The fonds includes records of the administration and activities of the Women and Words Society, including minutes, correspondence, financial and payroll records, submissions, fundraising records, documentation of events and its mentorship program.
Women and Words SocietyThe fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.
Women in View FestivalFonds consists of textual records, including submitted manuscripts, paste-ups, editorial notes, subscriptions, correspondence, and other records related to the periodical (f.)Lip. The fonds has been arranged into the following two series: Editorial files, and Administrative and business files.
(f.)Lip MagazineFonds consists of the literary papers, video recordings, slides, posters, promotional material and digital records of Adeena Karasick. Records document her work as a poet and performer, blurring lines between academic discourse and popular culture in the fields of contemporary poetry, poetics and cultural and semiotic theory.
Karasick, AdeenaFonds consist of materials relating to Kiyooka's work as an artist and writer, principally correspondence and other writings. Also included are photographs, photomontages, financial records, teaching notes, audiotapes and other material.
Kiyooka, RoySeries consists of analogue and digitized artistic films which are possibly created by Arthur Erickson. Imagery depicted include landscapes, children, architecture, and subjects interacting with each other and their surroundings.
Fonds consists of records relating to the business of Phoenix Press, and the publication of Cougar Hunter: A Memoir of Roderick Haig Brown. Records include a business agreement, correspondence, design and production files, printer proofs with edits and comments, promotional and sales records, cover artwork, and finished book.
Phoenix PressFonds consists of concert ephemera, posters, promotional material, photographs, correspondence, and audio recordings created and collected by Heather Haley. Records illustrate her involvement in the Vancouver punk scene, including her bands the Zellots, and the 45s. Other notable members from Vancouver punk bands are represented in the photographs and ephemera collected by Haley.
Haley, HeatherSeries consists of analogue sound recordings of radio interviews, lecture series, news documentaries, and a soundtrack for the Architectural Institute of America awards ceremony. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.
Series consists of analogue and digitized motion picture documentaries, exhibitions, TV programs, news reels, interviews, Architectural Institute of America meetings, and aerial footage. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.
Note that a number of the motion pictures include duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS), so total item numbers do not correspond with total objects.
Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.
The fonds has been arranged by the archivist into seven series:
• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)
The negatives depict Hudson in his shops in Vancouver (Cambie Street and later Marine Drive), as manager of the Kingait print cooperative at Kinngait (previously Cape Dorest), and socializing in Vancouver, Burnaby and Powell River.
The individuals depicted in the photos, sometimes identified by first name in the file titles, include:
Wil Hudson
Keith, Betty and Brendan Shields
Fritz Jacobsen
Bill Shoebotham
Harold Johnston
Frances Johnston
Sean Johnston
The fonds consists of manuscript pages and editorial notes relating to Peter Quartermain's edited Robert Duncan collection. Research is organized chronologically by poem or play. Additional information available on author’s website: http://www.nomados.org/PeterQ.htm
Quartermain, PeterThis fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:
Series 1: Correspondence
Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations
Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles
Series 4: Teaching & Events
Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events
Series 6: Publications
Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.
Thesen, SharonThe fonds consists of sheet music, pipe band directories, paintings, photographs and other material.
Walker, Carl IanFonds consists of broadsides, chapbooks and business records generated by Mother Tongue's publishing activities.
Mother Tongue PublishingFonds consists of research sources, drafts, correspondence, interviews, journals, magazines, teaching files, essay files, grant applications, and tax information. Records document Zolf's work as a poet, critic, editor, essayist, filmmaker and professor at the New School and University of Calgary. People with whom Zolf regularly corresponds include poets Charles Bernstein, Anne Waldman, Michael Davidson, Rodrigo Toscano, Erin Moure, Joan Retallack; theorist Judith Butler; artists Josiah McElheny, Zoe Leonard and Moyra Davey, and publisher Alana Wilcox.
Zolf, SydThe fonds consists of records relating primarily to Innes’ drawing, painting, and writing. Records include original cartoons, publications containing Innes’ work, a chapbook, exhibit programs and reviews, and images of Innes’ paintings, as well as photographs of Innes, biographical material, and a patent agreement.
The fonds has been arranged into six series: Records relating to Innes’ paintings ([190-?]-1943); Illustrations and cartoons ([between 1880 and 1941]); Publications (1900-[ca. 1934]); Photographs of Innes ([192-?-193-?]); Patent (1 Feb. 1919); and Records relating to Innes created after his death ([1941]-1945).
Innes, John ClarkeItem is a cartoon by Innes showing a soldier confronting a man labelled “Bagdad” with the caption “Tommy Atkins (& Harim el Raschid, Bagdad): “‘Arim, old sport. You’re bloomin well pinched!”
Innes, John ClarkeItem is a cartoon by Innes showing “A. Slacker” crossing the U.S. border into Canada, away from a sign stating “U.S. at war. Selective conscription,” to find a sign stating “Canada rejects voluntary enlistment and adopts selective conscription.”
Innes, John ClarkeItem is a colour cartoon by Innes showing a First Nations woman “British Columbia” with a feast.
Innes, John ClarkeItem is a colour cartoon by Innes showing an “American demagogue” grabbing the tail of a large British lion.
Innes, John ClarkeItem is a cartoon by Innes showing Sir Joe Flavelle walking a pig labelled “$3,000,000.00 profits on bacon” into a bank with the caption “Sir Joseph: Come into your nice sty, piggy. The kind [?]-Keeper will look after you while I am away doing lots more patriotic work.”
Innes, John ClarkeItem is a cartoon by Innes showing the arm of “Allies’ Food Commission” stopping a bandit aiming a gun labelled “high prices” at a woman and her savings.
Innes, John ClarkeItem is a cartoon by Innes showing David Lloyd George standing over war needs including ammunition and food products.
Innes, John ClarkeItem is a cartoon by Innes showing children aiming toy guns and swords at a man with pockets full of candy and packages.
Innes, John ClarkeItem is a cartoon by Innes showing a sign stating “Militants attention. The tyrants have again resorted to forcible feeding,” likely referring to the treatment of hunger-striking suffragettes in Britain. A character named “Indigent Arnold” stands next to the sign and the caption reads “I wish the bloomin’ tyrants would get a’old of me.”
Innes, John ClarkeFile consists of an original ink drawing of a bright star over a landscape, with a border of holly, as well as a newspaper clipping including the illustration.
Innes, John ClarkeFile consists of 2 copies of a portrait of Innes. One is marked “Copyright 1923 P. Bentley.”
Innes, John ClarkeFile consists of newspaper clippings relating to Innes’ paintings.
Innes, John Clarke