- MsC 27
The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.
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The fonds consists of correspondence, manuscripts, proofs; business and subscription records, and other material.
The fonds consists of four letters from Zukofsky to the poet Walter Lowenfels.
The fonds consists of incoming correspondence, five manuscript poems and other material.
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, photographs and negatives. The fonds has been arranged into the following seven series: Personal correspondence (1934-1988), Diaries (1914-1973), Desktop diaries (1962-1973), Personal miscellaneous items (1937-1978), Photographs (1927-2002), and Outlawry of War (1921-1960).
Brown, George Harrison
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, scrapbooks, photographs, slides, and audio cassettes. The fonds has been arranged into the following eighteen series: Heron Rocks Friendship Centre Society (1968-2005), Heron Rocks Camping Co-op (1952-2007), Tomorrows Ancestors (1964-1985), China (1936-1996), Personal correspondence (1932-2005), Island’s Trust (1970-2002), Community activities and interests (1942-2004), Women’s issues (1938-2003), Writing, lecturing and broadcasting (1933-2000), Memoirs (1909-2000), Diaries (1929-1984), Notebooks (1930-1990), Address books (1970-1980), Correspondence to Harrison Brown (1935-1971), Correspondence from Harrison Brown (1931-1975), Photographs and slides (1909-2007), Audio cassettes (1974-1992), and Ephemera (1910-2003).
The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.
The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.
Fonds consists of radio play-scripts and production scripts by David Brock, Peter Garvie, John Gray, Peter Haworth, Daryl Hine, Herbert Hosie, Betty Lambert, Robert Lowell, Gerald Newman, Norman Newton, Jean Racine, George Ryga, George Robertson, Frederick Spoerly, Ian Thorne, and George Woodcock and incidental music score manuscripts for two productions. Audio-cassettes are line-source copies of master tapes of drama radio programs and music radio programs produced by Gerald Newman.
The fonds consists of correspondence, manuscripts, a mailing list and other material.
The fonds consists of manuscripts and typescripts, galley and paste-ups, correspondence to editors (in particular, Frank Davey), unpublished and rejected manuscripts and printed copies of issues of "Open Letter". Correspondence and manuscripts include contributions from George Bowering, bp Nichol, Daphne Marlatt, Margaret Atwood, Gerry Gilbert, Dave McFadden, Fred Wah, Warren Tallman, Victor Coleman and others.
The fonds consists of correspondence written by Robert Creeley and typescripts of poems, stories and essays of Creeley sent with letters to Emerson. The correspondence is concerned with a magazine Creeley intended to establish, Creeley's poems published in "Golden Goose", the publication of "Le Fou", and other matters.
Emerson, Richard Wirtz
Fonds consists primarily of records related to Robert Jackson's political interests and activities. Included are many original and reproduced documents from labour events in the 1930s, particularly the On to Ottawa trek but including information on other labour-related events and figures, including the Spanish Civil War and the unionism in primary resource industries. The fonds also includes many records gathered by Jackson in the 1980s and 1990s in his work commemorating the On to Ottawa trek and participating in labour-related events. It contains newsletters, bulletins and other publications, newspaper clippings, essays, and articles, correspondence, recollections and testimonials, obituaries, notes from speaking engagements, leaflets, posters, press releases, petitions, minutes, financial records, project proposals, a script, work documents, certificates, legal documents, photographs, and other records related to Jackson's political life. The file level arrangement of this fonds is based on an arrangement established in 2001 by David Yorke who undertook to order Jackson's paper by subject. The order in which Jackson kept his records is unknown. The fonds is arranged in four series: On to Ottawa Trek (1934-2000); Labour history subject files (1933-2000); Memorials (1985-2000); and Photographs ([193-?]-2000).
The fonds consists of manuscripts, correspondence and other textual material.
The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.
Women and Words Society
The collection consists of pamphlets, posters, leaflets and scattered newspapers and periodicals in French and German. The bulk of the material concerns the Vichy government of France; the remainder includes anti-German and anti-Vichy government propaganda circulated by the French Resistance, the Austrian Liberation Front, etc.
Fonds consists of the personal records of Betty Krawczyk, an environmentalist and active community member in British Columbia’s Lower Mainland. Spanning from 1970 to 2013, the fonds documents Krawczyk’s court cases, time spent in prison and participation in local community activism groups. The fonds predominately contains correspondence and legal records associated with Krawczyk’s court cases and prison sentences. Other records include certificates, notes, flyers, flags, mission statements, newspaper clippings, envelopes, financial papers, and Krawczyk’s published materials. The fonds has been arranged into eight series: Community activism records, Personal correspondence and related materials, Education, Legal records and related materials, Newspaper clippings and media coverage, Publications, Photographs and related materials, and Diaries.
Krawczyk, Betty Shiver
The collection reflects the many aspects of the Canadian Farmworkers Union’s organization and its actions, including unionizing workers and certifying workplaces, advocating for workers’ rights, providing ESL classes and other educational programs, and speaking out on behalf of other workers’ rights and social rights in Canada and around the world. Records include administrative documents, financial records, internal and external correspondence, reference material on a variety of subjects, publications, and numerous photographs of events and activities.
The majority of the material in the collection was created or received by the CFU in the course of its work, but some material, such as the Charan Gill photographs and Craig Berggold book research records, was created by others in relation to the CFU.
The collection has been arranged into nine series: Administrative records (1974-2010); Event photographs ([198--1985]); Union action records (-1997); Programming and project records (-Printed 2013 (originally created 1986)); Research and advocacy records ([197-]-2011); Deol Society records (1977-1998); Canadian Farmworkers Union Ontario photographs and administrative records ([1979?]-1983); Charan Gill photographs ([199-]); and Craig Berggold book research records ([201-]-2013).
Canadian Farmworkers Union
The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.
The collection consists of 115 handbills, and 78 posters (including 5 manuscript posters) collected by Robin Mathews in Paris during the student rebellion and general strike of May 1968.
The fonds consists of records reflecting Gustafson’s career as a successful artist and editor. They include Artichoke business records, correspondence with Hilary Stewart, artwork, financial records and other miscellaneous records. The fonds is arranged into the following seven series: Correspondence; Koerner book records; financial records; Artichoke business records, Crafts book records, miscellaneous records and publications.
Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.
The fonds consists of correspondence, photographs and newspaper clippings pertaining to the Modernettes and John Armstrong (Buck Cherry). The fonds is arranged into the following six series: correspondence, newspaper clippings, the Modernettes records, financial ephemera, pins and photographs.
Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.
Collection consists of typescript, manuscript and handwritten poems, wartime letters between Trevor Blakemore and Philip Godfray, between Ann Driver (Blakemore) and Philip Godfray, between Ann Driver (Blakemore) and Madame Godfray, and a memorial service program for Trevor Blakemore. Correspondence reflects themes such as British literary clubs, the wartime attitudes of the Blakemores, BBC wartime broadcasts and the evacuation of children from Nazi-occupied Channel Islands.
Fonds consists of business records relating to the management and operation of BC Rail, when Mac Norris worked for the company. Records include reports, financial information, board materials, press releases, speeches, and correspondence.
Fonds consists of records relating to the activities and administration of the Allan Boag Foundation, including financial and accounting records, requests for funding, correspondence, grant applications and rejection letters.
Fonds consists of records relating to the labour organizing activity of Art Kube and Operation Solidarity. These include meeting agendas, committee reports, newsletters, brochures and pamphlets, publications, correspondence, ephemera, AGM conference packages, and material documenting participation in the BC Native Land Claims conference in 1986 and the Canadian Labour Congress's presentation to the House of Commons Standing Committee on External Affairs & International Trade in 1987.
The collection consists of copies and a small number of photographs of political cartoons dealing with Canadian and international events that took place from 1759 to 2006. Canadian topics include conscription, immigration, French-language rights, native self-government, imperialism, nationalism, labour conditions, women’s suffrage, and prohibition. The cartoons deal with, among many other topics, the Sino-Japanese War of 1894, the French conquest of Algeria, the Cold War, the war in Vietnam, and World Wars I and II. Publication dates of the newspapers and magazines from which the collection was copied range from 1846 to 2006. Dates of the events covered by the cartoons range from the mid-eighteenth century to 2006.
Collection consists of research material gathered by Johnston for his book "The Voyage of the Komagata Maru: The Sikh Challenge to Canada's Colour Bar" (1979; 1989) and subsequent articles and books about Sikhs in Canada, including (with Tara Singh Bains) "The Four Quarters of the Night: The Life-Journey of an Emigrant Sikh" (1995) and "Jewels of the Qila: The Remarkable Story of an Indo-Canadian Family" (2011). Records in the collection are primarily of photocopied and microfilmed material from archival material held by institutions, newspapers and journals, and notes and drafts.
Collection is divided into the following eleven series: Articles (1988–2016); "The voyage of the Komagata Maru" draft manuscripts (1977–1978); Finding aids, bibliography and essays on sources (1975–1991); Archival documents and research notes ([197-–before 2011]); Official sources files ([1975–after 1996]); Biographical and autobiographical sources files ([197-–198-?]); Individual files (1988–1993); Research studies files ([ca. 1980]–1988); Scholarly articles ([197-]–2000); Periodicals and pamphlets ([198-?]–2014); and Newspaper clippings ([197-]–2014).
Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).
Emerson Wortis, Ruth