Fonds consists of broadsides, chapbooks and business records generated by Mother Tongue's publishing activities.

Fonds consists of correspondence, manuscripts, notes, articles, and promotional materials created or accumulated by Robert Bringhurst over the course of his career as a typographer and writer. The majority of records were created in 2000 or later, as the donor had also donated records to Library and Archives Canada in the past.

The records include manuscripts of several of his major publications, as well as draft versions and speaking notes for many essays written and talks delivered throughout his career. Also included is correspondence with friends, publishers, and colleagues, translated editions of many of his books, and promotional materials such as posters and brochures for many conferences, festivals, and other events Bringhurst participated in. The fonds also contains some personal records, including birth, marriage, and death certificates from his immediate family. A timeline of major life events and activities has been included by the donor.

The records have been arranged into the following six series: Biographical material (2013); Personal records (1913-2013); Chronological files (1954-2013); Correspondence (1971-2013); Manuscripts (2013); and Broadsides and posters ([ca. 2000-2013]).

The materials in this series consist of media clippings, programs, pamphlets, bookmarks and promotional posters.

The materials in this series consist of media clippings, photographs, programs, pamphlets, bookmarks and promotional posters.

The records in this series consist of media clippings, programs, a photograph, pamphlets, bookmarks and promotional posters.

The materials in this series consist of media clippings, programs, pamphlets, bookmarks and promotional posters.

The fonds comprises records made or received in the course of administering and carrying out the Women in View Festival's functions and programs. Most of the records originated with the Board or with Festival employees. Activities documented include media promotion of the Festival board; management of the Festival's finances; evolution of the Festival's organizational structure; production of the Festival's newsletter; committee and annual general meetings and retreats; correspondence; and reports . Records include meeting minutes and supporting papers; correspondence; reports; copies of the Festival newsletter; newspaper clippings; photographs and negatives; video cassettes and audio cassettes.

The fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.

The fonds has been arranged into 8 series: Literary works; Correspondence; Interviews; Book reviews and announcements; Notebooks and early writings; Artistic works; Photographs; and Ephemera. Some of the series are further subdivided into sub-series.

Fonds consists of predominantly of media works (photographs, moving images, sound recordings, graphic materials) created by LIDC and its predecessors. Records were created in the course of the department's work to provide media and technical support for university teaching and research; support instruction in the development of innovative teaching methods; produce publications to communicate and promote SFU and its programs; and create an audio-visual record of campus events and activities. Records include photographs in various formats (negatives, contact sheets, prints, slides), graphic design materials (drawings and cartoons), sound recordings and moving images; textual records comprise print publications created for client departments.

The fonds has been arranged into five series based on media type and subject:

• Photographic material (series 1).
• Moving images (series 2).
• Convocation recordings (series 3 - audio and video).
• Graphic and design works (series 4).
• Reports and publications (series 5).

This collection contains records of the British Columbia Social Credit Party, predominantly in relation to the operations of Burnaby-Edmonds constituency. The collection includes records relating to other selected ridings where by-elections took place and party wide records relating to provincial elections. A considerable amount of records relates to the Social Credit Party leadership campaigns, party annual conventions and BC Young Socred organization. The majority of records cover period between 1978 and 1996, but some records reach as far as 1950 and 2005.

The collection contains administrative and day to day operations records such as memos, correspondence, membership list, contact lists, organizational constitution and by-laws, statements, committees’ minutes, and messages. In addition, the collection contains handbooks, manuals, reports and informational booklets intended to instruct candidates and volunteers on campaigning methods and strategies. Many of these records provide insight into shaping and evolving of the policies and electoral platforms of the Social Credit Party. In addition, the collection contains provincial election and party leadership campaign managing records that include candidate profiles and lists, internal correspondence and memos, and external use records intended for the promotion of the Social Credit Party and its candidates. The collection also includes a number of newspaper clippings, party newsletters, articles, posters, photographs, campaign buttons, video and sound recordings of events and promotional material.

The collection is arranged into to eight series: 1. Assembled books; 2. Government publications; 3. General documents; 4. Newspaper clippings and party newsletters; 5. Photographs; 6. Posters; 7. Buttons; 8. Audio and video recordings.

Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. Includes drafts of her first three novels: Tamarind Mem (1997), The Hero’s Walk and Can You Hear the Nightbird Call?. There are no records related to her last novel, Tell it to the Trees (2011). The records have been arranged in the following four series: Personal records (1992-2003); Tamarind Mem (1994-2001); The Hero’s Walk (1999-2005); Can You Hear the Nightbird Call? (2003-2006).

The fonds consists of manuscripts by contributors to nos. 1-7 of the Resuscitator magazine, with accompanying correspondence. Includes 320 items (approx.) holographs, typescripts, 3 photographs, and 1 linoblock.

The fonds is a hybrid, containing graphic materials, artifacts, textual records, and born digital records created or received by Tin Whistle Brewing Company during the production, distribution, and promotion of their craft beer line. Records include glass bottles, wooden and ceramic beer tap handles, labels, posters, signs, banners, table cards, beer profiles, t-shirts, beer glasses, bottle blueprints, gift certificates, temporary tattoos, business cards, pamphlets, awards, and digital images. Records also include digital copies of newspaper and magazine articles documenting the company's achievements.

The fonds has been arranged by the archivist into six series:
• Beer bottles and growlers (series 1)
• Beer tap handles (series 2)
• Promotional materials and merchandise (series 3)
• Awards (series 4)
• Photographs (series 5)
• Media publicity files (series 6)

Series consists of analogue and digitized films created by Erickson during his travels to Afghanistan, Cambodia, China, Ethiopia, Greece, India, Indonesia, Italy, Japan, Mexico, Nepal, Pakistan, and Tanzania. Subjects include local inhabitants, architecture, and wildlife.

Series consists of analogue and digitized motion picture documentaries, exhibitions, TV programs, news reels, interviews, Architectural Institute of America meetings, and aerial footage. The subject of these motion pictures includes Erickson, the Erickson/Massey Architects firm, and specific buildings and designs by Erickson.

Note that a number of the motion pictures include duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS), so total item numbers do not correspond with total objects.

Fonds consists of moving images, sound recordings, and textual records relating to Arthur Erickson, his achievements, his travels, and his friends and family. Moving images include documentaries; exhibitions; TV programs; Architectural Institute of America meetings; artistic films; and home movies documenting Erickson's travels and family life. Note that a number of the films are duplicates stored on different mediums (e.g. Betacam, U-matic, and VHS). Sound recordings include radio interviews, lecture series, news documentaries, movie soundtracks, and a soundtrack for the Architectural Institute of America awards ceremony. Textual records include two books and two pamphlets.

The fonds has been arranged by the archivist into seven series:

• Travel films (series 1)
• Audiovisual materials related to Arthur Erickson (series 2)
• Published materials related to Arthur Erickson (series 3)
• Memorial pamphlets (series 4)
• Erickson family films (series 5)
• Artistic films (series 6)
• Sound recordings related to Arthur Erickson (series 7)

Series consists of two pamphlets associated with the Arthur Erickson memorial at Simon Fraser University, which took place on May 20, 2009.

The fonds consists of 16 audio cassette tapes, with a total of 10 interviews, conducted by poet Barry McKinnon of Prince George B.C. for a special issue of the Toronto magazine Open Letter on B.C. Poets and Print. The fonds also contains word-for-word interview transcriptions and transcriptions that have been edited for publication. Fonds also contains a grant proposal, correspondence, notes, drafts, and layouts related to producing the work. B.C. Poets and Print appeared in Open Letter (Seventh series, nos. 2-3) in 1988.

Collection consists of diaries, photographs, a passport, correspondence and an award issued to Allan Grant from the Saskatchewan Wheat Pool in 1974.

Fonds consists of correspondence with Canadian writers George Bowering, Roy Kiyooka, Daphne Marlatt, and Fred Wah, and of correspondence with David Robinson of Talonbooks.

This fonds illustrates Sharon Thesen’s work as a poet, writer, and teacher, and also contains records pertaining to her personal life in terms of finances and relationships. It has been broken down into six series: Correspondence, Writing, Writing by Others, Teaching & Events, Personal Records, and Publications. The arrangement is as follows:

Series 1: Correspondence

Series 2: Writing
Sub-series: Drafts, Edits & Typescripts
Sub-series: Reviews and Interviews
Sub-series: Awards: Judging and Nominations

Series 3: Writing by Others
Sub-series: Typescripts
Sub-series: Reviews, Interviews & Articles

Series 4: Teaching & Events

Series 5: Personal Records
Sub-series: Financial Records
Sub-series: Ephemera
Sub-series: Personal Photos
Sub-series: Life Events

Series 6: Publications

Fonds consists of correspondence, written works by Thesen and other writers, photographs, and other records accumulated by Thesen between [197-?] and 2000. Records include correspondence, poems, reviews, and other written works, notes, a notebook, magazine & newspaper clippings, photographs, a small branch, a color print on paper, cassette tapes, personal and financial records, teaching materials, computer disks, screen printed paper prints, and event promotional materials & invitations.

Fonds consists of records created or received by Adbusters Media Foundation through the organization's publishings, advocacy campaigns, legal action, and merchandising. The fonds is a hybrid, containing born-digital materials as well as paper and analogue textual records, graphic materials, audiovisual materials, and artifacts. Records include magazines, books, posters, pamphlets, digital newsletters, digital spoof advertisements, graphic designs, mockups, memes, promotional photographs, marketing plans, operational notes and manuals, financial statements, correspondence, legal records, talking notes, and website captures. Records also include interview transcriptions and copies of newspaper and magazine articles documenting the organization's achievements. Graphic, textile, and ceramic merchandise also make up a notable portion of the fonds.

The fonds has been arranged by the archivist into twelve series:
• Administrative records (series 1)
• Publications (series 2)
• Campaign records (series 3)
• Legal action records (series 4)
• Blackspot campaign records (series 5)
• Merchandise (series 6)
• Talks (series 7)
• Events records (series 8)
• School projects records (series 9)
• Media coverage (series 10)
• Audio/video materials (series 11)
• Website captures (series 12)

Note that the processing of series 4 (Legal action records) is still in progress, and the description is not yet published.

Toby Brooks is an American-born social advocate and activist living in Canada with her husband David. Toby worked at a home for women survivors of domestic abuse in Ontario in the 1970’s and 1980’s. While furthering her education she came across the story of Vancouver poet Pat Lowther, murdered at just 40 years of age by her husband in 1975 when just on the brink of professional recognition. Pat Lowther’s untimely death resonated with Brooks, who spent the better part of the next two decades researching and interviewing Lowther’s friends, family, and colleagues. The end result was a biography entitled “Pat Lowther’s Continent: her life and work” published by gynergy books in 2000. Toby also organized a series of tributes dedicated to Pat Lowther. The first was held in 1995 at Emmanuel College in Toronto, with others following at various locations on what would have been her milestone birthdays.

This collection consists of textual records compiled primarily by Toby Brooks, but also some research material from her collaborator Dona Sturmanis. The records are mainly correspondence, interview transcripts and photocopies of poems. There are also copies of research records obtained from other archives or organizations.

There are 3 series contained within this collection: Research and writing ([ca. 1959-2006]); Toby Brooks-Dona Sturmanis collaboration ([before 2000]); and Pat Lowther tributes and readings ([ca. 1985-2006])

Fonds consists of materials related to the production and publication of the multimedia and literary arts zine called Rattler, including correspondence, photographs, publicity, drafts and original layouts, artwork, related posters and zine publications, poetry submissions, and copies of the published zines. Fonds also includes t-shirts that were produced to promote the zine, and one file of original layouts created by Heather Haley for the poetry section of LA Weekly.
The archivist has arranged the fonds into two series:
General operational records (series 1)
Publications (series 2)

The fonds consists the archive of poet and writer Barry McKinnon.

The fonds consists of materials related to Culley's writing, curatorial and editorial work, and includes notebooks, manuscripts, reference materials, proofs, correspondence, ephemera, photographs, and negatives. The fonds also includes a diary, manuscripts by others, magazines, and Vancouver International Film Festival programs.
The fonds has been arranged by the archivist into 9 series:
Writing (Series 1)
Works by others (Series 2)
Correspondence (Series 3)
Personal (Series 4)
Editorial and curatorial (Series 5)
Reference material (Series 6)
Ephemera (Series 7)
Photographs (Series 8)
Biographical information (Series 9)

The fonds consists of letters from Zukofsky to the poet Cid Corman. The fonds also contains four letters to the poet Walter Lowenfels.

The fonds consists primarily of Acorn's finished poems and pages of preliminary drafts. Fonds includes some correspondence (1964) and prose manuscripts.

Fonds consists of 22 linocut blocks created by Bev Leech in 1961, as a senior thesis project at the Vancouver School of Art (now Emily Carr University of Art and Design) to produce the book, A Glossary of Typographical Terms by Simon Oliver.