Series consists of photographs of Canadian Farmworkers Union staff and numerous social and cultural events held by the union, including bhangra performances as well as visits by United Farmworkers of America President Cesar Chavez and the Manitoba Farm Workers Association.

Series consists of correspondence, legal records, photographs, and other material relating to the Canadian Farmworkers Union’s promotion and certification of the union in individual work sites; negotiations with farm owners; individual workers’ complaints; strikes; and participation in rallies for a variety of causes.

The series is arranged into four sub-series: Unionization and organizing notes, photographs, and other records ([198-]-1985); Certification correspondence, contracts, and photographs (1980-1992); Photographs, legal records, and correspondence relating to complaints, strikes, and rallies (1979-[199-?]); and General planning and research newspaper clippings, notes, and photographs ([1978]-1997).

Series consists of research material relating to a number of issues the Canadian Farmworkers Union investigated in order to provide information to workers, provide support to other groups, and publicly advocate for awareness and change. Subjects include the regulation and safe handling of pesticides, workers’ rights and occupational safety legislation, and general labour and minority rights. Records include newspaper clippings, journal articles, publicity materials, photographs of workers and events, awareness and event posters, worker housing blueprints, bumper stickers, and other ephemera.

The series is arranged into four sub-series: Pesticides subject files and photographs (1979-1994); Occupational health and safety subject files and photographs ([197-]-2011); Labour and rights movements subject files (1979-1998); and General subject files (1979-1993).

Series consists of records relating to the administration and activities of the Deol Agricultural Education and Research Society (the Deol Society), including financial records, meeting minutes, correspondence, project records, newsletters, and other publications.

The series is arranged into five sub-series: Administrative records and correspondence (1982-1995); Financial records (1981-1998); Programming and project reports, correspondence, and photographs ([198--ca. 1997]); Employment and grant records (1977-1990); and Publications (1982-1995).

Series consists of records relating to the Canadian Farmworkers Union’s efforts to establish a local in Ontario during the early 1980s, including meeting notes, correspondence, research materials and maps, and photographs of meetings and events.

Series consists of photographs relating to Charan Gill’s run for political office with the BC New Democratic Party (NDP), independent of his work with the Canadian Farmworkers Union. These photographs were received with the CFU material and included in the collection due to Charan Gill’s involvement with the CFU from founding through the transfer of administration of the union to the Progressive Intercultural Community Services Society (PICS).

Series consists of digital images and word document files documenting Tin Whistle Brewery's activities in various media publications. Records include final article drafts and scanned newspaper clippings.

Series contains scanned digital images of the Tin Whistle Brewery, it's owners, the brewing process, and attendance at brewery festivals. Photo subjects include Linda Grierson, Richard Grierson, Lawrie Lock, Lynda Lock, and Lorraine Nagy.

Series consists of awards granted to the Tin Whistle Brewing Company. Awards included within this series were issued by the Okanagan Fest-of-Ale in 1996 and in 2013.

Series consists of promotional materials and merchandise produced and distributed by Tin Whistle Brewing Company. Records include table cards, beer profiles, posters, signs, banners, pamphlets, temporary tattoos, drink cards, gift certificates, business cards, t-shirts, and beer glasses.

Series consists of beer tap handles and their labels, produced and/or used by Tin Whistle Brewing Company in their tasting room.

Series contains records and artifacts related to the bottling of craft beer at Tin Whistle Brewing Company. Records and artifacts include beer bottles, growlers, beer bottle labels, and beer bottle blueprints.

The series contains photographs of various GATE activities. The series includes some personal photographs of Roedy Green, who was a founding member of GATE.

The series consists of printed materials, mostly self-published booklets and press releases. The series includes 1 newspaper clipping

Series consists of analogue and born-digital records created by Adbusters Media Foundation while administering the Blackspot shoe campaign as well as designing, promoting, and distributing Blackspot sneakers and boots. The Blackspot shoe campaign was launched in 2002. For this campaign, Adbusters created and sold the Blackspot Sneaker (2002) and the Unswoosher (2006), shoes manufactured in a unionized workshop and created with vegan and recycled materials. The intent of Blackspot is to take market share from large shoe and athletic corporations through the creation of an environmentally responsible and fair trade alternative.

Paper and analogue records include income statements, correspondence (manufacturer, retailer, and customer), stock inventories, marketing plans, market analyses, newsletters, order processing guidelines, shareholder certificates, pamphlets, promotional photographs, and two pairs of blackspot shoes: v. 1 classic sneaker and v. 2 the Unswoosher.

Born-digital records include shoe design drawings, letterheads, internal manuals, advertisement graphics, promotional photographs, posters, coupons, stickers, gift cards, labels, shareholder certificates, T-shirt mockups, catalogues, promotional comics, and website mockups.

The series has been arranged by the archivist into separate sub-series based on the type of material:

• Administrative records (sub-series 1).
• Promotional materials (sub-series 2).
• Shoes (sub-series 3).

Files are arranged chronologically.

The series consists of paper and born-digital records documenting Adbusters Media Foundation's activities and the Occupy movement in various media publications. Records include interview transcriptions, newspaper clippings, magazine clippings, online news article printouts, letters to the editor, 2 published books, and 1 photocopied book excerpt.

Interview transcriptions were conducted for Kyoto Journal (2001), Eyeteeth (2003), Staya (2005), Guernica (2011), the White Review (2013), and Micah White (2013).

Print and online media publishers include Sun Magazine (2001), CBC (2004), Lürzer's Archive (2008), the Georgia Straight (2009), the Globe and Mail (2009, 2013), the Hook (2009), the Lawyer's Weekly (2009), the Vancouver Sun (2011, 2012), Advertising Age (2011), the New York Times (2011, 2012, 2015), the Vancouver Observer (2011), the Washington Post (2011), the New York Review (2011-2013), the Occupied Times of London (2011), the Epoch Times (2011), Der Spiegel (2011), Vanity Fair (2012), Harper's Magazine (2012), the Progressive (2012, 2015), Vancouver Magazine (2012), In These Times (2012), the Dance Current (2012), the Guardian (2012), the Walrus (2012), the Ubyssey (2013), the London Review of Books (2013), Sad Mag ( 2015), and the Ethical Consumer (2020).

Books include Alternative Media in Canada by Kirsten Kozolanka, Patricia Mazepa, and David Skinner (2012), Why We Occupy: Liberty Plaza 2011 by Olivia Schanzer (2012), and a photocopied excerpt of Why Dissent Matters, Chapter 7, by William Kaplan (2017).

Born-digital media coverage records include a scanned newspaper clipping advertising Blackspot sneakers (2004), a draft article written by Kalle Last and Micah White (2011), an interview with Greg McLaughlin for Contexts Magazine (2012), and two draft letters to the editor of the New York Times (2013, 2016).

Series consists of physical merchandise produced and distributed by Adbusters Media Foundation, as well as born-digital records related to the creation and design of the merchandise. Physical merchandise includes postcards, stickers, pin-back buttons, fridge magnets, flags, apparel, a coffee mug, a magnetized ceramic cookie, spoof parking tickets, and baseball cards. Born-digital records include photographs and digital graphic mockups of postcards, stickers, T-shirts, coffee mugs, baseball cards, flags, packaging, pin-back buttons, patches, and a spoof parking ticket. While there is some overlap, physical merchandise and born-digital records in this series do not necessarily correlate.

The series has been arranged by the archivist into two sub-series based on the record's format.

• Physical merchandise (sub-series 1).
• Born-digital records (sub-series 2).

Files are arrange chronologically.

Series consists of records created by Adbusters Media Foundation during the following campaigns: Buy Nothing Day, First Things First Project, Media Carta, Kick It Over, Occupy Wall Street, Mindbombs, Boycott Divest Sanctions, Occupy Silicon Valley, Black Remembrance Day, and the White House Seige. Records include paper and born-digital materials such as digital graphics, photographs, design submissions, memes, press releases, emails, and moving image and audio "subvertisements."

The series has been arranged by the archivist into separate sub-series according to which advocacy campaign they derive from:

• Buy Nothing Day campaign records (sub-series 1).
• First Things First project records (sub-series 2).
• Kick It Over campaign records (sub-series 3).
• Occupy Wall Street campaign records (sub-series 4).
• Occupy Silicon Valley campaign records (sub-series 5).
• General campaign records (sub-series 6).

Files are arranged chronologically.

Series consists of Adbusters Media Foundation publications and books authored by Kalle Lasn, as well as drafts and mockups associated with the creation of these publications. Records include copies of Adbusters magazine and its mockups, Big Noise magazine, Culture Jam, Design Anarchy, Meme Wars, the Adbusters Media Literacy Kit, calendars, pamphlets, posters, digital spoof ads, and digital listserv newsletters.

The series has been arranged by the archivist into ten sub-series based on the publication type:

• Adbusters magazine records (sub-series 1).
• Big Noise magazine records (sub-series 2).
• Magazine mockups and revisions (sub-series 3).
• Books and associated records (sub-series 4).
• Media literacy kits and associated records (sub-series 5).
• Calendars and associated records (sub-series 6).
• Pamphlets (sub-series 7).
• Posters and associated records (sub-series 8).
• Digital spoof ads and associated records (sub-series 9).
• Listserv newsletter (sub-series 10).

Files are arranged chronologically.

The series consists of paper and born-digital records arising from Kalle Lasn's participation in various conferences and public forums. Notable conferences documented are:

• Canadian Association for Media Education - Annual General Meeting, Vancouver, April 29, 1996
• The American Institute of Graphic Arts Conference, San Francisco Museum of Modern Art, October 17, 2002
• TYPO Berlin, May 2006

Paper records include talking notes, event flyers, correspondence, and planning materials. Born-digital records include a powerpoint presentation (in .PDF format).

Series contains paper and born-digital records related to two events which Adbusters Media Foundation participated in: the Seoul Mediacity Biennale Exhibition (2018) and the Vancouver Art Book Fair (2018).

Paper records include an exhibition catalogue, subscription cards, price lists, an internal manual on running an exhibition booth, and newsletter sign-up sheets. Born-digital records include press releases, emails, photographs, an internal manual on running an exhibition booth, a silent auction prize, digital posters, and a video of Adbusters' exhibit.

The series has been arranged by the archivist into separate sub-series based on the type of event:

• Seoul Mediacity Biennale Exhibition records (sub-series 1)
• Vancouver Art Book Fair records (sub-series 2)

Files are arranged chronologically.

Series consists of 18 audio cassette tapes containing 10 interviews. Series also consists of word-for-word transcriptions of the interviews and versions of the interviews that have been edited and condensed for publication.

Series consists of materials related to the production of the work Poets and Print, including a grant application, notes, chapter drafts and completed work drafts, correspondence, and layouts.

Series consists of copies of the published version of the Rattler zine.

Series consists of operational files reflecting the editing and publishing of Rattler magazine. Records reflect the production process, promotion of the zine, and the reception of Rattler in the local press. Includes correspondence, notes, clippings, posters, other poetry zines, ephemera, and silk-screened t-shirts.

Series consists of records relating to the promotion and marketing of the Purcell String Quartet. Include posters, brochures, press releases, flyers, branded stationary, and one promotional print.

Files are arranged chronologically.

Series consists of records relating to Evans' completion of his Master of Arts degree in the Department of History at the University of Victoria. Evans entered the program in 1985 and completed his thesis, The Vancouver Island Brewing Industry: 1858-1971, in 1991.

The series includes a paper and digitized copy of the thesis (files 18-20 and 21 respectively); two course papers that set out the program of study (files 2-3); chapter drafts and notes, including materials for a chapter on labour ("The Workplace") that was omitted in the final thesis (file 10); and administrative records relating to Evans' enrolment in the Master's program (file 1).

Records include notes and working papers, essays, draft chapters, and thesis; correspondence, transcripts, and letters of recommendation.

Files are arranged chronologically.

Series consists of records relating to Evan's book project. In 2011, Evans reached agreement with the Royal British Columbia Museum (RBCM) to produce a series of books under the working title The History of Beer Brewing in British Columbia. The work was initially planned as three separate volumes: The Pioneer Years, 1858-1920 (Part 1); The Years of Consolidation, 1920-1982 (Part 2); and A Renaissance of Brewing, 1982-present (Part 3). A revision of the agreement in 2016 narrowed the scope to just the first two volumes. Evans continued to work on the project up to his death, but the manuscripts were not completed and no copies survive.

This series brings together a number of files relating to the book project. Records includes outlines for the project and the publishing agreement with RBCM (files 1-2); correspondence, notes, working papers, progress checklists, invoices, bibliographies and reference materials. Reference material includes works by Lynn Pearson, "Towers of Strength: Brewery Architecture at Home and Abroad" (paper given at the Victorian Society at Young's Brewery in London in Feb 2006) and Derrek Eberts, "To Brew or Not to Brew: A Brief History of Beer in Canada" (Manitoba History, vol. 54, Feb. 2007).

While there are no surviving manuscripts for the book, it seems likely that many fragments do exist in the form of the multi-page profiles of individual breweries that are found in many of the "brewery files" in series 3.

Two files placed in series 9, Photographs, labels and graphics reference the book project and contain correspondence relating to permissions for use of photographs in the book. Much of the materials in series 3 was accumulated in the course of Evans' work on the book.

Series consists of records relating to historical enquiries made or received by Evans and his activities as an historical consultant on a number of projects.

Activities documented include design projects incorporating historical materials for brewpubs and breweries (Spinnakers and Moon Under Water in Victoria, Longwood in Nanaimo, the Vancouver Island Brewery); his work as historical interpretive consultant for the Arbutus Greenway Residential Project in Vancouver that redeveloped the old Vancouver Breweries site at 11th Ave. and Vine St. in 1999; a proposal to the BC Trade and Investment Office to develop a resource guide promoting BC brewing expertise to potential clients in Japan; and his correspondence with brewers, breweries, collectors, associations, and other brewing historians on topics relating to beer history.

Records includes correspondence, notes, and working papers; agreements, invoices, and work orders; brewery promotional material; copies of newspaper and periodical articles; copies of fire insurance plans (sections), historical photographs, and archival materials; and a copy of the Fall 1996 BCL Guide containing Evans' article "When Everything Old is New Again: The Tradition of Brewing in BC" (file 10).