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Series consists of various research records, works of others, and works about Wah, as well as other types of related records, such as correspondence, used by Wah for both personal and professional purposes.
The records in this series have been arranged into the following two sub-series: Works about Wah, and General records.
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Series consists of works written by others about Wah. It includes reviews of Wah's work, academic works written about Wah's poetry and other writings, and interviews with Wah.
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File consist of reviews of works by Wah from various sources, some photocopies.
Originally assigned the file/item number MsC 17a.25.9.
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File consists of text of interview of Wah conducted by Peter Darbyshire over email. Likely for inclusion in the magazine “Write: The Magazine of The Writers' of Union of Canada,” although the issue the interview was published in could not be located.
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File consists of volume 7, issue 1 of the periodical “Sagetrieb,” which features an article about Wah by Pamela Banting, entitled “Fred Wah’s syntax: A Genealogy, a Translation.”
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File consists of 3 drafts of an interview with Wah by Roger Farr, entitled “Surpise, unpredictability, and improvisation: an interview with Fred Wah.”
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File consists of various articles and essays by and about Wah.
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File consists of interview transcript from an interview between Steven Ross Smith, Director of Literary Arts at The Banff Centre, and Wah, as well as a letter and photographs from Smith.
For preservation reasons, photographs MsC 17c.31-MsC 17c.36 have been removed from this file and are located in Box 12.
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File consists of the text of an interview between Nicole Martotić and Fred Wah.
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File consists of correspondence with Xiwen Mai in the form of a series of interview questions by Xiwen Mai, a graduate student in English at the University of Michigan.
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File consists of a press packet from Andy Kwong.
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File consists of correspondence and question list for a “Canada Writes” interview, and initiative that is part of the CBC literary awards.
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Series consists of general research records and works of others kept by Wah for personal and professional purposes, as well as other types of records relating to these works, such as related correspondence.
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File consists of cards, chapbooks, broadsides, pamphlets by various authors, including Wah. Contains works of others and also some works by Wah.
Originally assigned the file/item number MsC 17a.27.6-7.
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File consists of manuscripts and typescripts, many with holograph additions, corrections, and notes, all by writers other than Wah.
Originally assigned the file/item number MsC 17a.26.4-10, MsC 17a.27.1-5.
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File consists of reproductions of various writings by Robert Creeley. Creeley served as a visited instructor in the English Department at the University of British Columbia from 1962 to 1963, during which time Wah was a student there.
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File consists of a paper by Neap [Hoover?] entitled “A Haida Myth: Raven Creates Humans,” and an accompanying letter.
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File consists of 2 letters from Loewen and a book of his poetry.
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File consists of a copy of the MA thesis “Fred Wah’s Grammatological Practice” by Pamela Banting of the University of Winnipeg.
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File consists of correspondence from and poems by Jack Clarke.
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File consists of a document entitled “A preliminary bibliography” for Colin Browne’s film “Father and Son.”
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File consists of correspondence, notes, and research materials relating to the Minquon Panchayat group, an activist artist collective comprised of First Nations artists and artists of colour.
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File consists of records relating to Robert Kroetsch’s piece “I Wanted to Write a Manifesto”: 2 manuscript drafts of the work, related correspondence from Kroetsch, and a 3.5-inch floppy disk.
A 3.5-inch floppy disk, entitled “Manifesto Robert Kroetsch to Fred Wah/6 Dec 94,” has been removed from this file and is located in Box 14.
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File consists of the book “Anecdotal Waters,” by Pauline Dubois, Mireille Perron, and Paul Woodrow, as well as related materials.
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File consists of 2 (non-identical) copies of the manuscript of the book “Crybaby!” by Janice Williamson, as well as a note from Williamson to Wah.
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File consists of interview text and photographs relating to a (1996?) interview with Leung Ping Kwan, a poet from Hong Kong.
Photographs MsC 17a.55-MsC 17a.57 have been removed from this file and are located in Box 14.
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File consists of manuscript of a book chapter entitled “Chapter One: Imagism and Modern Ethnography,” part of an entitled work but likely an early chapter draft from the book “Transpacific Displacement: Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature,” published in 2002. File also contains page proofs for the book “Shi: A Radical Reading of Chinese Poetry.”
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File consists of manuscript for Brian Stefan’s “Gulf.”
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File consists of the manuscript of Jim Bazant’s work “Standing in Apostolic” and a letter from Bazant.
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File consists of the manuscript for Hilary Clark’s book “More Light” and a note from Marnie [Parsons?] requesting a blurb from Wah.
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File consists of final draft of Rita Wong’s book “Monekypuzzle” with an attached letter from the publisher requesting a blurb from Wah, as well as an earlier, undated typescript of the book.
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File consists of manuscript for the work “Maples and the Stream” by Lien Chao.
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File consists of typescript of the essay “Can Asian Adian: Reading the Scenes of ‘Asian Canadian,’” published in issue 33/34 of “West Coast Line.”
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File consists of various writings by and about bpNichol.
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File consists of a photocopied reproduction of the book “Wolf Net” by Michael McLure.
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File consists of a typescript of the work “Manitoba: Documents of the Spirit” by Ralph Maud, as well as a syllabus for the course “English 374-Sacred Geography II: Documents of the Spirit.”
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File consists of various materials by and about bpNichol, including selections of his writing and an inventory of his manuscripts.
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File consists of reproductions of Nichol’s writings and a photograph of Nichol.
For preservation reasons, photograph MsC 17c.13 has been removed from this file and is located in Box 23.
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File consists of typescript of a work entitled “P/Z: Sacred Geography: A Study of Juxtapositions in Patterson.”
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File consists of a draft of “Inchorate Road” by bpNichol, part of his work “The Martyrology.”
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File consists of typescript of poems and a piece by Steven Smith “A tribute to bp Nichol.”
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File consists of photocopied reproduction of selections from Don Byrd, John Clarke, and Susan Howe, from the book “In Relation: Acts 10.”
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File consists of a typescript of a chapter of an untitled work.
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File consists of Jeff Derksen’s review of Wah’s “Breathin’ my name with a sigh,” an accompanying letter to Pauline [Butling], and a copy of Derksen’s thesis.
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File consists of various assignments and notes by Jeff Derksen submitted to Wah from his time as a student at the University of Calgary.
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File consists of correspondence, outlines for lectures, and inventories of works relating to bpNichol.
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File consists of notes and writings from Dino Felluga, professor of English at Stanford University.
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File consists of manuscript of “The H.D. Book” by Robert Duncan.
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File consists of excerpts from, as well as correspondence and reviews relating to “The H.D. Book” by Robert Duncan.
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File consists of issue 8 of the periodical “Mondo Hunkamooga,” and a document entitled “History of the Trimble family as we know it,” written about a family from Swift Current, Saskatchewan.
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File consists of the writings “Horn OK Please” and “Catastrophe and Shame: Paris Journal, May 2002” by Stephen Scobie.
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File consists of a poem by Ken Belford written on a bookmark, an essay by Stephanie Kyoko McKinnon entitled “Constructing Identity,” and poems from Louise Bak’s book “Tulpa.”
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File consists of 2 essays by Douglas Barbour: “Traditions of Innovation/Innovations of Tradition,” and “Lyrics/Anti-Lyric: Some Notes About a Concept.”
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File consists of poems by Robert Kroetsch, including “Lines written in the John Snow house,” relating to his tenure as Markin-Flanagan Distinguished Visiting Writer at the University of Calgary. Kroetsch was one of two visiting writers from 2002-2003.
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File consists of the manuscript for the book “Past the Last Town: Chants Hums, and Ballads,” by Lynn Lidstone, as well as related correspondence between Lidstone and Wah.
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File consists of the manuscript of the book “with wax” by Derek Beaulieu, with a note to Wah from Beaulieu.
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File consists of typescript for the work “Fluttertongue Book 3: Disarray” by Steven Ross Smith, and related correspondence between Wah and Smith.
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File consists of galley proofs for the book “Fluttertongue 4: adagio for the pressured surround” by Steven Ross Smith, and an accompanying note from Alice Moulding of NeWest Press thanking Wah for reviewing the manuscript.
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File consists of manuscript of George Bowering’s book “Left Hook,” as well as an accompanying letter from Derek Fairbridge of Raincoast Books thanking Wah for reviewing the manuscript.
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File consists of one section of the manuscript of Diana Hartog’s book “Ink Monkey,” and an accompanying note from Hartog.
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File consists of correspondence and notes relating to a reading group about Erin Moure’s book “O Cidadán.”
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File consists of correspondence and administrative documents from the city of Vancouver and community groups relating to the renovation of the Woodward’s building on West Hastings Street in Vancouver, British Columbia.
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File consists of a student paper about Wah by a student at the the University of Salamanca.
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File consists of various works of others. Some items are related to Wah’s activities reviewing literature: drafts of the books “Organ Music: parts of an autobiography” by bpNichol and “Chaos Inside Thunderstorms” by Gary Gottfriedson, along with brief blurbs about the books, and a letter from Tim Merrill asking Wah to read his poetry. File also includes page proofs of an article by Iyko Day about Wah, “Interventing Innocence: Race, ‘Resistance,” and the Asian North American Avant-Garde,” the poem “Did you Say” by Rob Budde, and the poems “Abdijection” and “Abdijection 2” by Daphne Marlatt and Wah, respectively.