Subseries consists of drafts of talks Peter Culley gave and recordings of poetry readings by Peter Culley.

Sub-series consists of records relating to meetings of CAMRA Victoria / CAMRA BC. Records includes agendas, minutes, notes, meeting support and working papers. The sub-series includes both paper and born-digital records; media formats (paper or digital) are indicated in the file titles. Digital file formats are predominantly Microsoft Word documents (doc, docx).

Sub-series contains works written and/or produced by students of Derek Beaulieu, from institutions such as Alberta College of Art & Design, Henry Wise Wood Senior High School and the Writers Guild of Alberta. These publications reflect Beaulieu’s teaching and his approach to independent publishing.

Sub-series consists of bound notebooks that contain notes and drafts of poetry, essays, film reviews, and talks.

Sub-series consists of records relating to Rowling's published writings for Eat Magazine, a Victoria-based magazine covering food, wine and associated themes. Records are primarily in digital format; see Scope and content note in the parent series description for record types.

Sub-series consists of paper and born-digital records created by Adbusters Media Foundation while administering the Blackspot campaign. Paper records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, and an internal order processing manual. Born-digital records include John Fluevog design drawings, letterheads, and internal manuals on the pricing, order processing, shipment, and exchange of Blackspot shoes.

Series consists of proofs, correspondence and manuscript submissions for chapbooks published by No press.

Sub-series contains research and project files for Derek Beaulieu’s MA thesis on the TISH poets, and annotated drafts of his PhD dissertation on concrete poetry and conceptual writing.

Sub-series consists of records documenting the establishment and development of SFU's Undergraduate Semester in Dialogue (USD) program by Mark Winston in his capacity as director of the program. Since the records are originals and were created and received by Winston in the course of his activities in founding, developing, and sustaining this academic program for the university, they are considered official university records. Records include correspondence, agendas, minutes, reports, proposals, budgets, and photographs.

Series consists of records relating to Daphne Marlatt's general poetry writing projects. Records include notes, drafts of poems, and correspondence with legal permissions.

Series consists of publications and other printed materials created by LIDC and its predecessors for SFU client departments. LIDC graphic designers worked with SFU departments and faculty members to create prints materials to support university communications, faculty teaching, research and publication, campus events and departmental programs. This series comprises sample copies retained by LIDC as a kind of portfolio of work. The dates range from 1999 to 2014, with the bulk concentrating on the years 2008-2012.

Publications and events represented include SFU Open Houses in 2008 and 2012; the President's annual Faculty Lecture (2006-2010) and the Distinguished Leadership Award ceremonies (2007-2012); reports to the SFU community by the President, the Alumni Association, University Advancement, and SFU Woodward's Vancity Office of Community Engagement; SFU News supplements for the Office of Aboriginal People (2011, 2012); books produced on special occasions to honor SFU community members, including President Michael Stevenson (2010), Chancellor Brandt C. Louie (2011), and donor Djavad Mowafaghian (2011); alumni and donor events; academic programs and workshops, including the Canadian Centre for Studies in Publishing annual Summer Workshops (1999, 2007-2010); and a book project for Continuing Studies entitled History of Sex Work Vancouver: Who We Were / Who We Are (ca. 2006).

Record types include posters, invitations, brochures, reports and books, program catalogues and university promotional materials.

Sub-series consists of poetry and book files for titles written or edited by Beaulieu, including "With Wax," "How to Write," and "Rush: What Fuckan Theory."

Sub-series contains applications and deliverables related to the TIDES Foundation grant and the Curry Stone Foundation Design Prize. Records include grant applications, grant progress reports, graphic design submissions lists, permission forms, and spoof ad graphics.

Sub-series consists of records relating to the planning and organization of the annual Great Canadian Beer Festival in Victoria. The date range (1993-2014) reflects Rowling's period of involvement in the director organization of the festival. As a director of the GCBF Society, Rowling kept an extensive set of digital files for each year's festival, typically using the same or a similar set of folders to organize the records. Records include festival business plans, surveys and reports; correspondence with breweries, exhibitors, and the BC Liquor Control Board; application and order forms; budgets, invoices and donation correspondence; volunteer task lists and manuals; publicity and media packages. Records exist exclusively in digital form; original file formats are predominantly Microsoft Office documents (doc, docx, xls, xlsx), with a small number of pdfs, jpgs, and PowerPoint files.

Sub-series consists of physical books authored by Kalle Lasn and their associated born-digital records. Physical books are available in English, as well as in the languages listed in the "Language of material" note. These books include Culture Jam: How to Reverse America's Suicidal Consumer Binge - and Why We Must (2000), Design Anarchy (2006), and Meme Wars: The Creative Destruction Of Neoclassical Economics (2012).

Born-digital records include release statements, advertisement graphics, book reviews, thank-you letters, contributor tracking tables, artist permissions tracking tables, licensed image usage contracts, royalty reports, spoof warning labels, and English-language digital copies of each of the three books.

This sub-series consists of the USCC annual convention delegate package records that include conventions agendas, procedures, meeting minutes, memorandums, correspondence, reports, trustee reports, participant lists, financial statements, annual reports and report from other Doukhobor organizations relating to schools, choirs, women’ clubs, youth organizations, Iskra publication, etc. These records are rare as convention packages were strictly issued in small numbers for the use of delegates only. Records are mostly in English and some in Russian.

Sub-series consists of research materials relating to the BC hops industry. Some of this material goes back to Evans' work on his thesis in the late 1980s, but much appears to have been accumulated in the context of his work on the "Brewers Gold" project, a travelling exhibit on the history of hops in BC (see sub-series 2).

Topics documented include the development of the industry in various regions of BC (the Saanich peninsula, Squamish, the Fraser Valley, the Okanagan); prominent BC hops growers and associations including the Canadian Hops Growers Ltd., Henry Ord Hops Dealers, John I. Hass Hop Company, the Horth family, William Towner, Thomas Lee, the Downey family, and Isaac Cloake; Indigenous involvement in the industry; production techniques, labour relations and strikes; Japanese Canadian and Indo-Canadian growers and pickers, including the use of Japanese Canadian workers during World War II and the Japanese Canadian internment.

Records include Evans' correspondence, notes and working papers, and speaking notes; interview notes, and some interview transcripts (file 16); copies of newspaper and magazine articles, excerpts from books and publications; family history and genealogical information relating to BC hop growers; and Evans' paper on the "Origins of the Hops Industry in the Pacific Northwest" (undated, file 12).

Archival materials found in the sub-series include photocopies of business correspondence, minutes, memoranda of agreement, and reports relating to the Canadian Hops Growers Ltd and Henry Ord Hops Dealers; original payrolls cheques of the Canadian Hops Growers Ltd from 1931; and an original business card of William Towner, Pioneer Hop Grower, North Saanich.

Publications include the full 1990 issue of Orchard, the journal of the British Columbia Orchard Industry Museum (file 9).

Files are arranged alphabetically.

This series consists of 3 sub-series: Works authored by McWhinney (1956-2013); Works about McWhinney (1963-2012); Works edited or reviewed by McWhinney (1974-2015)

Sub-series consists of records relating to Wah's professional service and activities, including his service on various groups and committees (excluding the Writers’ Union of Canada), his work as a judge for literary prizes, his applications for grants, and related activities. Records include correspondence, manuscripts and drafts of works of others, and administrative records.

Sub-series consists of born-digital records created by Adbusters Media Foundation during the Kick It Over advocacy campaign. Kick It Over was launched to mobilize students to work for a curriculum change in the field of Economics. The campaign argues for "kicking over" neoclassical economic theory and the measurement of gross domestic product, as it creates and illusion of progress that does not account for the true cost of an industry's negative effects on the environment or public health. In 2012, Adbusters brought the Kick It Over campaign to University of British Columbia, through an event called the "UBC Jam" or "Occupy Econ 101."

Born-digital records include the kick it over manifesto, posters, digital graphics, and photographs taken during the UBC Jam.

Sub-series consists of Granville Island Brewing artefacts relating to the marketing and promotion of the brewery and the distribution of its products accumulated by Mitch Taylor. Includes beer bottles, tap handles, kegs, t-shirts, glasses and a sign.

Sub-series is arranged into six sub-sub-series:

• Beer bottles
• Tap handles
• Kegs and related artefacts
• Glassware
• Shirts
• General brewing-related artefacts, merchandise and commemorative items