The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.

The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, scrapbooks, photographs, slides, and audio cassettes. The fonds has been arranged into the following eighteen series: Heron Rocks Friendship Centre Society (1968-2005), Heron Rocks Camping Co-op (1952-2007), Tomorrows Ancestors (1964-1985), China (1936-1996), Personal correspondence (1932-2005), Island’s Trust (1970-2002), Community activities and interests (1942-2004), Women’s issues (1938-2003), Writing, lecturing and broadcasting (1933-2000), Memoirs (1909-2000), Diaries (1929-1984), Notebooks (1930-1990), Address books (1970-1980), Correspondence to Harrison Brown (1935-1971), Correspondence from Harrison Brown (1931-1975), Photographs and slides (1909-2007), Audio cassettes (1974-1992), and Ephemera (1910-2003).

Fonds consists primarily of incoming correspondence addressed to Hawthornthwaite in his capacity as a Member of the Legislative Assembly from his constituents and other residents of British Columbia. The fonds contains a file consisting of legislative bills, resolutions, and acts tabled during Hawthornthwaite's tenure in the Provincial Parliament and other records that Hawthornthwaite made or received in the course of his service to the people of Nanaimo, as well as published records of the legislative assembly of British Columbia for the years 1909 and 1910. The fonds also contains: a certificate for Hawthornthwaite's share in the Western Socialist Publishing Company which published The Western Clarion, the newspaper of the Socialist Party of British Columbia; a postcard depicting Joseph Mairs, one of Hawthornthwaite's contemporaries in the Socialist Party of Canada; and a copy of a book titled The changing order: A study of democracy, given to Hawthornthwaite by his friend Harry Sibble.

Fonds consists of radio play-scripts and production scripts by David Brock, Peter Garvie, John Gray, Peter Haworth, Daryl Hine, Herbert Hosie, Betty Lambert, Robert Lowell, Gerald Newman, Norman Newton, Jean Racine, George Ryga, George Robertson, Frederick Spoerly, Ian Thorne, and George Woodcock and incidental music score manuscripts for two productions. Audio-cassettes are line-source copies of master tapes of drama radio programs and music radio programs produced by Gerald Newman.

Fonds consists of the personal records of Betty Krawczyk, an environmentalist and active community member in British Columbia’s Lower Mainland. Spanning from 1970 to 2013, the fonds documents Krawczyk’s court cases, time spent in prison and participation in local community activism groups. The fonds predominately contains correspondence and legal records associated with Krawczyk’s court cases and prison sentences. Other records include certificates, notes, flyers, flags, mission statements, newspaper clippings, envelopes, financial papers, and Krawczyk’s published materials. The fonds has been arranged into eight series: Community activism records, Personal correspondence and related materials, Education, Legal records and related materials, Newspaper clippings and media coverage, Publications, Photographs and related materials, and Diaries.

The fonds consists of records reflecting Gustafson’s career as a successful artist and editor. They include Artichoke business records, correspondence with Hilary Stewart, artwork, financial records and other miscellaneous records. The fonds is arranged into the following seven series: Correspondence; Koerner book records; financial records; Artichoke business records, Crafts book records, miscellaneous records and publications.

Fonds consists primarily of records related to Robert Jackson's political interests and activities. Included are many original and reproduced documents from labour events in the 1930s, particularly the On to Ottawa trek but including information on other labour-related events and figures, including the Spanish Civil War and the unionism in primary resource industries. The fonds also includes many records gathered by Jackson in the 1980s and 1990s in his work commemorating the On to Ottawa trek and participating in labour-related events. It contains newsletters, bulletins and other publications, newspaper clippings, essays, and articles, correspondence, recollections and testimonials, obituaries, notes from speaking engagements, leaflets, posters, press releases, petitions, minutes, financial records, project proposals, a script, work documents, certificates, legal documents, photographs, and other records related to Jackson's political life. The file level arrangement of this fonds is based on an arrangement established in 2001 by David Yorke who undertook to order Jackson's paper by subject. The order in which Jackson kept his records is unknown. The fonds is arranged in four series: On to Ottawa Trek (1934-2000); Labour history subject files (1933-2000); Memorials (1985-2000); and Photographs ([193-?]-2000).

Fonds consists of records reflecting Hoffer`s bookselling and publishing activities during the 1980s. Records include correspondence, fiscal files, client files, journals, book catalogues, galleys, proofsheets, critical pieces, articles, and review. The fonds is composed of the following series: Series 1. Correspondence, Series 2. Publication files, Series 3. Business files, Series 4, Miscellaneous.

Fonds illustrates George Stanley’s work as a poet in San Francisco, New York, Vancouver, and Terrace, spanning from the late 1950s to the present. Fonds also documents Stanley’s interactions with the broader literary scenes, including publishers and other writers. Fonds is divided into seven series: Correspondence (1967-2007), George Stanley poems and other writings (1957-2011), Works of other writers ([ca.1957]-2011), Literary events and publication (1972-2011), Personal documents (1972-1990), Photographs of George Stanley and associates (1964-1983).

Records in the fonds include: correspondence, loose leaf and bound typescripts, manuscripts, notebooks, chapbooks, sound recordings, personal journals, published materials, financial records, and photographs.
 

The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.

The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books

The fonds consists of print submissions made by individuals to The Citizens Assembly on Electoral Reform, electronic records made by the CAER, video recordings of plenary sessions, interviews with CAER members, details of the BC-STV system, and animations of the procedure for the BC-STV, and a printed technical report.

Fonds primarily contains examples of art created by Charles van Sandwyk from 1987-2005. The art includes prints, ephemera from books published by van Sandwyk, and ephemera from art exhibitions. Also included is biographical items about van Sandwyk, and two photographs of the artist. The material is arranged based on the type of material and, when applicable, the book for which the art was created. The fonds is divided into five series: Series 1. Biographical Items, Series 2. Books, Series 3. Promotional Materials, Series 4. Book Ephemera, Series 5. Art Ephemera.