- MsC 19
The fonds consists of 16 audio cassette recordings, along with textual transcriptions of tapes.
B.C. Poets & Print
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The fonds consists of 16 audio cassette recordings, along with textual transcriptions of tapes.
B.C. Poets & Print
Fonds consists of broadsheets, chapbooks, financial records and correspondence relating to the publishing activities of Greenboathouse Books from 1999-2008.
The fonds consists of four letters from Zukofsky to the poet Walter Lowenfels.
The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.
Women and Words Society
Fonds consists of Gill's personal and professional correspondence, photographs, university notes and assignments, theses, drafts of poems and other writing, published works, and work records.
Fonds consists of photographs, diaries and journals documenting Koerner's artworks and travels to Japan, and one drawing.
Fonds consists of records relating to Braid's life and work as a student, teacher, carpenter, and writer.
The first five series from Braid's first donation in 1995 are comprised primarily of interview material relating to Canadian women in trades, in the form of sound recordings, transcripts, notes, and drafts of profiles generated by Kate Braid in the course of four projects: her Master's thesis (1978-1979); a convention in Holland and subsequent trip to Denmark (1984); the Labour Canada booklets (1988); and the CBC Ideas program (1990). Also includes some correspondence, logbooks and published reference material.
The next series from several additional accruals in 2009 to 2013 consist of records arising from many aspects of Braid's life. These records include drafts and notes from Braid's writing, projects for CBC Ideas, women in trades, her company, Sisters Construction, and other writing and teaching projects.
There is also a large series of correspondence, including letters and emails (printed out) between Braid and other writers, her family, and business correspondents. Finally, there is a series of Braid's diaries, which she has kept regularly from the 1960s to 2012.
The fonds is arranged in 24 series:
Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).
Emerson Wortis, Ruth
The fonds consist of materials that relate to Twigg’s work as a writer, publisher and cofounder of the B.C. Book Prizes in the years 1975 to 2008. The fonds is arranged in 14 series: Correspondence; Political Campaign and Poetry of Bud Osborn; Vancouver Theatre; Television Interviews; Twigg’s Book Research; George Woodcock’s Translation of Proust; Audio Cassette Interviews; Transcripts of Interviews; Authors’ Photographs and Negatives; Special Items; B.C. Book Prizes; Miscellaneous; Prairie BookWorld Founding Records; and Twigg’s Newspaper and Magazine Articles.
Materials include incoming and outgoing correspondence, taped television interviews, transcripts of television interviews, drafts of Twigg’s literary works, an unpublished manuscript of George Woodcock’s translation of Proust, audio cassette interviews, transcripts of interviews, photographs, banners, awards, legal documents, financial records, notes and newspaper and magazine clippings of Twigg’s published articles.
The fonds consists of records primarily reflecting Robinson’s career as a writer, spanning approximately from 1991 to 2018. These include drafts of several of her novels including "Monkey Beach", "Traplines", "Blood Sports", "Son of a Trickster" and "Trickster Drift", correspondence with editors and other miscellaneous records. The fonds is arranged into seven series: Correspondence (1993-2005); Awards, events and reviews (1991-2007); Records relating to "Traplines" (); Records relating to "Blood Sports" (2004-2005); Records relating to "Monkey Beach" ([ca. 2000?]); Records relating to "Son of a Trickster" (2016-2017); and Records relating to "Trickster Drift" (2014-2018).
Toby Brooks is an American-born social advocate and activist living in Canada with her husband David. Toby worked at a home for battered women in Ontario in the 1970’s and 1980’s. While furthering her education she came across the story of Vancouver poet Pat Lowther, murdered at just 40 years of age by her husband in 1975 when just on the brink of professional recognition. Pat Lowther’s untimely death resonated with Brooks, who spent the better part of the next two decades researching and interviewing Lowther’s friends, family, and colleagues. The end result was a biography entitled “Pat Lowther’s Continent: her life and work” published by gynergy books in 2000. Toby also organized a series of tributes dedicated to Pat Lowther. The first was held in 1995 at Emmanuel College in Toronto, with others following at various locations on what would have been her milestone birthdays.
This collection consists of textual records compiled primarily by Toby Brooks, but also some research material from her collaborator Dona Sturmanis. The records are mainly correspondence, interview transcripts and photocopies of poems. There are also copies of research records obtained from other archives or organizations.
There are 3 series contained within this collection: Research and writing ([ca. 1959-2006]); Toby Brooks-Dona Sturmanis collaboration ([before 2000]); and Pat Lowther tributes and readings ([ca. 1985-2006])
This fonds contains writings, notebooks, scores, computer software, photographic materials, audio and video recordings, two synthesizers, a computer and other material relating to the life experiences and creative output of Martin Bartlett. Most of the material dates from Bartlett’s active work life from 1965-1993, although there is some information from his early life, 1940-1965. The contents of the fonds have been divided into 11 distinct series representing different aspects of his life. One series (9: Compositions) has been divided into three sub-series determined by the type of material (scores, computer programs, and recordings).
The series contained in this fonds are as follows: Series 1: Correspondence; Series 2: Personal Papers; Series 3: Notebooks; Series 4: Teaching; Series 5: Gamelan; Series 6: Research Materials; Series 7: Writings; Series 8: Computer Programming; Series 9: Compositions including subseries 9:1: Scores, 9:2: Computer Programs, and 9:3: Recordings; Series 10: Photographs and ; Series 11: Objects.
Fonds consists of records relating to the writing and publication of novels written by June Skinner under the pen names of Rohan O'Grady, and A. Carleon. These include original manuscripts, notes on works in progress, memorabilia, promotional material, rejection letters, grant applications, photographs, scrapbooks, and correspondence.
The fonds has been arranged into the following series: Manuscripts (1936-[1992?]); Contracts (1960-1998); Correspondence ([1949?]-2000); Research (1965-[197-?]); Promotional material and reviews (1961-1974); Personal (1947-[196-?]); and Finance (1941-1992).
Skinner, June Margaret
The fonds consists of records relating to activities of the School and its predecessors. Activities and events documented include the evolution of the department's structure, functions and governance; management of the School's budget and financial resources; management of School facilities; deliberations of School committees; correspondence of the Director with staff, faculty, other university departments and external organizations; curriculum development and course instruction; public-events programming; management of faculty and student relations; media relations, publicity and communications; and the organization of conferences and other special events.
Records include correspondence and reports; budgets and financial working papers; meeting agendas, minutes and supporting papers; course outlines and related material; media releases, event programs, flyers and booklets; audio and audio-visual recordings, films, photographs, posters and other graphic material; and departmental publications, including annual reports (1965-1976), course guides, newsletters and brochures.
School for the Contemporary Arts
Fonds consists of correspondence, written works and published materials by Wah and other writers, photographs, and other records accumulated by Wah during his lifetime, arising from both personal and professional activities. Records include poems, essays and reviews; journals and notebooks; book manuscripts; teaching materials; travel records; administrative records; and promotional material for conferences, workshops and other events.
The records in this fonds have been arranged into the following eight series: Correspondence (1960-2013); Writings and related records (1961-2012); Research records, works of others, and works about Wah ([196-]-2012); Academic work and instruction records (1927, [196-]-2005); Events and travel records (1965- 2013); Professional service and activities records ([ca. 1961]-2013); Residency records (1981-2007); and Personal records ([196-?]-[199-?]).
Fonds consists of records related to the life and creative work of Peter Trower in his activities as a poet, prose writer, cartoonist, and musician. Fonds also includes records pertaining to Trower's collaborative projects with Yvonne Klan, as well as works by other authors and artists that were accumulated by Trower. Records include poetry and prose manuscripts, drafts and outlines, movie scripts, journals, notebooks, correspondence, business records, photographs, articles, cartoons and other drawings, awards, certificates, and sound and video recordings.
The fonds has been arranged into the following twenty-three series: Correspondence (1934-2006); Journals and calendars (1961-2005); Notebooks ([ca. 1953]-2003); Prose - published books ([197-?]-2000); Prose - unpublished books (1969-2005); Prose - articles, short stories and related material (1953-2002); Poetry - published books (1964-2004); Poetry - unpublished books ([198-?]-2003); Poetry - draft poems (1958-2005); Poetry - published poems ([ca. 1972]-1997); Film scripts and related material (1993-2005); Musical performances, sound recordings and related material (1981-2004); Business and financial records (1964-2005); Articles, reviews and interviews regarding Trower (1965-2005); Readings, festivals and events records (1974-2005); Awards and honours records (1979-2005); Photographs (1929-2005); Cartoons and other artwork (1949-1998); Website records (1999-2002); Yvonne Klan records ([199-?]- 2005); Reviews and articles regarding other writers and artists (1982-2006); Works by other authors (1950-2003); and Personal records ([ca. 2000]).
The collection consists of photographic images and printed materials relating to the life and death of E. Pauline Johnson. Some of the material is associated with her sister, Evelyn Johnson, but the provenance and nature of compilation is largely unknown.
Johnson, E. Pauline