Fonds consists of the literary papers of BC writer Anne Cameron. Records include manuscripts, ephemera, photographs, news clippings, correspondence, periodicals, notebooks, and floppy disks.

The fonds consists of correspondence, notebooks, and manuscripts of Betty Lambert relating to her career as a writer and a university professor.

The Pacific Socialist Education Association’s Pacific Tribune Photograph Collection comprises over 40,000 35-mm images taken for the weekly Vancouver labour newspaper Pacific Tribune. The images cover a twenty-year period, from 1972 to 1992, one of the most active periods in British Columbia’s labour history.
Included in the collection are images from some of the most tumultuous events involving British Columbia’s labour movements:

• the province-wide campaign against insurance rate increases introduced by the new Social Credit government in 1976
• the opposition to federal wage controls that culminated in a one-day national work stoppage in 1976
• the historic Solidarity movement in 1983
• labour’s campaign — that also included a one-day work stoppage in 1987 — against government legislation that severely curtailed the right to organize unions and bargain collectively

The collection is also a rich source of images from political and other social movements, including:

• rallies and campaigns for human rights
• internationally recognized Vancouver walks for peace during the mid-1980s
• anti-poverty and housing movements
• womens' rights
• First Nations' movements
• environmental campaigns

Fonds consists of files related to the publication of Dandelion Magazine, including invoices, cheque requisitions, bank statements, board bylaws, corporate registration information, subscriptions, advertising campaigns, minutes, promotional materials, grants, and correspondence. Fonds also consists of copies of Dandelion and Blue Buffalo magazines, and chapbooks published by the Dandelion Magazine Society.

Fonds consists of records relating to Sandy Shreve's work as a poet, editor, and founder of BC's Poetry in Transit program. Records include correspondence, poetry manuscripts, and book files.

Fonds consists of records created by Carole Rubin while working on her books How to Get Your Lawn off Grass and How to Get Your Lawn and Garden off Drugs . Records include correspondence, manuscripts, and research on pesticide use.

The fonds consists of records arising from the mandated functions of the Board of Governors as described in the administrative history. The fonds includes meeting minutes, agendas, and supporting documents; reports; financial papers; contracts; architectural drawings; search and review committee records including c.v.'s, reference letters, and appointment forms; news clippings and other documents. The fonds also includes a collection of policies and procedures, many of which had to be approved by the Board.

The fonds is arranged into the following series:

• Official Minutes
• Agenda support papers
• Policies and procedures
• Correspondence
• Board reports
• Special hearings
• Committees
• Minute appendices and indexes
• Meeting dockets
• Board Retreats and Strategy Sessions

The fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.

The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).

Fonds consists of master videotapes and notes from two film projects: documentary portraits of Gerry Gilbert (The Big Break), taped in 1988, and Voice: Roy Kiyooka, taped in 1991.

The fonds consists of records created and received in the course of the formation, establishment and operation of the union, primarily during the period 1976-1987. The records reflect the initial drive to charter, organize and certify the union; the internal administration of the union, including elections and finance; negotiations with the administration to establish and renew contracts; efforts to maintain, expand, represent and inform the membership; participation in the provincial organization of the Association of University and College Employees and cooperation with other AUCE locals, and other unions; and involvement in industrial action. Also included are records of the Graduate Students' union, a forerunner, though not direct predecessor, of TSSU. The records include the charter and bylaws; committee agendas and minutes; financial statements; correspondence; membership lists; election materials; reports; negotiation minutes and collective agreements; mediation and hearing records; convention minutes; strike materials; publications and publicity materials. The records as received had no obvious overall arrangement. Duplicate material has been removed where practicable, but the mixed nature of the files requires researchers to be prepared to search for records on matters of interest.

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

This fonds contains textual and photographic materials compiled by Jim Douglas, primarily relating to his various business and professional work in the field of book publishing. There is also printed material he compiled while researching legal topics relevant to publishing such as libel, copyright, contract and professional standards.

The series contained in this fonds are as follows: Series 1: Business records (1968-2006), Series 2: Records pertaining to legal topics (1982-1990), and Series 3: Project files (1970-1985).

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

Fonds consists of correspondence, photographs and ephemera as well as published and unpublished manuscripts from several authors: Victoria Walker, Stephen Stepanchev, Lionel Kearns, George Stanley, Robert Creeley, Ed Dorn, Joan Kyger, Bill Corbett, Duncan McNaughton, Robin Blaser and Michael Davidson.

The fonds consists of materials generated by the operations of the Indigenous Media Arts Group (IMAG), including administrative and financial records, publications, correspondence, meeting minutes, staff and business contact lists, volunteer coordination records, IMAG’s internal forms, resumes, staff and student information. The fonds includes records relating to funding, promoting and coordinating various Indigenous arts development programs, including grant applications, sponsorship agreement, activity reporting, teaching materials, correspondence, festival schedules and guides, publicity materials, press clippings and festival advertisement. In addition, there is a small collection of textbooks on film making. The fonds also contains records specific to the IMAGeNation film festival, including films submitted for the festival, and films created by IMAG staff and students. The fonds contains festival posters and photographs from festivals and other events.

Fonds consists of materials documenting mainly the personal life of the Halpern family but also includes some records relating to George's and Fanny's scientific and professional interests. Activities and topics documented include the Halperns' emigration to Canada, George's scientific research and business enterprises, his work with Brock House (a senior citizen's centre), Ida's community interests, and Fanny's medical career in China.

Fonds consists of records generated from Al Neil's work as a musician, artist and writer, as well as his personal and family records. These include family photographs, records from Neil's military service, correspondence, documentation of performances, art exhibitions and collages, clippings of interviews and reviews, original manuscripts and drafts, published writings, grant applications, posters, and material related to his and Carole Itter's cabin at Dollarton, North Vancouver, BC.

Fonds has been arranged into the following eight series: Correspondence (1959–2010); Writings (1968–1996); Professional records (1936-2009); Reviews and clippings (1958–2009); Personal records (1940–1994); Photographs ([185-]–[200-]); Videos (1978–2005), and Sound recordings (1976–1987).

The fonds consists of manuscripts, correspondence and other textual material.

The fonds consists chiefly of correspondence.

The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.

The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.

The fonds consists of records created or accumulated by Flood through her activities as a writer. Records include notes, drafts, correspondence with publishers, contracts, promotional materials, reviews, royalty statements, notebooks, handwritten manuscripts and copies of published journals in which Flood’s works are printed.

The fonds has been arranged into the following three series: Short stories (1961-2008); Novels (1974-2004); and Essays, talks and reviews (1972-2006).

The fonds consists of a letter from Reed to Mark Wilson of Arcata, CA.

The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.

This fonds consists of primarily of correspondence between members of the Woodsworth/MacInnis families, along with photographic material documenting extended family and some key events. James Shaver Woodsworth (J.S.) was a leader of the social democratic movement in the early 20th century and a co-founder of the Co-operative Commonwealth Federation (CCF) party in 1932, of which his daughter and son-in-law were also key figures. However the subject matter of most of this fonds is of a personal familial nature, rather than in-depth political discourse or strategizing. Included in this fonds are notes, manuscripts and letters, primarily written between himself and his wife, Lucy Staples Woodsworth during the years he was serving first as a clergyman through to his involvement and arrest at the Winnipeg General Strike in 1919, as well as an extended tour of Europe and Russia with Lucy in 1932. There are a few letters between J.S. and his children as they mature and pursue careers but even when J.S. ceases to be the primary author, there is news of him in the correspondence of Lucy up until his passing in 1942.

The bulk of content in this fonds consists of correspondence between Lucy Woodsworth and her daughter Grace Woodsworth MacInnis, although there are occasional letters to, from or between her other children Belva, Ralph, Charles, Bruce and Howard. The content of this material is primarily anecdotal as Lucy informs Grace of her day-to-day activities and meetings. There is some mention of her political activities and leanings - particularly of her attendance at a Women's International League conference in 1924 or in correspondence with Grace's husband, Angus MacInnis - but most letters contain news of friends and family, of health and daily activities.

Because many of these letters were originally assembled by Grace MacInnis herself, there is a subsection of correspondence between herself and Angus, from the very first days of their courtship through their combined political careers in Parliament and up until Angus's passing in 1964.

The collection consists of records associated to the Occupy Vancouver movement covering the years 2011 and 2012. It comprises records related to Occupy Vancouver Committees (General Assembly, Volunteer Coordinating Committee, Info Tent), photographs of activists and objects (teddy bear, pins, flags). The collection includes records associated with the court case between the City of Vancouver and Sean O’Flynn-Magee, Jane Doe, John Doe and other unknown persons. The records have been arranged in the following six series: Committee records (2011); Court case records (2011); Photographs and moving images (2011); Notebooks (2011); Publications (2012); Adbusters ([2011-2012]).

The fonds consists of correspondence, typescripts, submissions, subscription and business records, and other material.

The fonds consists of correspondence, manuscripts, a mailing list and other material.