English composition, and remained a faculty member until his retirement in 1985.

Mary Macaree (1922-2008) qualified as a teacher in Scotland and then as a librarian upon immigrating to Canada. She received her Bachelor of Library Science degree from UBC in 1963 and became that institution’s head librarian in 1968. She retired in 1985.

One of Mary’s hobbies included Scottish country dancing and she also took a philanthropic interest in the development of libraries and programs supporting Scottish culture and studies. She and her husband were avid hikers and proponents of the outdoors, together they authored two popular books “103 Hikes in Southwestern British Columbia” and “109 Walks in British Columbia's Lower Mainland”.

David passed away in 1998, and Mary in 2008.

The fonds is arranged into two sous-fonds, one for each creator. The David Macaree sous-fonds is arranged into the following three series: Papers authored (1951-1986), Papers authored by others (1963-1998), and Robbie Burns research and associated notes (1961-1996). The Mary Macaree sous-fonds is also arranged into three series: Papers authored (1959-1964), Records associated with Scottish country dancing (1961-2000), and Records associated with universities and other entities (2005-2007).

This fonds consists of primarily of correspondence between members of the Woodsworth/MacInnis families, along with photographic material documenting extended family and some key events. James Shaver Woodsworth (J.S.) was a leader of the social democratic movement in the early 20th century and a co-founder of the Co-operative Commonwealth Federation (CCF) party in 1932, of which his daughter and son-in-law were also key figures. However the subject matter of most of this fonds is of a personal familial nature, rather than in-depth political discourse or strategizing. Included in this fonds are notes, manuscripts and letters, primarily written between himself and his wife, Lucy Staples Woodsworth during the years he was serving first as a clergyman through to his involvement and arrest at the Winnipeg General Strike in 1919, as well as an extended tour of Europe and Russia with Lucy in 1932. There are a few letters between J.S. and his children as they mature and pursue careers but even when J.S. ceases to be the primary author, there is news of him in the correspondence of Lucy up until his passing in 1942.

The bulk of content in this fonds consists of correspondence between Lucy Woodsworth and her daughter Grace Woodsworth MacInnis, although there are occasional letters to, from or between her other children Belva, Ralph, Charles, Bruce and Howard. The content of this material is primarily anecdotal as Lucy informs Grace of her day-to-day activities and meetings. There is some mention of her political activities and leanings - particularly of her attendance at a Women's International League conference in 1924 or in correspondence with Grace's husband, Angus MacInnis - but most letters contain news of friends and family, of health and daily activities.

Because many of these letters were originally assembled by Grace MacInnis herself, there is a subsection of correspondence between herself and Angus, from the very first days of their courtship through their combined political careers in Parliament and up until Angus's passing in 1964.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.

The fonds consists of manuscripts, press clipping, correspondence, etc.

Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.

Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).

Fonds consists of records resulting from the activities of the Fraser River Sockeye Public Review Board in preparing their report to the Department of Fisheries and Oceans regarding the dramatic disappearance of several million sockeye salmon which normally would have migrated to the Fraser River watershed in 1994. Records include reports, notes, research, public submissions, correspondence and legal documents.

The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc.

Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.

The majority of the records of Sono Nis Press from 1968 to 1976 are at the National Library of Canada under the J. Michael Yates fonds. Since Sono Nis was taken over by Morriss Printing in 1976, all archival records have been retained. Current records (approximately 1989 to 1993) include editorial files, production files, association files, awards and promotions information, and financial records. The archival records (1976 to approximately 1988) include financial records, editorial files, production files, and correspondence. All art work, design work, and printing plates for every book have been retained in the fonds along with two copies of each book published by Sono Nis Press.

This fonds contains writings, notebooks, scores, computer software, photographic materials, audio and video recordings, two synthesizers, a computer and other material relating to the life experiences and creative output of Martin Bartlett. Most of the material dates from Bartlett’s active work life from 1965-1993, although there is some information from his early life, 1940-1965. The contents of the fonds have been divided into 11 distinct series representing different aspects of his life. One series (9: Compositions) has been divided into three sub-series determined by the type of material (scores, computer programs, and recordings).
The series contained in this fonds are as follows: Series 1: Correspondence; Series 2: Personal Papers; Series 3: Notebooks; Series 4: Teaching; Series 5: Gamelan; Series 6: Research Materials; Series 7: Writings; Series 8: Computer Programming; Series 9: Compositions including subseries 9:1: Scores, 9:2: Computer Programs, and 9:3: Recordings; Series 10: Photographs and ; Series 11: Objects.

The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds includes correspondence, photographs, posters, promotional material, business records, etc.