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Faculty of Education fonds

  • F-233
  • Fonds
  • 1963 - 2005

The fonds consists of records made and received by the Faculty of Education in the course of administering its programs and operations. Activities documented include policy and procedures development, budget planning, and relations with staff, faculty members, and students; the self-governance of the faculty through the faculty meeting and faculty committees; the evolution of the faculty's administrative structure and its re-organizations; the administration of faculty departments and centres (prior to 1972) and program area divisions (after 1972); the development of curriculum and delivery of courses; liaison with other SFU bodies and departments, other universities, government bodies and agencies, school boards, and professional associations relating to education; and special events held by the faculty, including conferences, colloquia, and public lecture series. Textual records include meeting agenda and minutes, reports, correspondence, publications, statistics, notes and working papers. Non-textual media include photographic material, architectural drawings, and audio and audio-visual recordings. For more detailed descriptions, see the series-level descriptions.

Note that there are a number of gaps in the coverage of the fonds. No records have been transferred from the Dean's office (series 1) for the period after 1984. The series of committee records (series 3) includes no or very few files from several of the faculty's standing committees (Field Programs, Appointments, Tenure and Promotion, and Research Opportunities). The holdings of the early centres and departments of the faculty (series 4) are slight, with the exception of those for the Department of Behavioural Science Foundations. Of the program area divisions established after the 1972 reorganization (five as of 2008), only one (Professional Programs) has transferred its records to the Archives (series 5).

Faculty of Education

Institute of Fisheries Analysis fonds

  • F-240
  • Fonds
  • 1960 - 1998

The fonds consists of records made and received by the Institute of Fisheries Analysis in the course of administering its day-to-day operations. Activities and topics documented include the establishment, organization, and operation of the Institute (including its physical space); budget and funding; projects, programs, and agreements; IFA publications and publicity; and student, staff, and IFA member relations. Records in the fonds include correspondence, minutes, contracts, internal directories, reports, discussion papers, subject files (relating to fisheries research), press clippings, and IFA brochures.

Note that the records of the Institute of Fisheries Analysis contain university records from the Centre for Canadian Studies and the Department of Economics and Commerce. This anomaly likely occurred because of Parzival Copes’s involvement as director and instructor within each of these bodies. The records he used would have been maintained together in whichever office he occupied. For further information on these records see the descriptions and notes for Series F-240-5: Centre for Canadian Studies records and Series F-240-6: Department of Economics and Commerce records.

Institute of Fisheries Analysis

Simon Fraser University Gallery fonds

  • F-90
  • Fonds
  • 1965 - 2001, predominant 1965 - 1987

The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.

Simon Fraser University Gallery

Facilities Management Department fonds

  • F-11
  • Fonds
  • 1960 - 2003

The Facilities Management fonds consists of records created and received in the course of the administration of the Department and the carrying out of its functions, which changed over time. The original responsibilities of the department included building the physical plant of the University, maintaining buildings and grounds, and providing support services such as food, traffic control, and security. Later, its functions were narrowed to the construction and maintenance of the physical plant and grounds.

The activities documented include policy and procedures development; the planning, construction and maintenance of the University's physical plant and grounds, including land acquisition and liaison with outside consultants and bodies; and the planning and delivery of services to the University, including water and power, traffic, security, fire prevention, purchasing, bookstore operations, central stores, mail, and food. The types of documents include meeting agenda and minutes, certificates, contracts, correspondence, copies of deeds, legal releases, lists, maps, memoranda, architectural plans, reports, and design specification books.

Facilities Management

Patent

Series consists of a patent agreement filed by Innes and John Linkison King in New York City, for a device to be used in the navigation of ships and airplanes.

Innes, John Clarke

Publications

Series consists of publications by Innes as well as publications containing his work. Records include a chapbook of poetry written and illustrated by Innes, an issue of The Canadian Magazine containing an article by Innes, newspaper clippings, and layout materials for a short story.

Innes, John Clarke

[Obituaries]

File consists of newspaper clippings of obituaries and articles relating to Innes’ death.

Innes, John Clarke

[Unsigned Christmas card to Mr. McLorg and Mrs. John Innes]

Item is a Christmas card inscribed “And may we, all working together, find a worthy place for John Innes’ Great Work, portraying in 21 pictorial chapters the historic conquest, by The Pioneers, of Canada’s Vast Spaces!” This likely relates to the “From Trail to Rail” collection of Innes’ paintings.

Innes, John Clarke

Subject files

Series consists of records related to specific projects and topics, including Rimmer’s participation in the design of the Burgess Italic typeface and the debate concerning its origins. Other records include photographs relating to printing in Vancouver’s Chinatown, taken for inclusion in an American Typecasting Fellowship article; photographs of Rimmer’s foundry and jazz band; articles written by and about Rimmer; notes explaining his work process; awards; miscellaneous prints; and material relating to Frederic W. Goudy and Cobblestone Press.

Rimmer, Jim

Correspondence

Series consists of incoming and outgoing correspondence of a personal and business nature between Rimmer and various members of the printing community, including Paul Duensing, Jules Remedios Faye, Richard L. Hopkins, Richard Kegler, Robert R. Reid, William Rueter, Andrew Steeves, Christopher Stern and Alan C. Waring. Correspondence includes technical advice and comments on recent work. Records also include contact information, thank you letters and prints, as well as correspondence related to various organizations, including the American Typecasting Fellowship, Typochondriacs and the Alcuin Society.

Rimmer, Jim

Pie Tree Press publications and related material

Series consists of material related to publications issued by Pie Tree Press, including books, prints, and broadsides. Includes material relating to Rimmer’s work on an abandoned book entitled “Fred Goudy, Type Designer,” and the development and publication of A Christmas Carol, Shadow River: the Selected and Illustrated Poems of Pauline Johnson, Leaves from the Pie Tree and The Adventures of Tom Sawyer, as well as various Wayzgoose publications. Types of material in this series include drafts, mock-ups, proofs, prints, drawings, illustrations, pamphlets, booklets, broadsides, linocuts, and master patterns.

Rimmer, Jim

Typeface design

Series consists of material related to Rimmer’s design and production of typefaces for both the Rimmer Type Foundry and the Lanston Type Company. Records include preliminary sketches, drawings in ink and pencil, transparencies, samples, digital print-outs, electronic files, master patterns, specimen castings, matrices, lead working patterns, and cast metal sorts. Some files contain notes and instructions for modification, and some include explanatory comments written by Rimmer. Electronic files were created by Rimmer on a Macintosh computer using the typeface design software IKARUS and saved to 3.5" floppy disks and compact discs.

Rimmer, Jim

Promotional and advertisement material

Series consists of material related to the promotion and advertisement of Rimmer’s typographic and graphic design work. Records include sample linocut prints, typeface samples, illustration proof-sheets, portfolios, and commercial advertisements.

Rimmer, Jim

Works by others regarding Jim Rimmer

Series consists of works created by others relating to Jim Rimmer. Included are articles pertaining to Rimmer; journals, broadsides and pamphlets set in Rimmer typefaces; and memorial books. Series also includes records relating to the staging of ‘Rimmerfest’ at the SFU Vancouver campus in the fall of 2006. These records include electronic copies and colour printouts of photographs taken at ‘Rimmerfest’ and for a video presentation at the event; writings about Jim; a guestbook; and nineteen broadsides produced by friends and colleagues for the event.

Rimmer, Jim

Art prints and illustrations

Series consists of numerous prints and illustrations created by Rimmer as art pieces, as well as linocut blocks, woodcut blocks and stencils created by Rimmer to produce prints. Includes images of animals, people, still life, Frederic W. Goudy and keepsakes created for the American Typecasting Fellowship, (A.T.F.) and other associations.

Rimmer, Jim

Commercial work

Series consists of sample, draft and completed commercial work produced by Rimmer as a free-lance designer employed by various companies, organizations and individuals. Records include items completed by Rimmer for Colophon Books, including Alison’s Fishing Birds and preliminary work on Allen Ginsberg’s Meditations at Lake Louise; editorial cartoons created by Rimmer for the Williams Lake Tribune from 1960 to 1961; and numerous prints, paintings, and logos created for commercial purposes. Companies, organizations and individuals represented include Murchie’s Tea and Coffee Ltd., Canada Mortgage and Housing Corporation, Air Canada, Vancouver Public Library, Hot Jazz Club, the band Heart, Whistler village, Shrine Circus, and Douglas & McIntyre Publishers.

Rimmer, Jim

General photographs

Series consists of slides and prints featuring images of Jim Rimmer, as well as various aspects and stages of the printing process and the design and cutting of metal typefaces in his studio. Also included is an image of Gerald Giampa.

Piers Island “Sons of Freedom” Doukhobor Imprisonment collection

  • MsC 147
  • Collection
  • 1932-1934

The collection offers insight into the imprisonment of the “Sons of Freedom” between 1932 and 1934 at Piers Island Penitentiary. The “Sons of Freedom” Doukhobors began as a small, radical movement to reinvigorate the faith, restore traditional Doukhobor values, and protest the sale of land, education, citizenship and registration of vital statistics. They would achieve infamy through civil disobedience, nude marches, and burnings. In 1932, over 600 Sons of Freedom protestors were convicted of public nudity. As B.C. Penitentiary was unable to handle such a rise in inmate population, a satellite prison under the authority of B.C. Penitentiary was constructed on Piers Island to house these prisoners. The records document how the prison was set up and run and the problems that the federal prison system encountered regarding both staff and prisoners. The correspondence and telegrams shed light on the internal discussions of senior officials concerning the management of the prison and its prisoners.
Fonds consists of correspondence, memoranda, telegrams, and other textual records pertaining to the Piers Island Penitentiary created or accumulated by H. W. Cooper during his career as the warden of B.C. Penitentiaries. The fonds also contains photographs which were all taken at Piers Island. The textual records predominantly consist of letters to and from H. W. Cooper regarding the penitentiary, staff, and prisoners. The records have been arranged into the following two series: Correspondence and other documents (1932-1934); and Photographs ([between 1932 and 1934]).

Personal records

Series consists of correspondence and other records pertaining to the career, projects and interests of Anita Rau Badami. Records include her thesis and videocassettes with her interviews. Series also contains invitations to the Vancouver International Writers and Readers Festival and Adelaide Festivals

[Miscellaneous]

Scope and content: File includes handwritten notebook titled “Ideas” with no date and three floppy disks titled “Anita thesis U of C.”, “SM stories children pieces”, and “Latest Kamini main disc”. It includes also congratulations from the Department of English of the University of Calgary regarding her M.A. dissertation and her curriculum vitae

[VHS and audio cassettes on Anita Badami]

File includes five VHS videocassettes. Two of them sent by the Bukowski Agency titled “Anita Rau Badami”, one titled “TVO Anita Rau Badami”, one titled “Anita” and one titled “Anita Rau Badami – Ent Desk”. File also includes two audio cassettes titled “CBC India 50th century” and “Midnight’s Children: Fiction of South Asia” of Los Angeles Times Festival of Books

[General correspondence]

File includes correspondence over the correction of some chapters of The Hero’s Walk and Can You Hear the Nightbird Call? It includes invitation to the 2001 Vancouver International Writers and Reader Festival and 2002 Adelaide Festival. The file also includes articles and general correspondence on Anita Badami’s everyday life

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