The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.
File consists of incoming correspondence from Paul Duensing, of Michigan, a sort of mentor to Rimmer. Records include postcards and letters reflecting their friendship and working relationship, comments concerning each others’ work, and discussion of mutual acquaintances and events and topics in the printing community.
File consists of incoming correspondence from Richard L. Hopkins of Hill & Dale Private Press and Type foundry, West Virginia. Records include postcards and letters concerning the American Typecasting Fellowship conferences and newsletters, technical advice, the borrowing of material and comments on each others’ work.
File consists of incoming correspondence from Will Rueter, a Toronto-area printer. Records include letters and postcards commenting on each others’ work, samples, and records related to an article written by Rueter about Rimmer’s work for “DA” [the journal, ‘The Devil’s Artisan’].
File consists of various items, including American Typecasting Fellowship, (A.T.F.) reports and membership lists, copies of “The Printer”, sketches, photocopied articles, Alcuin Society correspondence, type specimens and newsletters of the Typochondriacs and the Canadian Bookbinders and Book Artists Guild, (CBBAG).
File consists of miscellaneous incoming correspondence, including comments from admirers of Rimmer’s work, letters of thanks for tours and talks, information about printing equipment and material, and comments on articles written by Rimmer.
File consists of miscellaneous incoming correspondence, including invoices, comments concerning Rimmer’s work, photocopied articles, letters of thanks, postcards, and information regarding the Alcuin Society’s Wayzgoose.
File consists of two copies of “Printing History”, the journal of the American Printing History Association. Issues feature articles concerning W. Starling Burgess and the design of an italic type to accompany the Times 54 typeface, and highlight the controversy over its design. The 1998 issue includes articles authored by Rimmer.
File consists of correspondence concerning two articles featured in “Printing History” related to the design of an italic type to accompany Time 54. Records include correspondence from typographers and typographic historians John Dreyfus, Harold Berliner, Paul Duensing, and Walter Tracey. Records also include letters from Mike Parker, the author of “W. Starling Burgess, Type Designer?” which sparked the controversy, and an explanatory note written by Rimmer.
File consists of records related to Rimmer’s design of an italic typeface to accompany Time 54. Records include pencil sketches, original key letters from a trial design, a series of second attempts, photocopies images of the letters, and the first sketch of the large caps.
File consists of photographs taken by Rimmer for inclusion in an article written for the American Typecasting Fellowship Newsletter about printing in Vancouver’s Chinatown. Photographs are accompanied with a brief text explaining their content.
File consists of excerpts of “Ten Canadian Private Presses,” published by the Alcuin Press in 2002. The excerpts include an article discussing Rimmer’s work and several samples of his type and illustrative work.
File consists of various photographs documenting Rimmer’s life and work. Photographs show images of Rimmer’s band, the Apex Jazz Band, a Thompson Caster, and various images of the process of type cutting. Also included are photocopied photographs of Giampa visiting Rimmer’s foundry. Members identified in the Apex Jazz Band photograph are: Chris Thornly, Alex Key, Barb Humphries, Mike Lord on the trombone and Jeff Leader on the drum.
File consists of four miscellaneous broadsides. Records include a keepsake printed for the first Vancouver Antique Book Fair by Barbarian Press; a Duthie Books book mark, “Goudy Initials” created by the Lanston Type Company; a print of Tom Sawyer and a bird; and a print of an unFile titled poem and accompanying illustration.
File consists of a copy of Amphora 76, the journal of the Alcuin Society, and whose cover Rimmer designed and printed, and a separate copy of the cover. The journal also features an article written by Rimmer, and is set in his Kaatskill typeface. File also consists of the blocks used to print the cover illustration.
File consists of records documenting the planned layout of “Fred Goudy, Type Designer”. Records include the text pasted to mock-up pages, showing how the finished book would appear. Includes hand-written notes, edits and a chronology of Goudy’s work.
File consists of galleys of “Fred Goudy, typesetter?” written by Jim Rimmer as the first book attempted by Pie Tree Press. Records show the mock-up of the proposed book, which was never completed. Includes an introduction, text, and prints, with hand-written comments for modification. Galleys are handset in 14 point Kennerley Old Style and italics. Rimmer completed the design, typesetting, woodblock illustration, presswork and binding for the project.
File consists of numerous folded press sheets created in 1979 for “Fred Goudy, Type Designer”, as well as prints and mockup notes. File also contains a letter written by Rimmer explaining the process of this project and the reason for the project’s abandonment.
File contains two broadsides of “Masquerading North”, a poem by Robert Kroetsch, illustrated and printed by Rimmer on handmade paper by Brian Queen. The print was made for Cameron Treleaven of Aquila Books, Calgary. The copies are initialed by Rimmer, Queen, and Kroetsch. Note attached to verso explains the making of the paper, including the location where the material was collected.