- MsA 33
The fonds consists of one letter from Whalen to Leo Eutsler; monograph by Whalen, Like I Say (1960).
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The fonds consists of one letter from Whalen to Leo Eutsler; monograph by Whalen, Like I Say (1960).
The fonds includes correspondence; photo-ready copy, masters, proofs and layouts for most of the Press broadsides; financial/administrative records, ephemera.
Press of The Black Flag Raised
The fonds consists of correspondence, manuscripts, photographs, and other material.
The fonds consists of manuscripts, correspondence and other textual material.
The fonds consists of manuscripts, correspondence, notebooks, etc.
The fonds consists of manuscript, galleys, and corrected proofs for the book Rational Geomancies, edited by McCaffery and bpNichol (Talonbooks, 1992).
The fonds consists of correspondence and creative work (poetry mainly) submitted to the magazine to be considered for publication.
The fonds consists of production records, correspondence, manuscripts and typescripts, proofs and galleys, promotional material, reference files, and business records, including financial statements, transaction records, royalty statements, and inventory records. Fonds includes records of the little magazine "Talon". Correspondence and manuscripts include contributions from Margaret Avison, Margaret Atwood, Victor Coleman, Bill Bissett, George Bowering, Jim Brown, Frank Davey, Gary Geddes, Barry McKinnon, bp Nichol, Michael Ondaatje, David Phillips, James Reaney, David Robinson, George Ryga, Audrey Thomas, Phyllis Webb, Michel Tremblay, Fred Wah, David French, Robin Blaser, David Arnason, Brian Fawcett and many others.
The fonds consists of correspondence related to the organization of the conference, student journals, transcripts of conference proceedings, and notes of student organizers.
The Coast is only a line
The fonds includes manuscripts and proofs.
Fonds consists primarily of correspondence with Canadian writers.
The fonds consists of correspondence; news clippings, photographs, inscribed copy of Choy's novel The Jade Peony.
The collection consists of posters relating to World War I propoganda.
The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.
The fonds consists of incoming correspondence (some accompanied by poems) to Eshleman by Allen Ginsberg, W.C. Williams and Florence Williams, Robert Duncan and Edward Dorn. Fonds includes some outgoing correspondence to Asphodel Bookstore in Cleveland, Ohio.
The fonds consists of correspondence to Cid Corman from Louis Zukofsky. Corman has made notes on the margins of some of the letters.
The fonds consists of correspondence (e-mail), manuscripts, photographs, and graphic material.
The collection consists of letters written by Charles Olson to five men who edited and published his works: Robin Blaser, Andrew Crozier, Barry Hall, LeRoi Jones, and Ed Sanders. Some of the letters were accompanied by manuscripts produce by Olson during the period 1965 to 1969. Collection includes a group of student assignments (mostly poetry) collected by Olson when he was in residence at University of British Columbia in 1963.
The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. Also includes papers related to Zonailo's academic work at various universities, as well as personal memorabilia, phonograph recordings and audio-cassettes of Zonailo's poetry set to music, video-cassettes, musical scores, literary periodicals, books by other authors (mostly inscribed to Zonailo), poetry broadsides, chapbooks, and ephemera. Records related to Zonailo's work as a member or the planning committee of the C.G. Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology.
This collection consists of pen and brush drawings based on the flora (fungi, wildflowers, trees) and fauna (butterflies, owls, foxes, birds, and insects) of British Columbia. The representations are from different locations in B.C.: Bridge River, Williams Lake, Manning Park, and Vancouver. The records have been arranged in the following five series: Wildflowers of British Columbia: Bridge River (1959); Wildflowers of British Columbia: Williams Lake (1959); Wildflowers of British Columbia: Manning Park (1959); Wildflowers of British Columbia: Vancouver (1959); and Wildflowers of British Columbia: General (1959).
Fonds consists of records relating to the academic and professional life of Iris Garland, and in part to her personal life. Activities, topics, and events documented include Garland’s establishment of SFU’s dance program; course development and instruction, including early telelearning education; independent and university choreography work; university and dance community service; presentations and writing; education and employment; and some of her early life. Records include notes, course syllabi, copies of clippings and reviews, performance programmes, reports, proposals, publications, correspondence, photographic materials, and sound and moving image recordings.
Fonds is arranged into 10 series:
Fonds consists of records arising from the academic and professional life of Paul Delany. Activities and topics include course planning, academic articles and reviews, research and drafts for his books, academic conference attendance, refereed and non-refereed articles, book reviews. Fonds also consists of records arising out of his university committee work, work with graduate students, departmental planning, grant writing and applications. Finally, there are some records relating to non-SFU organizations.
The fonds consists of articles, research, manuscripts, course syllabi, notes, minutes, correspondence, grant applications, conference papers and proceedings.
The fonds is arranged in 5 series:
Fonds primarily contains examples of art created by Charles van Sandwyk from 1987-2005. The art includes prints, ephemera from books published by van Sandwyk, and ephemera from art exhibitions. Also included is biographical items about van Sandwyk, and two photographs of the artist. The material is arranged based on the type of material and, when applicable, the book for which the art was created. The fonds is divided into five series: Series 1. Biographical Items, Series 2. Books, Series 3. Promotional Materials, Series 4. Book Ephemera, Series 5. Art Ephemera.
Van Sandwyck, Charles
Fonds consists of the administrative records of the School, copies of communications and promotional materials, and audio recordings of talks and readings. Records in the fonds include correspondence, grant applications, collective meeting minutes, budgets and annual financial reports. Communications and promotional materials include press releases, brochures, and posters.
Fonds is divided into seven series: Society administration (1984-2003); Office administration (1984-2003); Financial records (1984-2006); Programming (1984-2002); Publicity (1984-1998); Professional associations and external organizations (1985-1995); and Audio recordings (1985-2006).
Kootenay School of Writing
The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.
Fonds consists of records reflecting Hoffer`s bookselling and publishing activities during the 1980s. Records include correspondence, fiscal files, client files, journals, book catalogues, galleys, proofsheets, critical pieces, articles, and review. The fonds is composed of the following series: Series 1. Correspondence, Series 2. Publication files, Series 3. Business files, Series 4, Miscellaneous.
Fonds consists of 63 letters and 1 postcard sent by Creeley to Richard Wirtz Emerson of Golden Goose Press, publisher of Creeleys Le Fou (1952); also typescripts of poems, stories and essays sent with the letters.
The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.
The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books
The collection reflects Rimmer’s career as a designer, illustrator, printer, and publisher, and his involvement with members of the printing community and various associations. Records document Rimmer’s graphic design, typeface design and printing processes and accomplishments, and the publication activities of Pie Tree Press. The extensive graphic material within the collection includes sketches, drawings and prints. Also included are Rimmer’s linocut and woodcut blocks, as well as master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts for many of his metal typefaces. The collection is arranged into nine series: Correspondence (1930-2010, predominant 1978-2010); Subject files (1938, 1956-[2009?]); Pie Tree Press publications and related material ([ca. 1978-2009]); Typeface design ([1971-2010]); Commercial work (1960-2009); Art prints and illustrations ([1970-2010]); Promotional and advertisement material ([197-?]-2008); Works by others regarding Jim Rimmer (1982-2012); and General photographs (1961-2002).
Fonds consists of correspondence, scripts, screenplays, newsletters, articles, films and other records created or accumulated by Norman Klenman over the course of his career as a journalist, film and television writer and producer, and the joint owner of the CKVU television station. The records include draft and final version scripts and screenplays and related records for radio, television, and film (both produced and unproduced). Also included is correspondence, agreements and financial and project-related records of various production companies of which Klenman was a joint owner, in particular Galanty Productions Limited (Galanty Limited). The fonds also contains some personal records; these include correspondence pertaining to Klenman’s career, as well as articles and other writings by Klenman. The records have been arranged into the following six series: Personal records (2002-2010); Articles and general writings (1986-2006); Business files (1952-2004); General scripts, screenplays and related records ([ca. 1946]-2010); Television scripts, screenplays and related records (1956-2010); Film scripts, screenplays and related records (1953-2008); and CKVU records (1958-2011).