- MsC 29
Fonds consists primarily of correspondence with Canadian writers.
29 results with digital objects Show results with digital objects
Fonds consists primarily of correspondence with Canadian writers.
Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.
The fonds consists of photographs (8 x10) and contact prints of writers reading at the Itatlian Cultural Centre in East Vancouver in the Warren Tallman-organized reading series Writing In Our Time (1979).
Lawlor, Michael C.
The fonds consists of galleys (with authors corrections) of Sousters Selected poems (Oberon Press, 1972).
The fonds consists of manuscripts, correspondence, notebooks, etc.
Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.
Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).
Hindmarch, Gladys Maria
Fonds consists of radio play-scripts and production scripts by David Brock, Peter Garvie, John Gray, Peter Haworth, Daryl Hine, Herbert Hosie, Betty Lambert, Robert Lowell, Gerald Newman, Norman Newton, Jean Racine, George Ryga, George Robertson, Frederick Spoerly, Ian Thorne, and George Woodcock and incidental music score manuscripts for two productions. Audio-cassettes are line-source copies of master tapes of drama radio programs and music radio programs produced by Gerald Newman.
The fonds consists of manuscripts, correspondence and other textual material.
The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.
Fonds consists of records relating to Kamboureli's work as a researcher and writer of criticism of Canadian literature. Records include author files, manuscripts, diaries, correspondence with authors such as Robert Kroetsch, Nana Issaia, Daphne Marlatt, Frank Davey, Fred Wah, and Lola Lemire Tostevin.
The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.
The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.
The collection reflects Rimmer’s career as a designer, illustrator, printer, and publisher, and his involvement with members of the printing community and various associations. Records document Rimmer’s graphic design, typeface design and printing processes and accomplishments, and the publication activities of Pie Tree Press. The extensive graphic material within the collection includes sketches, drawings and prints. Also included are Rimmer’s linocut and woodcut blocks, as well as master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts for many of his metal typefaces. The collection is arranged into nine series: Correspondence (1930-2010, predominant 1978-2010); Subject files (1938, 1956-[2009?]); Pie Tree Press publications and related material ([ca. 1978-2009]); Typeface design ([1971-2010]); Commercial work (1960-2009); Art prints and illustrations ([1970-2010]); Promotional and advertisement material ([197-?]-2008); Works by others regarding Jim Rimmer (1982-2012); and General photographs (1961-2002).
The collection consists of posters relating to World War I propoganda.
The fonds consists of correspondence, manuscripts, typescripts of radio addresses, etc.
The fonds consists of manuscripts, press clipping, correspondence, etc.
The fonds includes photographs and examples of the stock sold by the company including ruled account books, greeting cards, religious books, and games.
G.S. Forsythe & Co.
Fonds consists primarily of incoming correspondence addressed to Hawthornthwaite in his capacity as a Member of the Legislative Assembly from his constituents and other residents of British Columbia. The fonds contains a file consisting of legislative bills, resolutions, and acts tabled during Hawthornthwaite's tenure in the Provincial Parliament and other records that Hawthornthwaite made or received in the course of his service to the people of Nanaimo, as well as published records of the legislative assembly of British Columbia for the years 1909 and 1910. The fonds also contains: a certificate for Hawthornthwaite's share in the Western Socialist Publishing Company which published The Western Clarion, the newspaper of the Socialist Party of British Columbia; a postcard depicting Joseph Mairs, one of Hawthornthwaite's contemporaries in the Socialist Party of Canada; and a copy of a book titled The changing order: A study of democracy, given to Hawthornthwaite by his friend Harry Sibble.
Fonds consists of naterial relating to the end of the Communist Party of Canada; includes newspapers, correspondence, legal documents; ephemera.
Communist Party of Canada
Fonds consists primarily of records related to Robert Jackson's political interests and activities. Included are many original and reproduced documents from labour events in the 1930s, particularly the On to Ottawa trek but including information on other labour-related events and figures, including the Spanish Civil War and the unionism in primary resource industries. The fonds also includes many records gathered by Jackson in the 1980s and 1990s in his work commemorating the On to Ottawa trek and participating in labour-related events. It contains newsletters, bulletins and other publications, newspaper clippings, essays, and articles, correspondence, recollections and testimonials, obituaries, notes from speaking engagements, leaflets, posters, press releases, petitions, minutes, financial records, project proposals, a script, work documents, certificates, legal documents, photographs, and other records related to Jackson's political life. The file level arrangement of this fonds is based on an arrangement established in 2001 by David Yorke who undertook to order Jackson's paper by subject. The order in which Jackson kept his records is unknown. The fonds is arranged in four series: On to Ottawa Trek (1934-2000); Labour history subject files (1933-2000); Memorials (1985-2000); and Photographs ([193-?]-2000).
The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.
The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.
International Woodworkers of America Association
The fonds consists of textual records.
The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, photographs and negatives. The fonds has been arranged into the following seven series: Personal correspondence (1934-1988), Diaries (1914-1973), Desktop diaries (1962-1973), Personal miscellaneous items (1937-1978), Photographs (1927-2002), and Outlawry of War (1921-1960).
Brown, George Harrison
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, scrapbooks, photographs, slides, and audio cassettes. The fonds has been arranged into the following eighteen series: Heron Rocks Friendship Centre Society (1968-2005), Heron Rocks Camping Co-op (1952-2007), Tomorrows Ancestors (1964-1985), China (1936-1996), Personal correspondence (1932-2005), Island’s Trust (1970-2002), Community activities and interests (1942-2004), Women’s issues (1938-2003), Writing, lecturing and broadcasting (1933-2000), Memoirs (1909-2000), Diaries (1929-1984), Notebooks (1930-1990), Address books (1970-1980), Correspondence to Harrison Brown (1935-1971), Correspondence from Harrison Brown (1931-1975), Photographs and slides (1909-2007), Audio cassettes (1974-1992), and Ephemera (1910-2003).
Fonds consists of records related to theatrical productions mounted by the Tamahnous Theatre Workshop Society and general and administrative records related to the company's operations. The fonds contains scripts, stage manager's notes and directorial notes, props lists, correspondence and memoranda, contracts, budgets, touring schedules, original artwork for posters, programs, and handbills, printed posters, programs, handbills, press releases, public service announcements, and other promotional material, clippings of reviews and paid advertisements, audience surveys, drawings and photographs, negatives, audio and video cassettes and reels, accounting records and financial statements, and other records. The fonds is arranged in five series: Scripts (1971-1994); Theatrical productions (1971-1994); General and administrative files (1971-1994); and Tamahnous Theatre Workshop Society photo history (1971-1994); and Audio-visual records (1971-1994).
The fonds consists of manuscripts, layout sheets, notes and miscellaneous records relating to the printing of Pacific Nation.
The fonds consists of correspondence (e-mail), manuscripts, photographs, and graphic material.
Fonds consist of items related to the process of selecting, accepting, and editing manuscripts for journal publications dating from 1993 to 2006. This includes annotated envelopes from submitted material, publication agreement forms, correspondence between the contributor and the Collective members, artist and author biographies, self addressed stamped envelopes, artwork reproductions, submitted manuscripts in both electronic and hardcopy format, edited publication proofs, editors’ notes and internal correspondence, and published copies of the completed volumes. The Collective’s activities were conducted in Vancouver, British Columbia although submissions were accepted from women internationally.
The Fonds is composed of the following series; Series 1. Submissions; Series 2. Editor’s Working Material and Correspondence; Series 3. Publication Proofs; Series 4. Published Volumes; Series 5. Grant Material; Series 6. Publication and Distribution Material; Series 7. Correspondence; Series 8. Financial Material; Series 9. Artwork; Series 10. Published Volumes.
Room of One's Own