The fonds consists of records created, received and collected by the Port Coquitlam Area Women's Centre in carrying out their objectives. Records reflect the administration and organization of the centre; financial arrangements and funding; projects, programs and activities the centre is involved with; its relationship with other feminist organizations; and publications. Includes constitution, by-laws, minutes of general meetings, minutes of steering committee meetings, membership lists, reports, financial records, correspondence, and publications.

The fonds consists of three notebooks that pertain to the negotiation of a first contract between AUCE Local 2 and the University, negotiation for subsequent contracts, the strike of 1979, and the formation of a teaching assistant's union. Also includes four photographs and a t-shirt.

Fonds consists of records accumulated by Heather Raven in her involvement with AUCE #2. Includes memoranda, correspondence, contracts, agenda, and minutes.

The fonds consists of records created and received by the Women's Studies Association of British Columbia in carrying out its objectives. Includes constitution and by-laws, minutes, correspondence, conference registration forms, conference minutes, papers, membership lists, and publications.

Fonds consists of records created, received and collected by Ellen Frank in her involvement in the women's movement in Vancouver. Activities documented include participation in the Association of University and College Employees (AUCE), the British Columbia Federation of Women (BCFW), the Solidarity Coalition, and activities relating to a number of other feminist organizations, issues, and actions. Includes correspondence, memoranda, minutes, agenda, reports, briefs, newsletters, press releases, notebooks, press clippings, project proposals, posters, and pamphlets.

Fonds consists of printed materials from Cobblestone Press and Giampa's work records, including digital font files, catalogues, sales reports, newspaper clippings and correspondence.

Fonds consists of records relating to the activities of the Book and Periodical Development Council and its committees and task forces. They include reports, research, Freedom to Read kits, bank statements, minutes, correspondence, newspaper clippings, memos, and newsletters.

Fonds consists of records created, received and collected in the process of publishing Makara magazine. Records reflect general operation, correspondence, production, and advertising. Includes correspondence, notes, distribution lists, articles, clippings, surveys, manuscripts, lay-out roughs, illustrations, press releases, contracts, promotional material and notes.

Fonds consists of records generated by the Women's Cultural Exchange in the process of establishing the society, finding a location, opening, and using the space to fulfill their mandate to provide a cultural centre for women. Records reflect the incorporation of the society, minutes of meetings, membership, events, and finances. Includes constitution, certificates of incorporation, minutes, agenda, correspondence, membership lists, account book, scrap book, and ephemera.

The fonds consists of correspondence, manuscripts, a mailing list and other material.

The fonds of the Vancouver Women in Trades Association consists of records created and received in the course of administering the organization and providing support and advocacy for women working in trades and technology in the Vancouver area. Activities documented include annual and monthly meetings; office administration and funding; liaison with other groups; advisory work on vocational curricula; outreach projects; and advocacy around specific issues. Document types include constitution, minutes, correspondence, logbooks, worksheets, policy statements, briefs, reports, speeches, questionnaires, and photographs and illustrations. The fonds also contains published reference material, whose publication dates in some instances precede the foundation of the Association itself.

Fonds consists of records created, received and collected by Working Women Unite. Records reflect the activities and functional responsibilities of Working Women Unite and groups associated with them, such as the BCFW and SORWUC. Includes correspondence, minutes, agendas, bulletins, newsletters, financial records, membership lists, reports, convention proceedings, and articles.

The majority of the records of Sono Nis Press from 1968 to 1976 are at the National Library of Canada under the J. Michael Yates fonds. Since Sono Nis was taken over by Morriss Printing in 1976, all archival records have been retained. Current records (approximately 1989 to 1993) include editorial files, production files, association files, awards and promotions information, and financial records. The archival records (1976 to approximately 1988) include financial records, editorial files, production files, and correspondence. All art work, design work, and printing plates for every book have been retained in the fonds along with two copies of each book published by Sono Nis Press.

The fonds consists of typescripts and audio reels of CBC radio reviews of stage plays, motion pictures, children's books and popular culture events and festivals, especially those held in the Lower Mainland area of B.C. Fonds also includes related publicity materials.

Fonds consists of records relating to Mary Billy's life and work as a feminist and editor of Herspectives magazine. Records include correspondence, notes, drafts, poetry, women’s activism records, diaries, journals, clippings, photographs, and research records.
The fonds has been arranged into the following six series: Correspondence (1986-2005); Written works (1978-2002); Diaries (1978-2002); Herspectives records (1989-1995); Women’s activism records (1985-2004); and Works by others (1977-1994).

Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.

Fonds consists of files related to the publication of Dandelion Magazine, including invoices, cheque requisitions, bank statements, board bylaws, corporate registration information, subscriptions, advertising campaigns, minutes, promotional materials, grants, and correspondence. Fonds also consists of copies of Dandelion and Blue Buffalo magazines, and chapbooks published by the Dandelion Magazine Society.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

The fonds consists of photographs (8 x10) and contact prints of writers reading at the Itatlian Cultural Centre in East Vancouver in the Warren Tallman-organized reading series Writing In Our Time (1979).

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Fonds consists of the literary papers of author Keith Harrison. Records include research materials, correspondence, manuscripts, reviews, working notes, and contracts.

Fonds consists of materials related to the production and publication of the multimedia and literary arts zine called Rattler, including correspondence, photographs, publicity, drafts and original layouts, artwork, related posters and zine publications, poetry submissions, and copies of the published zines. Fonds also includes t-shirts that were produced to promote the zine, and one file of original layouts created by Heather Haley for the poetry section of LA Weekly.
The archivist has arranged the fonds into two series:
General operational records (series 1)
Publications (series 2)

Fonds consists of records documenting Hinda Avery's career as an artist and art teacher in Vancouver, B.C. Includes teaching notes, slides, and notebooks.

The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.