- MsC 37
The fonds consists of manuscripts, correspondence and other textual material.
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The fonds consists of manuscripts, correspondence and other textual material.
The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.
Women and Words Society
The collection consists of pamphlets, posters, leaflets and scattered newspapers and periodicals in French and German. The bulk of the material concerns the Vichy government of France; the remainder includes anti-German and anti-Vichy government propaganda circulated by the French Resistance, the Austrian Liberation Front, etc.
The fonds consists of letters sent to British poet Tom Raworth, a manuscript of Dorn's book "Gloucester Out" and other material.
The fonds consists of records reflecting Gustafson’s career as a successful artist and editor. They include Artichoke business records, correspondence with Hilary Stewart, artwork, financial records and other miscellaneous records. The fonds is arranged into the following seven series: Correspondence; Koerner book records; financial records; Artichoke business records, Crafts book records, miscellaneous records and publications.
Records consist of videotaped poetry performances and textual records relating to the annual Visible Verse videopoem festival held at Pacific Cinematheque in Vancouver, B.C.
The fonds consists of correspondence, photographs and newspaper clippings pertaining to the Modernettes and John Armstrong (Buck Cherry). The fonds is arranged into the following six series: correspondence, newspaper clippings, the Modernettes records, financial ephemera, pins and photographs.
Fonds consists of correspondence, handwritten poems, a newspaper clipping and an essay written by William Stafford and mailed to former SFU professor Frederick Candelaria. Photographs of manuscript pages are also included.
Collection consists of typescript, manuscript and handwritten poems, wartime letters between Trevor Blakemore and Philip Godfray, between Ann Driver (Blakemore) and Philip Godfray, between Ann Driver (Blakemore) and Madame Godfray, and a memorial service program for Trevor Blakemore. Correspondence reflects themes such as British literary clubs, the wartime attitudes of the Blakemores, BBC wartime broadcasts and the evacuation of children from Nazi-occupied Channel Islands.
The collection consists of copies and a small number of photographs of political cartoons dealing with Canadian and international events that took place from 1759 to 2006. Canadian topics include conscription, immigration, French-language rights, native self-government, imperialism, nationalism, labour conditions, women’s suffrage, and prohibition. The cartoons deal with, among many other topics, the Sino-Japanese War of 1894, the French conquest of Algeria, the Cold War, the war in Vietnam, and World Wars I and II. Publication dates of the newspapers and magazines from which the collection was copied range from 1846 to 2006. Dates of the events covered by the cartoons range from the mid-eighteenth century to 2006.
Ruth Emerson Wortis was a pioneer of modern dance, as well as a prolific choreographer, performer and dance educator. She was one of the founding members of the Judson Dance Group, which itself is credited for the rise of the Postmodern dance movement. This fonds follows the development of Ruth’s career through an extensive collection of performance programs, photographs, music scores, publications and reviews, choreographic materials such as dance and movement scores, and both personal and professional notes. Also seen is the effect of Ruth’s academic and teaching career on her dancing style as, over the years, she shifts slightly from the avant-garde for performance sake towards breaking down gender stereotypes in dance education by encouraging dance for movement’s sake to children and community groups.
This fonds contains seven identifiable distinct series. Series 1: Dance, movement and music scores (1957-2002); Series 2: Photographs (1957-1991); Series 3: Flyers and programs (1959-2002); Series 4: Published reviews and articles (1959-2001); Series 5: Writings and correspondence (1978-2001); Series 6: Ruth Emerson Wortis biographical information (2015-2017); and Series 7: Ruth Emerson Wortis performances and interviews (1989-1998).
Emerson Wortis, Ruth
Fonds consists of records documenting the business activities of Nunaga Publishing and its president, Rick Antonson. Fonds is divided into the following sub-series: Corporate records (1973-1988); Book and magazine project files (1970-1980); Sales and distribution records (1974-1983); Correspondence (1973-1984); Submissions and proposals (1974-1979); Government and book information files (1974-1980); Publicity and related records (1973-); and Douglas & McIntyre files (1977-2006).
Nunaga Publishing Company Ltd.
Fonds consists of records created by Rick Patton; they reflect his life and work as a filmmaker and freelance sound engineer in Vancouver, B.C.
Fonds consists of records documenting Timothy Taylor's work as a writer of fiction in Vancouver, B.C. Records consist of project notes, correspondence, drafts of both Stanley Park and Story House and workbooks for novels. The fonds is arranged into three series: Project notes; Stanley Park records; Story House records.
Fonds consists of broadsides, chapbooks and business records generated by Mother Tongue's publishing activities.
Mother Tongue Publishing
Fonds consists of records created and received by Bud Osborn during his life and work as an activist, poet and community organizer in Vancouver's Downtown Eastside. Records include legal documents, reports, manuscripts, photographs, correspondence, royalty statements, sound recordings and research.
Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.
Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–) and Personal records (1994–2007).
Beaulieu, D.A. (Derek Alexander)
The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.
The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books
The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.
The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. Also includes papers related to Zonailo's academic work at various universities, as well as personal memorabilia, phonograph recordings and audio-cassettes of Zonailo's poetry set to music, video-cassettes, musical scores, literary periodicals, books by other authors (mostly inscribed to Zonailo), poetry broadsides, chapbooks, and ephemera. Records related to Zonailo's work as a member or the planning committee of the C.G. Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology.
The fonds consists of correspondence to Cid Corman from Louis Zukofsky. Corman has made notes on the margins of some of the letters.
Fonds illustrates George Stanley’s work as a poet in San Francisco, New York, Vancouver, and Terrace, spanning from the late 1950s to the present. Fonds also documents Stanley’s interactions with the broader literary scenes, including publishers and other writers. Fonds is divided into seven series: Correspondence (1967-2007), George Stanley poems and other writings (1957-2011), Works of other writers ([ca.1957]-2011), Literary events and publication (1972-2011), Personal documents (1972-1990), Photographs of George Stanley and associates (1964-1983).
Records in the fonds include: correspondence, loose leaf and bound typescripts, manuscripts, notebooks, chapbooks, sound recordings, personal journals, published materials, financial records, and photographs.
Stanley, George Anthony
The fonds includes photographs and examples of the stock sold by the company including ruled account books, greeting cards, religious books, and games.
G.S. Forsythe & Co.
The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.
The fonds consists of one bound copy of six plays in manuscript. The volume is entitled Mr. Seckers Manuscript, Secker being the prominent British publisher, Martin Secker. According to Seckers handwritten note at the front of the volume, these plays formed part of a volume he published in 1923.
The fonds consists of typescripts and audio reels of CBC radio reviews of stage plays, motion pictures, children's books and popular culture events and festivals, especially those held in the Lower Mainland area of B.C. Fonds also includes related publicity materials.
The collection consists of correspondence written by Ezra Pound while in St. Elizabeth's Hospital to Denis Goacher, a British writer, concerning publishing projects and publicity schemes to secure Pound's release (1952-1957), to Pound's long-time friends Wyndham Lewis and Agnes Bedford (1946-1959), and to Willis Hawley, a sinologist, concerning linguistic and technical details involved with the publication of "Confucius: The Great Digest and Unwobbling Pivot" (1951). Some of the correspondence to Hawley was written by Dorothy Pound and James Laughlin.
Pound, Ezra Loomis
Fonds consists of holograph drafts and typescript drafts of poems and criticisms, press proofs, notebooks (including Davey's childhood writing in elementary and secondary school), university essays, book reviews, records relating to a brief to the Applebaum-Hebert Commission (1983), drafts relating to various critical works, university course outlines and conference material, research material, "dream journals", records relating to the journal "Open Letter" and to Coach House Press, and correspondence. Correspondents include George Bowering, Lionel Kearns, Louis Dudek, Dennis Lee, Dave Godfrey, Fred Wah, and Talonbooks. Fonds includes records of "Open Letter", a literary journal edited by Davey; archives of the writers agency, Linda McCartney, Writers Agent (1971-1976); also email correspondence relating to ACCUTE (Canadian Association of Canadian College and University Teachers of English) ca. 1993-1999.
Fonds contains drafts and manuscripts of articles, short fiction, scripts, and novels, as well as originals and reproductions of Coady’s publications, notebooks, reviews and articles about Coady and her work, and other records related to Coady’s writing and editing activities and projects. The fonds is arranged in four series: Writing and editing ([199-]-2011); Publicity ([199-]-2011); Personal ([199-?-2010?]); and Correspondence (1999-2006).
Fonds consists of chapbooks, page proofs, editorial and production notes on 43 titles published by Nomados from 2002-2014. Includes correspondence, publicity and distribution records. Alphabetical and chronological lists of publications included in Box 1. These titles are also listed on the publisher website: http://www.nomados.org/nomados.htm
Nomados Literary Publishers