- MsC 44
The fonds consists of correspondence, manuscripts, typescripts of radio addresses, etc.
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The fonds consists of correspondence, manuscripts, typescripts of radio addresses, etc.
The fonds consists of manuscripts, press clipping, correspondence, etc.
The fonds includes photographs and examples of the stock sold by the company including ruled account books, greeting cards, religious books, and games.
G.S. Forsythe & Co.
The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.
The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.
International Woodworkers of America Association
The fonds consists of textual records.
The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.
Fonds consists of records related to theatrical productions mounted by the Tamahnous Theatre Workshop Society and general and administrative records related to the company's operations. The fonds contains scripts, stage manager's notes and directorial notes, props lists, correspondence and memoranda, contracts, budgets, touring schedules, original artwork for posters, programs, and handbills, printed posters, programs, handbills, press releases, public service announcements, and other promotional material, clippings of reviews and paid advertisements, audience surveys, drawings and photographs, negatives, audio and video cassettes and reels, accounting records and financial statements, and other records. The fonds is arranged in five series: Scripts (1971-1994); Theatrical productions (1971-1994); General and administrative files (1971-1994); and Tamahnous Theatre Workshop Society photo history (1971-1994); and Audio-visual records (1971-1994).
The fonds consists of manuscripts, layout sheets, notes and miscellaneous records relating to the printing of Pacific Nation.
The fonds consists of correspondence (e-mail), manuscripts, photographs, and graphic material.
Fonds consist of items related to the process of selecting, accepting, and editing manuscripts for journal publications dating from 1993 to 2006. This includes annotated envelopes from submitted material, publication agreement forms, correspondence between the contributor and the Collective members, artist and author biographies, self addressed stamped envelopes, artwork reproductions, submitted manuscripts in both electronic and hardcopy format, edited publication proofs, editors’ notes and internal correspondence, and published copies of the completed volumes. The Collective’s activities were conducted in Vancouver, British Columbia although submissions were accepted from women internationally.
The Fonds is composed of the following series; Series 1. Submissions; Series 2. Editor’s Working Material and Correspondence; Series 3. Publication Proofs; Series 4. Published Volumes; Series 5. Grant Material; Series 6. Publication and Distribution Material; Series 7. Correspondence; Series 8. Financial Material; Series 9. Artwork; Series 10. Published Volumes.
Room of One's Own
Fonds consists largely of drafts of poems, as well as correspondence, notebooks and miscellaneous writings.
The fonds consist of materials that relate to Twigg’s work as a writer, publisher and cofounder of the B.C. Book Prizes in the years 1975 to 2008. The fonds is arranged in 14 series: Correspondence; Political Campaign and Poetry of Bud Osborn; Vancouver Theatre; Television Interviews; Twigg’s Book Research; George Woodcock’s Translation of Proust; Audio Cassette Interviews; Transcripts of Interviews; Authors’ Photographs and Negatives; Special Items; B.C. Book Prizes; Miscellaneous; Prairie BookWorld Founding Records; and Twigg’s Newspaper and Magazine Articles.
Materials include incoming and outgoing correspondence, taped television interviews, transcripts of television interviews, drafts of Twigg’s literary works, an unpublished manuscript of George Woodcock’s translation of Proust, audio cassette interviews, transcripts of interviews, photographs, banners, awards, legal documents, financial records, notes and newspaper and magazine clippings of Twigg’s published articles.
The fonds consists of a journal of Carnie's experience in Canadian Armed Forces in World War II. Includes photographs, medals, etc.
The fonds consists of records reflecting Gustafson’s career as a successful artist and editor. They include Artichoke business records, correspondence with Hilary Stewart, artwork, financial records and other miscellaneous records. The fonds is arranged into the following seven series: Correspondence; Koerner book records; financial records; Artichoke business records, Crafts book records, miscellaneous records and publications.
Fonds consists of the administrative records of the School, copies of communications and promotional materials, and audio recordings of talks and readings. Records in the fonds include correspondence, grant applications, collective meeting minutes, budgets and annual financial reports. Communications and promotional materials include press releases, brochures, and posters.
Fonds is divided into seven series: Society administration (1984-2003); Office administration (1984-2003); Financial records (1984-2006); Programming (1984-2002); Publicity (1984-1998); Professional associations and external organizations (1985-1995); and Audio recordings (1985-2006).
Kootenay School of Writing
The fonds includes correspondence, manuscripts, posters, computer discs, etc.
Recovery of the Public World
The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.
The fonds includes manuscripts and proofs.
Fonds includes email correspondence and corrected proof copies of issues #3/4, 5, 6.
Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing "filling Station" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993–2008); Financial records (1993–2008); Marketing files (1993–2002); Editorial files (1995–2004); Event files (1993–2001); and Chapbooks (1993–2006).
filling Station Publications Society
Fonds contains drafts and manuscripts of articles, short fiction, scripts, and novels, as well as originals and reproductions of Coady’s publications, notebooks, reviews and articles about Coady and her work, and other records related to Coady’s writing and editing activities and projects. The fonds is arranged in four series: Writing and editing ([199-]-2011); Publicity ([199-]-2011); Personal ([199-?-2010?]); and Correspondence (1999-2006).
The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.
The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.
Fonds consists of records relating to the business of Phoenix Press, and the publication of Cougar Hunter: A Memoir of Roderick Haig Brown. Records include a business agreement, correspondence, design and production files, printer proofs with edits and comments, promotional and sales records, cover artwork, and finished book.
Fonds consists of manuscripts, page proofs, editorial and general correspondence, contracts, promotional and biographical materials. Included in the fonds are archival materials for Vi Plotnikoff's Head Cook at Wedding and Funerals (1994), first collection of Doukhobor short stories published and the first widely published literary writings by a Doukhobor woman, and George Elliott Clarke's poem-novel Whylah Falls (1990), later adapted for the stage and film, along with materials related to the publication of other works in Polestar's catalogue.
The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. Also includes papers related to Zonailo's academic work at various universities, as well as personal memorabilia, phonograph recordings and audio-cassettes of Zonailo's poetry set to music, video-cassettes, musical scores, literary periodicals, books by other authors (mostly inscribed to Zonailo), poetry broadsides, chapbooks, and ephemera. Records related to Zonailo's work as a member or the planning committee of the C.G. Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology.
The fonds consists of production records, correspondence, manuscripts and typescripts, proofs and galleys, promotional material, reference files, and business records, including financial statements, transaction records, royalty statements, and inventory records. Fonds includes records of the little magazine "Talon". Correspondence and manuscripts include contributions from Margaret Avison, Margaret Atwood, Victor Coleman, Bill Bissett, George Bowering, Jim Brown, Frank Davey, Gary Geddes, Barry McKinnon, bp Nichol, Michael Ondaatje, David Phillips, James Reaney, David Robinson, George Ryga, Audrey Thomas, Phyllis Webb, Michel Tremblay, Fred Wah, David French, Robin Blaser, David Arnason, Brian Fawcett and many others.
The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.
Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.
Tremblay, Rose Marie
The collection consists of items related to St. Pierre's writing activities and to his work as a politician and police commissioner. Included are published books; magazines and newspapers in which St. Pierre has published his work; correspondence; drafts and manuscripts of books, radio and stage plays, television series episodes, and speeches; film scripts; newspaper columns; essays; reviews and articles about St. Pierre and his writing; and photographs.
St. Pierre, Paul H.