The fonds consists of correspondence:, consisting of seventy letters from Snyder to poet Joanne Kyger dating from 1959 to 1960, and sixty-six carbon copies of letters written in reply by Kyger, as well as translations and two poems. The fonds also includes photocopies of letters between Snyder and Kyger dating from 1958 to 1975. The original letters are housed at the University of California, Sanata Barbara.
The fonds consists of manuscripts, including typescripts, proofs, galleys, and page proofs corrected by the author, and correspondence from Robin Blaser to Ferry Press pertaining to publication of Blaser's translation of "Les Chimeres".
The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.
Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.
The fonds consists of correspondence (with manuscript and typescript enclosures) from Anne Waldman to Lewis Warsh, much of it pertaining to the relationship between the two poets, as well as to relationships with other poets. Their involvement in the Naropa Institute is also described. Most of the letters from 1969 to 1973 concern the publishing of Angel Hair Books and contain much information about the New York poetry world centred at the Poetry Project.
The fonds includes correspondence; photo-ready copy, masters, proofs and layouts for most of the Press broadsides; financial/administrative records, ephemera.
The collection consists of letters written by Charles Olson to five men who edited and published his works: Robin Blaser, Andrew Crozier, Barry Hall, LeRoi Jones, and Ed Sanders. Some of the letters were accompanied by manuscripts produce by Olson during the period 1965 to 1969. Collection includes a group of student assignments (mostly poetry) collected by Olson when he was in residence at University of British Columbia in 1963.
Collection consists of 16 mm film, transcripts, master audio recordings and audio cassettes. These records form part of the production elements used by Stanley Fox and Aquarian Productions to produce Series Two of Gestalt Sessions with Fritz Perls, filmed in 1969 and edited in 1972. Films are introduced by Dr. Karl. E. Humiston, and record psychotherapy sessions between Perls and volunteer patients that took place over five days and 55 hours in 1969.
The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.
The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.
The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.
The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.
The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".
Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.