The fonds consists the archive of poet and writer Barry McKinnon.

Fonds consists of textual records, including submitted manuscripts, paste-ups, editorial notes, subscriptions, correspondence, and other records related to the periodical (f.)Lip. The fonds has been arranged into the following two series: Editorial files, and Administrative and business files.

The fonds consists of manuscripts, correspondence and other textual material.

The fonds consists of press releases, clippings, typescripts of speeches, photographs, and other material.

The fonds consists of correspondence (letters to the poet Cid Corman), manuscripts and other material.

Fonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.

Fonds consists of 89 scrapbooks relating to Grace McCarthy and her career as a politician within the British Columbia Social Credit party. Scrapbooks contain photographs, correspondence, newspaper clippings, magazine articles, press releases, ephemera, and other material dating from 1960 to 1991.

The scrapbooks document the political landscape of British Columbia from 1968 to 1991, in particular the activities of the Social Credit party; events, initiatives, and causes in Vancouver and provincially; state visits; McCarthy's viewpoint on particular issues; her political and charitable activities; leadership campaigns; and her personal and political relationships. They also document McCarthy's most notable accomplishments, including bringing Expo '86 to Vancouver, establishing SkyTrain as a rapid transit system, driving the construction of the Vancouver Trade and Convention Centre, and the lighting of the Lions Gate Bridge. Includes correspondence with other politicians at the provincial, national and international level, including W.A.C. Bennett and Margaret Thatcher; her constituents, residents of British Columbia, and party members; and the business community.

Fonds consists of materials related to the production and publication of the multimedia and literary arts zine called Rattler, including correspondence, photographs, publicity, drafts and original layouts, artwork, related posters and zine publications, poetry submissions, and copies of the published zines. Fonds also includes t-shirts that were produced to promote the zine, and one file of original layouts created by Heather Haley for the poetry section of LA Weekly.
The archivist has arranged the fonds into two series:
General operational records (series 1)
Publications (series 2)

The fonds consists of correspondence written by Waddington to Allan Donaldson. It also includes 1 letter from Allan Donaldson and 1 file of correspondence with John Smallbridge regarding Waddington's participation in a poetry and drama colloquium at Althouse College of Education. The Smallbridge correspondence includes 2 black and white photographs of Waddington.

The fonds consists of correspondence and manuscripts including the corrected manuscript of an unpublished novel "The Black Nightingale" two published novels, a group of short stories and a radio play.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds includes correspondence, photographs, posters, promotional material, business records, etc.

The fonds consists of manuscript, galleys, and corrected proofs for the book Rational Geomancies, edited by McCaffery and bpNichol (Talonbooks, 1992).

Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.

The majority of the records of Sono Nis Press from 1968 to 1976 are at the National Library of Canada under the J. Michael Yates fonds. Since Sono Nis was taken over by Morriss Printing in 1976, all archival records have been retained. Current records (approximately 1989 to 1993) include editorial files, production files, association files, awards and promotions information, and financial records. The archival records (1976 to approximately 1988) include financial records, editorial files, production files, and correspondence. All art work, design work, and printing plates for every book have been retained in the fonds along with two copies of each book published by Sono Nis Press.

This fonds contains writings, notebooks, scores, computer software, photographic materials, audio and video recordings, two synthesizers, a computer and other material relating to the life experiences and creative output of Martin Bartlett. Most of the material dates from Bartlett’s active work life from 1965-1993, although there is some information from his early life, 1940-1965. The contents of the fonds have been divided into 11 distinct series representing different aspects of his life. One series (9: Compositions) has been divided into three sub-series determined by the type of material (scores, computer programs, and recordings).
The series contained in this fonds are as follows: Series 1: Correspondence; Series 2: Personal Papers; Series 3: Notebooks; Series 4: Teaching; Series 5: Gamelan; Series 6: Research Materials; Series 7: Writings; Series 8: Computer Programming; Series 9: Compositions including subseries 9:1: Scores, 9:2: Computer Programs, and 9:3: Recordings; Series 10: Photographs and ; Series 11: Objects.

The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc.

Fonds consists of records resulting from the activities of the Fraser River Sockeye Public Review Board in preparing their report to the Department of Fisheries and Oceans regarding the dramatic disappearance of several million sockeye salmon which normally would have migrated to the Fraser River watershed in 1994. Records include reports, notes, research, public submissions, correspondence and legal documents.

This fonds consists of primarily of correspondence between members of the Woodsworth/MacInnis families, along with photographic material documenting extended family and some key events. James Shaver Woodsworth (J.S.) was a leader of the social democratic movement in the early 20th century and a co-founder of the Co-operative Commonwealth Federation (CCF) party in 1932, of which his daughter and son-in-law were also key figures. However the subject matter of most of this fonds is of a personal familial nature, rather than in-depth political discourse or strategizing. Included in this fonds are notes, manuscripts and letters, primarily written between himself and his wife, Lucy Staples Woodsworth during the years he was serving first as a clergyman through to his involvement and arrest at the Winnipeg General Strike in 1919, as well as an extended tour of Europe and Russia with Lucy in 1932. There are a few letters between J.S. and his children as they mature and pursue careers but even when J.S. ceases to be the primary author, there is news of him in the correspondence of Lucy up until his passing in 1942.

The bulk of content in this fonds consists of correspondence between Lucy Woodsworth and her daughter Grace Woodsworth MacInnis, although there are occasional letters to, from or between her other children Belva, Ralph, Charles, Bruce and Howard. The content of this material is primarily anecdotal as Lucy informs Grace of her day-to-day activities and meetings. There is some mention of her political activities and leanings - particularly of her attendance at a Women's International League conference in 1924 or in correspondence with Grace's husband, Angus MacInnis - but most letters contain news of friends and family, of health and daily activities.

Because many of these letters were originally assembled by Grace MacInnis herself, there is a subsection of correspondence between herself and Angus, from the very first days of their courtship through their combined political careers in Parliament and up until Angus's passing in 1964.

Fonds consists of posters, handbills, zines, newspapers, comics, original artwork, scripts, promotional material and audiovisual records related to the Vancouver political art and punk scenes in the 1980s and 1990s.

The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.

The fonds consists of manuscripts, press clipping, correspondence, etc.

Fonds consists of records created or accumulated by Gladys Maria Hindmarch, primarily through her activities as a writer. Records document the writing and editing of her books and works of short prose, her other editorial work, and her personal and professional relationships with friends and other writers. Records include correspondence, drafts, manuscripts, notes, journals, published articles and reviews, and research records.

Fonds has been arranged into the following five series: Correspondence (1959-1998), Writings and related records ([ca. 1959]-1994), Notebooks (1962-[ca. 1981]), Works of others ([ca. 1959]-1997), and Personal records ([ca. 1962]-1985).

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.