The fonds consists of correspondence - three letters from Niedecker (two to Cid Corman, one to Mark Wilson).

Collection consists of 16 mm film, transcripts, master audio recordings and audio cassettes. These records form part of the production elements used by Stanley Fox and Aquarian Productions to produce Series Two of Gestalt Sessions with Fritz Perls, filmed in 1969 and edited in 1972. Films are introduced by Dr. Karl. E. Humiston, and record psychotherapy sessions between Perls and volunteer patients that took place over five days and 55 hours in 1969.

Collection consists of photographs and an accompanying notebook documenting Chambers’ and the BCMC’s pioneering mountaineering activities and exploration during the period 1947 to 1968. Unlike the Rocky Mountains of Canada, the Coast Mountains were late in being explored by mountaineers. During the period recorded in these photographs, much of the region remained little visited, and the exploration lasted into the 1980s. As a result, the photographic record of mountain exploration in the Coast Mountain region is relatively poor and fragmentary, especially for the period from the late 1930s through the 1950s. The Chambers collection fills several gaps in this record.

Chambers was meticulous in recording the details of each image he captured with his Zeiss Ikon camera – every slide is identified with the location, names of individuals, and the date. An accompanying notebook lists the photographs taken on each roll of film and includes additional technical information. Further documentation of many of these trips is available in BCMC newsletters and issues of the Canadian Alpine Journal.

The fonds consists of correspondence, manuscripts, photographs, and other material.

The collection consists of 115 handbills, and 78 posters (including 5 manuscript posters) collected by Robin Mathews in Paris during the student rebellion and general strike of May 1968.

The fonds consists of one letter from Whalen to Leo Eutsler; monograph by Whalen, Like I Say (1960).

The fonds consists of manuscript, galley proofs and published version of Persky's book of poetry, Lives of the French Symbolist Poets (1967).

The fonds consists of a letter; proofsheets for an afterword to Anaconda, a novel by Jerry Bumpus.

The fonds consists of correspondence (letters from Wieners to John Marlow).

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

The collection consists of Lampman's manuscripts, letters by Lampman to Maud Playter Lampman (1885-1898), letters to family members, correspondence with other poets and editors (1882-1897), letters exchanged between Lampman family members and friends (1859-1950) and miscellanea (1887-1965). Correspondents include Bliss Carman and Hamlin Garland. Collection includes photographs of Lampman, the Lampman family, and various Lampman residences.

The fonds consists of holograph manuscripts of poems collected in "Imaginary Elegies", "Language", and "The Book of Magazine Verse".

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

The fonds consists of statement of opposition to the war signed by numerous American poets.

The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.

The fonds consists of a typescript copy of the poem "Chant for Half the World".

The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.

The fonds consists of incoming correspondence, five manuscript poems and other material.

The fonds consists of essays on the poetics of Charles Olson and Kearns' own "stacked verse", manuscripts of early poems, and correspondence with editors of various little magazines. Correspondents include George Bowering.

The fonds consists of correspondence to and from Irving Layton relating to Jennings' writing of an essay on Layton. Fonds includes a copy of the essay entitled "Existentialism in Irving Layton".

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.

The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.

This collection consists of pen and brush drawings based on the flora (fungi, wildflowers, trees) and fauna (butterflies, owls, foxes, birds, and insects) of British Columbia. The representations are from different locations in B.C.: Bridge River, Williams Lake, Manning Park, and Vancouver. The records have been arranged in the following five series: Wildflowers of British Columbia: Bridge River (1959); Wildflowers of British Columbia: Williams Lake (1959); Wildflowers of British Columbia: Manning Park (1959); Wildflowers of British Columbia: Vancouver (1959); and Wildflowers of British Columbia: General (1959).

The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.

Collection consists of typescript, manuscript and handwritten poems, wartime letters between Trevor Blakemore and Philip Godfray, between Ann Driver (Blakemore) and Philip Godfray, between Ann Driver (Blakemore) and Madame Godfray, and a memorial service program for Trevor Blakemore. Correspondence reflects themes such as British literary clubs, the wartime attitudes of the Blakemores, BBC wartime broadcasts and the evacuation of children from Nazi-occupied Channel Islands.

Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.

The fonds consists of sheet music, pipe band directories, paintings, photographs and other material.

Collection consist of books, newspaper clippings and photographs related to the life of de Mishaegen, and letters from de Mishaegen to de Trémaudan. Books by both women are included.

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

The collection consists of pamphlets, posters, leaflets and scattered newspapers and periodicals in French and German. The bulk of the material concerns the Vichy government of France; the remainder includes anti-German and anti-Vichy government propaganda circulated by the French Resistance, the Austrian Liberation Front, etc.