Fonds consists of photographic material related to Laura Baird's artistic projects, spanning 1976 to 1978. The artistic projects include: Letters/Lilies; Letters/Leaves; Terza Rima (after Jack Spicer); A Laconic Correspondence; Semaphore; Semaphore 2; and others. The fonds also contains a copy of the Capilano Review No. 10, Fall 1976

The fonds consists of correspondence, manuscripts, a mailing list and other material.

The fonds consists of records relating to the development and administration of non-academic services for students, staff and faculty at Simon Fraser University. Activities, topics and events documented include the Vice-President's correspondence with university services departments, Student Society, the university community, and provincial and national organizations; participation on university committees; development of projects, programs, and workshops; and publications. Also included are records of the Assistant to Vice-President, University Services.

The types of documents include meeting agendas, minutes, and supporting papers; correspondence and reports; annual reports; statistical studies; budgets and financial working papers; contracts; and publications including student handbooks, brochures, posters, newsletters, and newspaper clippings.

The collection was compiled by the University Archives staff to illustrate the construction of Simon Fraser University.

The history of Simon Fraser University is reflected in its world-renowned architecture. Located atop Burnaby Mountain, SFU's design was the result of a competition held in 1963 by Dr. Gordon Shrum, the newly-appointed Chancellor of the University. The goal of the competition was to produce five winners. One architect would be awarded first prize for the overall design of SFU, while four other architects would each be invited to build a section of the University under the supervision of the winner. All entries were limited to applicants from British Columbia.

The informal guidelines for SFU's design consisted of a directive from Dr. Shrum entitled, "Notes from the Chancellor," which was distributed to the applicants. In this directive, Dr. Shrum noted many of the features that he felt were essential to the new university based upon his previous experience at the University of British Columbia. Among his recommendations were that students should be able to move from one part of the university to another without going outside, and that the large lecture theaters should be grouped together rather than scattered over the whole campus. Perhaps the most important of his criteria was that SFU should appear in 1965 essentially as it would look in 1995. In other words, it should look like a finished university, but also be designed for expansion. The design chosen was that of a young UBC architecture professor, Arthur Erickson, and his colleague Geoffrey Massey. The four other winners were William R. Rhone and Randle Iredale; Zoltan Kiss; Duncan McNab, Harry Lee, and David Logan; and Robert F. Harrison. The Erickson and Massey design had been the unanimous choice of the judges, and had met all the requirements that Shrum had outlined in his memo.

The collection consists of photographic prints and contact sheets that illustrate the physical development of SFU including site clearance, excavation, the construction of individual buildings, and completed buildings and interiors. There are a number of aerial photographs. The collection also includes photographs of the University's opening ceremonies and the installation of Dr. Shrum as Chancellor and Patrick McTaggart-Cowan as President.

Fonds consists of records reflecting W. Randle Iredale's contribution to the architecture of Simon Fraser University. Records reflect the three phases of designing and building the Science Complex. Includes correspondence, newspaper clippings, news releases, negatives, contact sheets, slides, 8 x 10 photographs, and architectural drawings.

Fonds consists primarily of manuscripts and poems of Bill Bissett, journal entries (1958), reviews, sketches and doodles, correspondence, paste-ups and graphics for several Blewointment Press publications, and photographs of the press.

Fonds consists of records created, received and collected in the process of publishing Makara magazine. Records reflect general operation, correspondence, production, and advertising. Includes correspondence, notes, distribution lists, articles, clippings, surveys, manuscripts, lay-out roughs, illustrations, press releases, contracts, promotional material and notes.

Records consist of material gathered and created by Rose Marie Trembley at and in the lead-up to Vancouver's Writing in Our Time reading series. Records include newsletters, posters, brochures, minutes, press releases, correspondence, and several photographs of readers and events taken by Rose Marie Tremblay. Writing in Our Time was a reading series organized by the Vancouver Poetry Centre in 1979 to benefit West Coast literary presses, especially Blew Ointment Press. Poets who read at the event include George Bowering, Fred Wah, Frank Davey, Daphne Marlatt, Victor Coleman, Gerry Gilbert, bill bissett, Robert Creeley, Ed Dorn, Ann Waldman, and Michael McClure.

The Dance in Vancouver collection consists of interviews by Karen Greenhough with eight dance pioneers in British Columbia. The project was suggested by Greenhough's instructor, Iris Garland, SFU Professor of Dance, who obtained support through a Young Canada Works Grant.

The collection consists of seven interviews. Dancers interviewed include Kay Armstrong, Dorothy Hunter, Beth Lockhart, Grace MacDonald, June Roper, Josephine Slater, Dorothy Wilson, and Wynne Shaw. For one of the sessions, Greenhough interviewed two women (Dorothy Wilson and Wynne Shaw) at the same time.

From 1969 to 1970, Mackauer served as vice-president of the Simon Fraser University Faculty Assocation (SFUFA), and from 1970 to 1971 he served as SFUFA's president. During his time on the SFUFA executive, the university underwent a period of unrest culminating in the strike of eight faculty members in the Political Science, Sociology, and Anthropology (PSA) Department. After the Board of Governors fired three of the suspended professors and cancelled part of the university's document protecting faculty rights, the SFUFA executive called for a vote of non-confidence in the Board and SFU President Kenneth Strand. When faculty members rejected the executive's recommendation, Mackauer and three other members of the executive resigned.

Collection consists primarily of the SFUFA president's correspondence during the PSA crisis. In addition, there is some correspondence concerning other matters of interest to faculty members such as salary negotiations, pensions, and sabbatical leave. Records include correspondence, clippings, notes, minutes, legal statements, reports and other documents.

The fonds consists of records made or received by the Director in the course of planning for the establishment and operations of the School. Activities documented include curriculum planning and development; management of the program-approval process; research and site visits to other universities with comparable programs; liaison with other SFU departments, other educational institutions, government and the Kelowna community; recruitment and appointment of School faculty and the hiring of the Director; dissemination of program information to students and media relations; budget and facilities planning; and the activities of SFU's Interior Programming Committee. Record types include correspondence and reports; course proposals, curriculum outlines, drafts and commentaries; brochures, leaflets, program descriptions, reports and studies from other universities; a labour-market survey and related documentation (contract, correspondence, reports); planning committee meeting minutes and supporting papers; position advertisements, lists of faculty candidates, applications, CVs, search committee minutes and working papers; program brochures; budget proposals, projected budgets and notes; space planning reports, studies, and architectural drawings; and press releases, news clippings, and other publicity material.

The fonds consists of photographs (8 x10) and contact prints of writers reading at the Itatlian Cultural Centre in East Vancouver in the Warren Tallman-organized reading series Writing In Our Time (1979).

Fonds consists of records arising from the activities of the Department of Kinesiology. Fonds includes correspondence, memos, reports, proposals, financial records and architectural plans relating to provisions for the study of Kinesiology at SFU. The fonds also includes records created by the Interdisciplinary Committee on Kinesiology as well as correspondence relating to the professional interests of E.W. Banister while Chair of the Department.

The fonds of the Department of Psychology consists of records made and received in the course of administering the department, providing instruction, and promoting research. Activities and topics documented include policy and procedures development; the planning, initiation and administration of curriculum and programs; departmental meetings research achievements; student activities; and faculty appointment, promotion and tenure deliberations. Includes correspondence, minutes, reports, policies, faculty employment records, and other documents.

The fonds consists of three notebooks that pertain to the negotiation of a first contract between AUCE Local 2 and the University, negotiation for subsequent contracts, the strike of 1979, and the formation of a teaching assistant's union. Also includes four photographs and a t-shirt.

Fonds consists of records made and received by Cliff Lloyd in his role as a professor. Includes correspondence, publications, research proposals, course materials and other documents.

Fonds consists of records related to Myron Kuzych's case against Bill White, then leader of the Marine Workers and Boilermakers Union. Records include correspondence, notes, newspaper clippings, scrapbooks, transcripts and legal documents from the union, the BC Supreme Court, the Court of Appeal, the Supreme Court of Canada, and the Privy Council.

The fonds consists of records created and received by the Women's Studies Association of British Columbia in carrying out its objectives. Includes constitution and by-laws, minutes, correspondence, conference registration forms, conference minutes, papers, membership lists, and publications.

Fonds consists of records documenting Hinda Avery's career as an artist and art teacher in Vancouver, B.C. Includes teaching notes, slides, and notebooks.

Journalist Peter Stursberg interviewed Hugh Keenleyside as part of an oral history project for the Parliamentary Library and the National Archives of Canada. Dr. Keenleyside was a former chair of the B.C. Power Commission and played an important role in the development of hydroelectric power in B.C.

The collection consists of three files containing the complete transcripts of two interviews.

The fonds consists of records relating to the life of W.A.C. Bennett. Documented are his personal life, business ventures, community service, club affiliations, and political activities, including his terms as Member of the Legislative Assembly for South Okanagan, and as Premier of British Columbia.

Personal records consist of early correspondence and household records, as well as material which documents W.A.C. Bennett's association with freemasonry and his fundraising activities with organizations such as the Salvation Army.

Business records consist of material relating to Bennett Hardware, Bennett’s Stores, and Calona Wines.

Political records refer to Bennett's tenure as a Member of the Legislative Assembly for South Okanagan, as Premier and as leader of the Opposition. Also relevant are records referring to the passage of a number of Municipal Acts and Bennett’s relationship with Federal politics.

Records include correspondence, advertisements, minutes, annual reports, telegrams, itineraries, schedules, financial statistics, financial statements, petitions, questionnaires, resolutions, reports, speeches, press releases, proposals, maps, plans, charts, file notes, memoranda, newspaper clippings, scrap books, ephemera, photographs, audio recordings, film reels, and video cassettes.

The fonds consists of incoming and outgoing correspondence to Barry McKinnon, book files (including manuscripts), business records, and publications of the Caledonia Writing Series press.

The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.

Fonds consists of Zoltan Kiss's architectural drawings and plans for the Academic Quadrangle and student residences at Simon Fraser University.

The fonds consists of correspondence from Cid Corman to Gael Turnbull; rejections from Poetry, Tiger's Eye, and Howard Griffin; and correspondence with Robert Singer.

Fonds consists of records created, received and collected by Working Women Unite. Records reflect the activities and functional responsibilities of Working Women Unite and groups associated with them, such as the BCFW and SORWUC. Includes correspondence, minutes, agendas, bulletins, newsletters, financial records, membership lists, reports, convention proceedings, and articles.

The fonds consists of the audiocassettes for five interviews conducted by Susan Walsh for her thesis.

The negatives depict Hudson in his shops in Vancouver (Cambie Street and later Marine Drive), as manager of the Kingait print cooperative at Kinngait (previously Cape Dorest), and socializing in Vancouver, Burnaby and Powell River.
The individuals depicted in the photos, sometimes identified by first name in the file titles, include:
Wil Hudson
Keith, Betty and Brendan Shields
Fritz Jacobsen
Bill Shoebotham
Harold Johnston
Frances Johnston
Sean Johnston

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

Sue Cox was an undergraduate student at SFU, who was a student in one of Maggie Benston's classes. The collection consists of handwritten class notes and reprints from Maggie Benston's first offering of the course, "Women, Science and Technology," (WS 204-3).

The collection consists of one file.