Series consists of slides and prints featuring images of Jim Rimmer, as well as various aspects and stages of the printing process and the design and cutting of metal typefaces in his studio. Also included is an image of Gerald Giampa.

Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.

Series consists of material related to the promotion and advertisement of Rimmer’s typographic and graphic design work. Records include sample linocut prints, typeface samples, illustration proof-sheets, portfolios, and commercial advertisements.

Series consists of numerous prints and illustrations created by Rimmer as art pieces, as well as linocut blocks, woodcut blocks and stencils created by Rimmer to produce prints. Includes images of animals, people, still life, Frederic W. Goudy and keepsakes created for the American Typecasting Fellowship, (A.T.F.) and other associations.

Series consists of sample, draft and completed commercial work produced by Rimmer as a free-lance designer employed by various companies, organizations and individuals. Records include items completed by Rimmer for Colophon Books, including Alison’s Fishing Birds and preliminary work on Allen Ginsberg’s Meditations at Lake Louise; editorial cartoons created by Rimmer for the Williams Lake Tribune from 1960 to 1961; and numerous prints, paintings, and logos created for commercial purposes. Companies, organizations and individuals represented include Murchie’s Tea and Coffee Ltd., Canada Mortgage and Housing Corporation, Air Canada, Vancouver Public Library, Hot Jazz Club, the band Heart, Whistler village, Shrine Circus, and Douglas & McIntyre Publishers.

Series consists of material related to Rimmer’s design and production of typefaces for both the Rimmer Type Foundry and the Lanston Type Company. Records include preliminary sketches, drawings in ink and pencil, transparencies, samples, digital print-outs, electronic files, master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts. Some files contain notes and instructions for modification, and some include explanatory comments written by Rimmer. Electronic files were created by Rimmer on a Macintosh computer using the typeface design software IKARUS and saved to 3.5" floppy disks and compact discs.

Series consists of material related to publications issued by Pie Tree Press, including books, prints, and broadsides. Includes material relating to Rimmer’s work on an abandoned book entitled “Fred Goudy, Type Designer,” and the development and publication of A Christmas Carol, Shadow River: the Selected and Illustrated Poems of Pauline Johnson, Leaves from the Pie Tree and The Adventures of Tom Sawyer, as well as various Wayzgoose publications. Types of material in this series include drafts, mock-ups, proofs, prints, drawings, illustrations, pamphlets, booklets, broadsides, linocuts, and master patterns.

Series consists of incoming and outgoing correspondence of a personal and business nature between Rimmer and various members of the printing community, including Paul Duensing, Jules Remedios Faye, Richard L. Hopkins, Richard Kegler, Robert R. Reid, William Rueter, Andrew Steeves, Christopher Stern and Alan C. Waring. Correspondence includes technical advice and comments on recent work. Records also include contact information, thank you letters and prints, as well as correspondence related to various organizations, including the American Typecasting Fellowship, Typochondriacs and the Alcuin Society.

Series consists of correspondence, legal and financial records, notes, manuals, plans, agreements, project files, customer survey research and other materials generated or used by Celia Duthie, as president of Duthie Books, Ltd.

The series consists of various printed materials, mostly newspaper articles. There is one illustrated advertisement for an up-coming speaking tour, but the other items are mostly tributes relating to the life and death of E. Pauline Johnson.

The series consists primarily of photographs relating to Stanley Park and the burial site of E. Pauline Johnson. All but one hand-coloured photo postcard are black and white images, most have notes written on the reverse which approximately date the series between about 1905-1913. One postcard can only be dated to after-1922 because that is the year the stone memorial was built. Pauline's sister Evelyn is thought to have written some of the identifying information on the reverse of some images, and features in at least one of them.

Series consists of obituaries and newspaper articles relating to Innes’ death, correspondence to Innes’ wife discussing his work, and a biography of Innes.

Series consists of a patent agreement filed by Innes and John Linkison King in New York City, for a device to be used in the navigation of ships and airplanes.

Series consists of four photographs of Innes; two are copies of the same portrait and two are candid images.

Series consists of publications by Innes as well as publications containing his work. Records include a chapbook of poetry written and illustrated by Innes, an issue of The Canadian Magazine containing an article by Innes, newspaper clippings, and layout materials for a short story.

Series consists of editorial cartoons drawn for newspapers, illustrations created for newspapers and other publications, Christmas cards illustrated by Innes, and sketches. The majority of the cartoons pertain to World War I.

Series consists of postcards of images of Innes’ paintings, programs and reviews from exhibits of his work in Vancouver, articles and pamphlets about his work, photographs of paintings, and sketches.

Series consists of notebooks containing drafts and notes, unbound drafts, and copies edited for the novel Can You Hear the Nightbird Call? It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of notebooks containing drafts and notes, unbound drafts, and copies edited by Algonquin Books of Chapel Hill and Alfred A. Knopf for the novel The Hero’s Walk. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of notebooks containing drafts and notes, unbound drafts, and one copy edited by Algonquin Books of Chapel Hill for the novel Tamarind Mem. It also includes articles, interviews and reviews from Canadian and international newspapers.

Series consists of correspondence and other records pertaining to the career, projects and interests of Anita Rau Badami. Records include her thesis and videocassettes with her interviews. Series also contains invitations to the Vancouver International Writers and Readers Festival and Adelaide Festivals

Series consists of posters, flyers, handbills, ephemera, promotional objects, t-shirts and bags, and other material publicizing art and literary readings, conferences or other projects Beaulieu was part of or contributed to. The series also includes newspaper clippings of reviews, articles written by Beaulieu and articles featuring Beaulieu and his work.

Series consists of notebooks, sketchbooks and daytimers used by Derek Beaulieu. Books contain sketches, notes, itineraries, lists and other material.

Series consists of print works on paper, photographic documentation, paintings, drawings and linocuts used in the preparation of artworks and chapbooks. Series is divided into the following four sub-series: Works on paper (1996–2005), Linocuts [before 2009], Photographs documenting artworks (1991–[before 2009]), and Artworks by others (2002–[before 2013]).

Series consists of the chapbooks and editorial records generated from the publishing activity of No press since its founding. Series contains the following sub-series: No press publications (2005–2015); Editorial files (2005–2014).

Series consists of the publications and other records generated from the publishing activity of housepress over its seven-year existence. Series contains the following sub-series: housepress publications (1997–2007), Editorial files (1997–[before 2005]), Administrative files (1998–2004), Financial records (1999–2007), Electronic file backups ([ca. 1999]–[ca. 2003]), and Objects ([between 1997 and 2004]).

The series documents Lissel as a handmade papermaker and includes drafts of TOPOS and paste paper samples for TOPOS. The series is arranged in chronological order.

The series documents Lissel as a handmade paper artist, which includes various handmade papers that he has experimented on. He did experiments on different materials, such as cotton, flax, and linen—most of which are defined on the individual paper. Paper samples include kozo and gampi and other samples. The series is arranged in chronological order.

Series consists of one file labeled “Manuscript – A Very Ordinary Life”. The papers inside are annotated and heavily edited at times.

Series consists of correspondence between the publisher, sub-contractors, vendors, promoters and authors. Most files contain instructions and drafts as to editorial layout, typesetting, artwork, etc. Records include: correspondence, style sheets, contracts, invoices, grant applications, editorial copy, galley proofs, newspaper clippings, magazines, cartoons, photographs and a poster.

For related materials, see also Series 2: Author correspondence and Series 8: Royalties and related correspondence.