The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.

Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.

The fonds consists of correspondence (with manuscript and typescript enclosures) from Anne Waldman to Lewis Warsh, much of it pertaining to the relationship between the two poets, as well as to relationships with other poets. Their involvement in the Naropa Institute is also described. Most of the letters from 1969 to 1973 concern the publishing of Angel Hair Books and contain much information about the New York poetry world centred at the Poetry Project.

Fonds consists of scrapbooks, containing newspaper clippings, press releases, campaign materials, minutes, correspondence, programs and song lyrics, created by Gargrave while he was an MLA in Mackenzie, and when he ran for Mayor of Vancouver in 1970 as a representative of the NDP civic party.

The fonds consists of galleys (with authors corrections) of Sousters Selected poems (Oberon Press, 1972).

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.

The fonds includes correspondence; photo-ready copy, masters, proofs and layouts for most of the Press broadsides; financial/administrative records, ephemera.

The collection consists of letters written by Charles Olson to five men who edited and published his works: Robin Blaser, Andrew Crozier, Barry Hall, LeRoi Jones, and Ed Sanders. Some of the letters were accompanied by manuscripts produce by Olson during the period 1965 to 1969. Collection includes a group of student assignments (mostly poetry) collected by Olson when he was in residence at University of British Columbia in 1963.

The fonds consists of manuscripts, layout sheets, notes and miscellaneous records relating to the printing of Pacific Nation.

The fonds consists of correspondence - three letters from Niedecker (two to Cid Corman, one to Mark Wilson).

Collection consists of 16 mm film, transcripts, master audio recordings and audio cassettes. These records form part of the production elements used by Stanley Fox and Aquarian Productions to produce Series Two of Gestalt Sessions with Fritz Perls, filmed in 1969 and edited in 1972. Films are introduced by Dr. Karl. E. Humiston, and record psychotherapy sessions between Perls and volunteer patients that took place over five days and 55 hours in 1969.

Collection consists of photographs and an accompanying notebook documenting Chambers’ and the BCMC’s pioneering mountaineering activities and exploration during the period 1947 to 1968. Unlike the Rocky Mountains of Canada, the Coast Mountains were late in being explored by mountaineers. During the period recorded in these photographs, much of the region remained little visited, and the exploration lasted into the 1980s. As a result, the photographic record of mountain exploration in the Coast Mountain region is relatively poor and fragmentary, especially for the period from the late 1930s through the 1950s. The Chambers collection fills several gaps in this record.

Chambers was meticulous in recording the details of each image he captured with his Zeiss Ikon camera – every slide is identified with the location, names of individuals, and the date. An accompanying notebook lists the photographs taken on each roll of film and includes additional technical information. Further documentation of many of these trips is available in BCMC newsletters and issues of the Canadian Alpine Journal.

The fonds consists of correspondence, manuscripts, photographs, and other material.

The collection consists of 115 handbills, and 78 posters (including 5 manuscript posters) collected by Robin Mathews in Paris during the student rebellion and general strike of May 1968.

The fonds consists of one letter from Whalen to Leo Eutsler; monograph by Whalen, Like I Say (1960).

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of a letter; proofsheets for an afterword to Anaconda, a novel by Jerry Bumpus.

The fonds consists of correspondence (letters from Wieners to John Marlow).

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

The fonds consists of statement of opposition to the war signed by numerous American poets.

The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.

The fonds consists of a typescript copy of the poem "Chant for Half the World".

The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.

The fonds consists of incoming correspondence, five manuscript poems and other material.

The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".