Fonds consists of research and moving image records generated and used in the production of the documentary REED: the life and works of Roy Kiyooka, produced and directed by Fumiko Kiyooka.

Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.

Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

The fonds consists of manuscript pages and editorial notes relating to Peter Quartermain's edited Robert Duncan collection. Research is organized chronologically by poem or play. Additional information available on author’s website: http://www.nomados.org/PeterQ.htm

This fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:

Series 1: Correspondence

Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations

Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles

Series 4: Teaching & Events

Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events

Series 6: Publications

Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.

Fonds consists of records relating to the administration and organization of the Moving Pictures film festival. Records include board of directors manuals, financial records, correspondence, and minutes.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

Sub-series consists of correspondence and unpublished manuscripts from writers such as Helen Hajnoczky, Eric Zboya, Pete Spence, Jordan Scott and Mark Laliberte. Series also includes a publication edited by Christian Bök and produced in an edition of forty copies for Beaulieu’s fortieth birthday.

Fonds consists of records relating to Bett's life as a poet and English professor. They include journals, notebooks, correspondence, and books.

The fonds consists of samples of handmade papers, paste papers, and drafts of Lissel's paste paper sample book, TOPOS, published in 2006. The fonds is arranged into the following two series: handmade papers and paste papers.

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.

The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).

Sub-series contains research and project files for Derek Beaulieu’s MA thesis on the TISH poets, and annotated drafts of his PhD dissertation on concrete poetry and conceptual writing.

Sub-series consists of poetry and book files for titles written or edited by Beaulieu, including "With Wax," "How to Write," and "Rush: What Fuckan Theory."

Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.

Fonds consists of records created or accumulated by Daphne Marlatt through her personal and professional activities, predominantly after the year 1990. Records document her activities as a writer of poetry and prose, an editor, and as a teacher of writing and literature, and include manuscripts, notes, research records, correspondence, photographs, grant applications, reviews, and audio and video recordings of poetry readings.

The fonds has been arranged into the following eleven series: Background research records ([ca. 1965-2000]), Fiction - poetry records (1958-2014), Fiction - drama records (2000-2011), Non-fiction works records (1975-2008), Awards and grants records ([ca. 1965-2012]), Correspondence with publishers ([ca. 1977-2013]), Professional activities records (1983-2013), Teaching records (1973-2010), Electronic records and other media (1974-2012), Personal records (1966-2014), and Personal and professional correspondence (1961-2014).

Fonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.

Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm

Collection consists of letters written to and from Wil Hudson, his personal photographs and negatives, and type blocks used during his work as a printer. Collection also includes tributes to Wil Hudson written after his death in 2014.

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Fonds consists of records created and accumulated by the Kiss and Tell collective over the course of the collective’s operations. Records include photographs, correspondence, exhibition specifications and guidelines, and promotional and press materials.

Sub-series contains drafts and accompanying correspondence about articles, talks and essays written by Beaulieu.

Sub-series contains works written and/or produced by students of Derek Beaulieu, from institutions such as Alberta College of Art & Design, Henry Wise Wood Senior High School and the Writers Guild of Alberta. These publications reflect Beaulieu’s teaching and his approach to independent publishing.