Series consists of three pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers of the Bridge River area

Series consists of twenty-two pen and watercolour drawings and two posters made by George Kuthan in 1959 portraying wildflowers and wild animals of British Columbia. The posters illustrate a short biography and the title of his collection.

Series consists of fifteen pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers and wild animals of the Manning Park area

Series consists of ten pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers of the Vancouver area

Series consists of sixteen pen and watercolour drawings made by George Kuthan in 1959 portraying wildflowers of the Williams Lake area

Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.

The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.

The Women's Bookstore collection consists of materials relating to the operation of several Vancouver women's organizations and reflects the issues that dominated the women's movement throughout the 1970s. Consistent with the community based nature of women's movements during this period, the scope and content of the collection reflects the diversity common to a phenomenon rather than the administrative and subject coherence found in records generated by a single organization. As such, the collection as whole gains its coherence due primarily to the interdependence rather than independence of the individual items to one another. This also applies to the records generated by autonomous organizations in the collection. While the different organizations should be regarded as distinct, a good deal of the records concern the communication between various organizations and women's groups across the country or identify issues of concern to a broad range of organizations. Thus, the collection as whole should be regarded as a record of a dynamic process in which a common ideology served to unify the aims of distinctive organizations, persons, and subjects.

The collection is comprised of the records of the Women's Bookstore, Women's Caucus, A Woman's Place, Transition House, the British Columbia Federation of Women and the Morris and Helen Belkin Art Gallery. Includes constitutions, minutes, reports, correspondence, position papers, and sound recordings. Also includes newsletters from women's centres across British Columbia and Canada, subject files, and an assortment of feminist publications.

Fonds consists of records generated by the Women's Cultural Exchange in the process of establishing the society, finding a location, opening, and using the space to fulfill their mandate to provide a cultural centre for women. Records reflect the incorporation of the society, minutes of meetings, membership, events, and finances. Includes constitution, certificates of incorporation, minutes, agenda, correspondence, membership lists, account book, scrap book, and ephemera.

The Women's Labour History Project documents the histories of women who were active in the trade union movement in British Columbia from 1890s onwards. The project was initiated by Sara Diamond, an undergraduate history student at SFU, who conducted the interviews. She received financial support from the British Columbia Summer Youth Employment Fund. Additional funding was received from many other sources, including The Canada Council, and the Federal Department of Human Resources. Diamond provides a description of her research methodology in a report included as Appendix A1, "Women's Labour History Project" (available in the hard-copy finding aid only).

The collection consists of 43 interviews conducted by Sara Diamond with women in the labour movement in British Columbia. The women discuss their childhoods, family lives, careers, social issues such as childcare and birth control, economic situations such as the depresssion and post-war employment, and the working conditions that led them to become union activists. A summary of each interview is provided in Appendix 1, "Women's Labour History Project" (available in hard-copy finding aid only).

The collection contains audio recordings and transcripts.

The fonds of the Women's Monument Project consists of records created and received in the course of carrying out the Project. Activities documented include Committee and sub-committee meetings, fundraising events, groundbreaking and unveiling ceremonies, site selection, dedication, language selection, design selection, construction, and gallery exhibits.

Includes proposals, reports, minutes, correspondence, speeches, published materials, press releases, news clippings, design competition guidelines, design submissions, construction contracts, Monument inscriptions, drawings, site maps, photographs and slides, videotapes, a cloth banner, and the original maquette and artwork of the winning design by Beth Alber.

Fonds contains material relating to Lebowitz's career at SFU and her participation in the Corrective Collective, a feminist writing group active in the 1970s. Fonds includes correspondence, minutes, proposals, publications, newspapers, invoices, receipts, a ledger, and other documents.

Fonds consists of material acquired by Anne Roberts as a member of Vancouver Women's Caucus. Includes minutes, correspondence, flyers, pamphlets, reprints, news clippings, briefs, position papers, copies of The Pedestal, and other documents.

In 1970 Candace Parker was a member of the Vancouver Women's Caucus and a graduate student at the University of British Columbia. For a sociology class, Parker and Sibylle Klein wrote an essay, "Developing An Ideology: the Feminist Movement in North America," which drew upon Parker's experiences in Women's Caucus. Candace Parker was also interviewed by Frances Wasserlein and the transcript of that interview is contained in the Frances Wasserlein fonds, F-162.

The collection consists of research material collected by Candace Parker in the course of preparing her essay plus some additional feminist literature acquired afterwards. Includes notes and drafts, news clippings, reprints, broadsheets, position papers, briefs, newsletters, and newspapers.

Collection consists of two scrapbooks. One scrapbook contains newspaper clippings and other material that documents the Abortion Caravan to Ottawa in 1970. The second scrapbook documents Janiel Jolley as a protest candidate of the Simon Fraser Student Society for Miss Canadian University Beauty.

The fonds consists of records created and received by the Women's Studies Association of British Columbia in carrying out its objectives. Includes constitution and by-laws, minutes, correspondence, conference registration forms, conference minutes, papers, membership lists, and publications.