File consists of numerous folded press sheets created in 1979 for “Fred Goudy, Type Designer”, as well as prints and mockup notes. File also contains a letter written by Rimmer explaining the process of this project and the reason for the project’s abandonment.
File contains two broadsides of “Masquerading North”, a poem by Robert Kroetsch, illustrated and printed by Rimmer on handmade paper by Brian Queen. The print was made for Cameron Treleaven of Aquila Books, Calgary. The copies are initialed by Rimmer, Queen, and Kroetsch. Note attached to verso explains the making of the paper, including the location where the material was collected.
File contains five broadsides of “Early Printers in the City of Venice”, which Rimmer reset from an original text page by Bruce Rogers. The piece showcases Goudy’s Italian Oldstyle in two font sizes. The broadsides were printed by Rimmer for members of Graphic Designers of Canada, and each copy is initialed by Rimmer.
File consists of a copy of “Yes, Virginia, there is a Santa Claus”, a Christmas keepsake printed by Rimmer. Text is based on a letter to the New York Sun in 1897 from 8 year old Virginia O’Hanlon, and the response by editor Francis Church. The file also contains three other printed keepsakes of this text.
File consists of records related to the printing of “Being Five or Six”, created for Wayzgoose 84. Records include a copy of the text, a preliminary mockup with corrections, and a copy of the final product. The book is printed on mulberry paper, and handset in Juliana Old Style. Lino block illustrations were also completed by Rimmer.
File consists of records documenting Rimmer’s trial setting of The Adventures of Tom Sawyer in 18-point Juliana Old Style type. Records include sample pages of text and accompanying linocut illustration prints. File also includes original sketch of featured print.
File consists of Rimmer’s second attempt to print The Adventures of Tom Sawyer and records illustrating the creation of a book discussing Rimmer’s work. Records include 12 pages of galley proofs set in 18 point Cloister, mock-ups of both texts, with edits, sketches, and notes concerning costs and materials.
File consists of two copies of a proof for The Adventures of Tom Sawyer. The proof shows the “Hannibal Oldstyle” typeface and includes a linocut print. Proofs were created for students of Linda Coe’s typography class at the Emily Carr Institute of Art & Design, March 2004. Both proofs are initialed by Rimmer.
File consists of potential bindings to be used for A Christmas Carol, including measurement information, decorative options, and sample fabrics, including leather and suede. Records also include two sheets of paper printed with a decorative pattern.
File consists of numerous sketches and drawings of illustrations for A Christmas Carol, and a mockup of “Prospectus of a Deluxe Edition of Charles Dickens’ A Christmas Carol. Records include pencil, ink and felt pen drawings, some of which are on tracing paper, and sample prints.
File consists of preparatory material for the layout of A Christmas Carol. Records include a photocopy of the text marked up to show the spacing to be used in Rimmer’s layout, including page and line breaks. Records also include a mockup of the publication with pasted text, sketches, and indications of the placement of illustrations. File also includes an overview of illustration placement.
File consists of a 1998 prospectus for A Christmas Carol, the final marker drawing for the p. 17 illustration from a pencil sketch, and a booklet by the Pie Tree Press Mouse Type Library titled “A snippet from A Christmas Carol.”
File consists of records documenting Rimmer’s design of the Hannibal typeface, named after the birthplace of Mark Twain. Records include tracing paper samples, digital print-outs using the Ikarus program, instructions to self regarding modifications and required future work, samples, and printed letters. File also includes a sample of the Amethyst typeface.
File consists of records documenting Rimmer’s design of the Hannibal typeface, named after the birthplace of Mark Twain. Records include first and second design sketches, sample print-outs, a transfer sheet of English Garamond, instructions and notes to self, print of the second proof, digital sketches, and a sketch of the parameters of the font.
File consists of records documenting Rimmer’s design of the Cartier lowercase typeface, inspired by Carl Dair’s Cartier typeface designed for Canada’s centennial in 1967. Records include prints and proofs of the design at various stages of development. Records also include a pamphlet providing information on Dair’s design process, a master pattern card of the letter ‘b’, and a sample print to be used for wrapping the font.
File consists of records documenting Rimmer’s design of the Cree Syllabic typeface, a revival of the typeface devised and cut by Reverend James Evans in the early 19th century. Records include the first proof of the type and sketches in ink and pencil, as well as information concerning Rev. Evans, a syllabic chart, copies of the syllables to be cut, and correspondence from Robert Bringhurst. File also contains an explanatory note added by Rimmer to explain his motivation and design process.