The fonds consists of records reflecting Gustafson’s career as a successful artist and editor. They include Artichoke business records, correspondence with Hilary Stewart, artwork, financial records and other miscellaneous records. The fonds is arranged into the following seven series: Correspondence; Koerner book records; financial records; Artichoke business records, Crafts book records, miscellaneous records and publications.

Fonds consists of records related to Mclntosh's publication and bookselling activities at Colophon Books. Records reflect the planning and preparatory stages of publications, book advertisement, and sales. Records include several Colophon Books chap books and broadsides, printed and illustrated by Jim Rimmer of Pie Tree Press, BC. Records are arranged into two series: Subject files and Publication files.

The fonds consists of drafts of manuscripts of poetry, essays and articles, short fiction, scripts, and novels, originals and reproductions of publications in which Turner's and other author's works have appeared, clippings of reviews and articles about Turner and his published works, and other records and ephemera related to Turner's writing, editing, and publishing activities and projects. It also contains photographs, notes, clippings, correspondence, audio and digital recordings, ephemera and press materials related to Turner's musicianship, including his stint in the Hard Rock Miners. The fonds is arranged in seven series: Music; Writing; Publishing, editing, and consulting; Teaching; Acting; Event promotion, management, and judging; and Correspondence.

The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.

The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books

The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.

Fonds consists of the administrative records of the School, copies of communications and promotional materials, and audio recordings of talks and readings. Records in the fonds include correspondence, grant applications, collective meeting minutes, budgets and annual financial reports. Communications and promotional materials include press releases, brochures, and posters.

Fonds is divided into seven series: Society administration (1984-2003); Office administration (1984-2003); Financial records (1984-2006); Programming (1984-2002); Publicity (1984-1998); Professional associations and external organizations (1985-1995); and Audio recordings (1985-2006).

Fonds consists of manuscripts, page proofs, editorial and general correspondence, contracts, promotional and biographical materials. Included in the fonds are archival materials for Vi Plotnikoff's Head Cook at Wedding and Funerals (1994), first collection of Doukhobor short stories published and the first widely published literary writings by a Doukhobor woman, and George Elliott Clarke's poem-novel Whylah Falls (1990), later adapted for the stage and film, along with materials related to the publication of other works in Polestar's catalogue.

The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.

Fonds consists of records created or accumulated by Derek Beaulieu through his personal and professional activities, primarily from the 1990s to 2015. Records document his work as publisher of housepress and No press, and his work as a writer, editor, art and literature student and creative writing instructor.

Fonds is arranged into the following eight series: housepress (1997–2007); No press (2005–2015); Writings (1991–2015); Correspondence (1994–2015); Artworks (1996–[before 2013]); Notebooks, sketchbooks and daytimers (1987–2015); Promotional records ([199-]–[2015]) and Personal records (1994–2007).