- 1966 - 1985
West Coast Line
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West Coast Line
Evelyn Woods was a mature student who entered the University to complete a teaching certificate. She befriended early staff members of The Peak student newspaper and often brought them cakes and other treats. In return, when she completed her studies in 1968, Peak staffers gave her a scrapbook as a souvenir.
Collection consists of one scrapbook of news clippings, and selected issues of The Tartan, SF View, The Peak and other memorabilia.
Fonds consists of records created or received by Media and Public Relations in the course of carrying out its administrative and operational functions. Activities and topics documented include the establishment, organization and operation of the unit; photographing SFU people, places and events for campus publications; providing information to the public; arranging special events; liaising with other units in the University; and producing press releases, brochures, and on-going publications.
Fonds consists of the official records of the Independent Publishers Association and its 1976 successor, the Association of Canadian Publishers. The fonds documents the 1971 founding and the first ten years of operation of the ACP and its activities to strengthen and expand the Canadian-owned publishing industry through government action, co-operation between publishing houses and liaison with other associations.
The records contain substantial information and analysis of the English language Canadian publishing industry during this period and of its specialized sectors such as children's book, educational, scholarly, music and paperback publishing. They document the founding and operation of ACP affiliates: the Literary Press Group, Association of Book Publishers of BC and the Atlantic and Alberta Publishers Associations. The records reveal the concerns of these regional and specialized groups and of the industry as a whole and detail the remedial strategies formulated for problems of warehousing and distribution, censorship, production costs, promotion, foreign sales and foreign ownership. The ACP was a sustaining member of the Book and Periodical Development Council and the Canadian Copyright Institute and amassed minutes and papers from these organizations.
The collection reflects the cultural and economic nationalism that emerged in Canada during the 1970's. It offers significant information about federal and provincial government policies, initiatives and funding programs in aid of book publishing and on related issues such as copyright, Canadian learning materials development and the book tariff. Substantial records have been maintained on the Canada Council and its Book Purchase Program, the Ontario Arts Council, and the federal ministries of Secretary of State and Industry, Trade and Commerce. An extensive collection of briefs to the 1971 Ontario Royal Commission on Book Publishing is also included.
The records document Canadian publishers' participation in foreign book fairs and the Montreal Book Fair. Detailed records have been maintained on the proceedings of ACP publishing policy conferences and publishers' professional development seminars. Considerable documentation exists about the interaction between the ACP and associations and individuals representing libraries, educational institutions, booksellers and writers.
Significant correspondents with ACP staff and executive members include Dave Arnason, Beth Appeldoorn, Katherine Benzekri, Bill Bissett, Sally Bryers, Fred Cogswell, William Darnell, Jane Dobell, Robin Farr, Hugh Faulkner, W.E.P. Fleck, Nancy Fleming, Graeme Gibson, Shirley Gibson, Alastair Gillespie, Peter Grant, David Hancock, Ralph Hodgson, Jack Horner, Campbell Hughes, Paul Irwin, Don Jamieson, Luc Jutras, Naim Kattan, Susan Katz, Peter Kidd, Frank Keyes, Sheila Kieran, Georges Laberge, Patricia Lagace, John LeBel, Jack McClelland, David MacDonald, Roy MacSkimming, John Main, Gladys Neale, Jacqueline Nestman-Hushion, Gordon Pallant, J.Z. Leon Patenaude, Ellen Powers, Eva Radford, Bernie Rath, Angela Rebeiro, Ed Roberts, Toivo Roht, Dan Rosborough, Clyde Rose, Karl Seigler, Roy Sharpe, Alan Shute, Annabel Slaight, David Spence, Steve Stevanovic, Jack Stoddart, Anthony Toth, Linda Turnbull, Glen Whitmer and Randall Ware.
Included are the constitution, bylaws, letters patent, correspondence, reports, briefs, speeches and transcripts, budgets, financial statements, newsletters, brochures, catalogues, articles, clippings, press releases, minutes, and photographs.
Association of Canadian Publishers
The Archives holds the personal papers of the late Dallas W. Smythe (see fonds F-16), the first chair of SFU's Department of Communication Studies. Thomas H. Guback was a doctoral student of Dallas Smythe at the University of Illinois and maintained a professional relationship with Smythe for many years. Guback recently retired as a professor of communications, media studies, and advertising at the University of Illinois. He also served as a consultant in the area of the motion picture industry, and writes and hosts a television program on the Public Broadcasting System (PBS).
The collection consists of correspondence from or about Dallas Smythe, articles written by Dallas Smythe, copies of memorial lectures about Smythe, and photographs of Smythe at work and with his family.
The collection consists of seven files.
Collection consists of digital copies of a complete run of The Pedestal, a feminist periodical published by the Vancouver Women's Caucus and edited by the Pedestal collective. The periodical referred to itself as a women's liberation newspaper and later as a lesbian-feminist newspaper; it published non-fiction, personal stories, poetry, reviews, letters to the editor, news of the women's movement, informational resources, a dream page and a calendar of events. It was distributed to individual subscribers, women's groups and sold by members at demonstrations and political events, and was available at bookstores and other locations around Vancouver. The Pedestal engaged in debates with members and readers over homosexuality, socialism and relationships with men, and addressed political issues such as abortion, childcare, education, anti-imperialism and patriarchy.
Contributors include Liz Briemberg, Colette Connor, Deb Dubelko, Susan Dubrofsky, Pat Feindel, Barb Finlayson, Eileen Hausfather, Pat Hoffer, Nym Hughes, Beth Jankola, Sylvia Lindstrom, Judi Morton, Jean Rands, Anne Roberts, Diane Schrenk, Sharon Stevenson, Marcy Toms and Dodie Weppler.
Volume VI, Numbers 3 and 4 were published under the title Women Can.
Fonds consists of records relating primarily to the academic and professional life of Bill Richards, and in part to his personal life. Activities, topics, and events documented include Richards’ course development and instruction; academic conference participation and presentations; research projects and partnerships; writing and publications; computer software development, implementation, communications, and analyses; grant writing and applications; employment; and his death and memorial. Records include correspondence, notes, course syllabi, program manuals and data sets, publications and reports, grant applications, conference programs and proceedings, software programs, and sound and moving image recordings.
Fonds is arranged into 7 series:
The fonds consists of records relating to the editorial, business and community activities of Press Gang Publishers. Activities and events documented include the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; administration; collective, staff, Board of Directors and committee meetings; financial management, and grant applications; the management of royalties and rights; editorial work including manuscript receipt and evaluation; the physical production of Press Gang books; the promotion and marketing or Press Gang titles; and liaison with other feminist and publishing organizations.
Record types includes correspondence and reports; meeting agendas, minutes and supporting papers; photographs; grant applications and financial statements; contracts and agreements; manuscripts; book reviews and promotional material; photographs; and published books.
Press Gang Publishers
The fonds of the Instructional Media Centre consists of records created and received in the course of carrying out one of its functions. The activity documented is taking photographs requested by other university departments. The types of documents include photographic contact sheets, prints, negatives and slides. Appendix A1, "How to Find Archival Photographs" is available in hard copy form.
Fonds also consists of moving images and accompanying material produced by the Instructional Media Centre and its predecessors and successors.
Creative Services Group
The fonds consists of records made or received by the TeleLearning Network's management office in the course of administering the Network's affairs.
Activities documented include Annual General Meetings and meetings of the Board of Directors and TeleLearning committees, Network financial administration and budgeting, communications, media relations and web presence, the holding of annual TeleLearning Conferences, NCE reporting, management of research projects, and promotion of TeleLearning spin-off companies.
Records include meeting agendas, minutes and supporting papers; NCE application submissions and working papers; reports, including Annual Reports, NCE statistical reports and the final NCE report; letters patent of incorporation, Network internal agreements, memoranda of agreement, by-laws, policies and procedures; correspondence, notes, and working papers; budgets, financial statements, audit reports, tax returns, year-end documents and planning documents; conference programs, audio tapes of conference presentations, conference promotional material and artifacts; TeleLearning software products on CD ROM, and TeleLearning's web site (burned onto a CD in September 2002); communications plan, press releases and press clippings.
Record media include paper, electronic (spreadsheets, word-processing documents, graphics formats, and html files), optical disks, audio tapes, photographs, graphics and artifacts.
TeleLearning Network Inc.
Fonds consists of records created or received by the Peak Publications Society primarily in the course of publishing The Peak, the student newspaper of Simon Fraser University. Activities and topics documented include the establishment and organization of the Peak Publications Society; developing sources of funding; the production of the newspaper, including the taking of photographs required to illustrate stories published; the hiring and duties of Peak staff members; and other publishing ventures of the Peak Publications Society. Includes a complete run of The Peak newspaper from 1965 and other published material such as the Terminal City Express, The Dic (student course guide), and The Peak Handbook. Also includes certification of incorporation, constitution, agendas, minutes, financial records, correspondence, and other documents, as well as contact sheets, prints, negatives, and microfilm reels.
Peak Publications Society
Fonds consists of records relating to Roberts's career at SFU. Includes correspondence, press releases, flyers, clippings, newsletters, publications, transcripts of speeches, notes, buttons, and cartoons and other artwork. Also includes a set of sound recordings made by Roberts while he was Director of the University News Service.
The fonds consists of records arising from Smythe's activities with the University of California, Berkeley; the U.S. Central Statistical Board; the U.S. Department of Labor (Wage and Hour Division); the U.S. Federal Communications Commission; his academic work; and from his various personal activities. Fonds includes correspondence, teaching materials, publications, research materials, reports, written testimony, reference material, and other records.
The fonds consists primarily of records relating to the business activities of Press Gang Printers; it also includes some records arising from the collective's participation in the British Columbia Federation of Women. Activities and events documented include incorporation, the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; collective and committee meetings; administration and unionization; financial management, grant and loan applications, and fundraising; liaison with other organizations in the women's movement and in other social movements; production and press work; marketing and promotion; and the financial difficulties leading to the closure of Press Gang in 1993.
Record types includes articles of incorporation; correspondence and reports; meeting agendas, minutes and supporting papers; collective agreements; photographs; ledgers, financial statements, income tax returns, and annual reports; printing samples (newsletters, newspapers, leaflets, brochures, posters, cards and other graphical material); production logbooks and customer accounts; and a Press Gang quilt.
Press Gang Printers
The fonds consists of records made and received by Tom Mallinson in his role as a professor and as a consultant for outside organizations. Includes correspondence, lectures and publications.
Mallinson, Thomas J.
Fonds consists of records created, received and collected in the process of publishing Makara magazine. Records reflect general operation, correspondence, production, and advertising. Includes correspondence, notes, distribution lists, articles, clippings, surveys, manuscripts, lay-out roughs, illustrations, press releases, contracts, promotional material and notes.
Fonds consists of records documenting the business activities of Nunaga Publishing and its president, Rick Antonson. Fonds is divided into the following sub-series: Corporate records (1973-1988); Book and magazine project files (1970-1980); Sales and distribution records (1974-1983); Correspondence (1973-1984); Submissions and proposals (1974-1979); Government and book information files (1974-1980); Publicity and related records (1973-); and Douglas & McIntyre files (1977-2006).
Nunaga Publishing Company Ltd.
Fonds consists of materials generated from Duthie Books Ltd.'s business activities selling and marketing books in Vancouver, BC. Fonds has been arranged into the following fourteen series: Administrative records (1971-1999); Renovation files and architectural plans (1993-1998); Business proposals (1992-1998); Strategic planning and restructuring files (1998-1999); Duthie Books 40th anniversary project files (1966-1997); Press clippings (1984-1999); Sales and marketing files (1993-1999); Publication files (1986-1999); Readers & Writers (Knowledge Network) program video recordings (1995-1996); Virtual bookstore venture records (1993-1994); Mail orders (1990-1992); Bookmarks ([1957?]-1999); Artworks and awards (1970, [199-]) and Ephemera ([199-]).
Duthie Books Ltd.
Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.
Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–) and Personal records (1994–2007).
Beaulieu, D.A. (Derek Alexander)
The fonds consists mainly of textual materials, including correspondence and diaries. Also present are photo albums, photographs and negatives. The fonds has been arranged into the following seven series: Personal correspondence (1934-1988), Diaries (1914-1973), Desktop diaries (1962-1973), Personal miscellaneous items (1937-1978), Photographs (1927-2002), and Outlawry of War (1921-1960).
Brown, George Harrison
Fonds consists of records relating to the life and published journalism and books of Allan Fotheringham. They include newspaper clippings, scrapbooks, photographs, notebooks, correspondence, magazines, books, a typewriter, certificates, awards, conference name tags, and born-digital documents.
The fonds consists of records created by Duke from approximately 1946 to 2006. They are related to all aspects of Duke’s life and career. Among other types of records, the fonds includes:
• Drafts of Duke's articles, essays and speeches
• Personal and production photographs
• Annotated working scripts of various television and film productions
• Personal and administrative correspondence
• Legal records, personal and administrative correspondence pertaining to the takeover of CKVU-TV
• Personal notes
• Press clippings featuring work by and about Duke
• Ephemera collected by Duke
• Audio/visual material
Series have been determined during archival processing and are primarily based on the various activities that Duke engaged in over his life and working career (see the Arrangement note below for more details about series arrangement). The series are:
• Friends of Canadian Broadcasting
• Banff Television Festival
• Vancouver Awards Show
• General business correspondence
• Personal correspondence
• Essays and articles
• Personal notes
• Personal journals
• Personal publicity
• Film and television works
• Audio recordings
Fonds consists of correspondence, scripts, screenplays, newsletters, articles, films and other records created or accumulated by Norman Klenman over the course of his career as a journalist, film and television writer and producer, and the joint owner of the CKVU television station. The records include draft and final version scripts and screenplays and related records for radio, television, and film (both produced and unproduced). Also included is correspondence, agreements and financial and project-related records of various production companies of which Klenman was a joint owner, in particular Galanty Productions Limited (Galanty Limited). The fonds also contains some personal records; these include correspondence pertaining to Klenman’s career, as well as articles and other writings by Klenman. The records have been arranged into the following six series: Personal records (2002-2010); Articles and general writings (1986-2006); Business files (1952-2004); General scripts, screenplays and related records ([ca. 1946]-2010); Television scripts, screenplays and related records (1956-2010); Film scripts, screenplays and related records (1953-2008); and CKVU records (1958-2011).